Excellent addition to any prog rock music collection
A slightly misleading title for this album, as it was actually the third release under the Renaissance name. In fairness though, the line up completely changed prior to the release of this album, which saw Annie Haslam take on vocal duties for the first time.
Essential: a masterpiece of progressive rock music
A rather forgotten band from USA,this quintet hailed from Fort Wayne at the state of Indiana.ETHOS got lucky to be signed by Capitol Records and soon they moved to New York in order to record their first album.By the end of 1975 the work was almost ready and the eight arrangements of ”Ardour” were all written by the leader of the band,vocalist/mandolin player/guitarist Will Sharpe.
Sweet struggled to earn credibility as album artists and/or score hits after finally wresting themselves free of songwriting/production team Nicky Chinn and Mike Chapman in the summer of 1974. They turned out a few albums before achieving both goals with Level Headed. The album gave them their final Top Ten hit with the dreamy “Love Is Like Oxygen,” a single that suggested that its accompanying record was a trippy mainstream pop record. Instead, it was one part of an ambitious sonic mosaic where Sweet tried a little bit of everything, cloaking it all in a neo-prog aesthetic.
By the time Grand Funk Railroad came to make Survival in January 1971, Cleveland Recording had moved to new quarters, and the group had become a national phenomenon, its last two albums Top Ten million-sellers.
Like the sublimely seedy roadside joints of America’s rural South — where you can shoot pool, buy fishing worms and have your lawnmower repaired all in the same room — Fetchin Bones are dedicated to the sort of unexpected variety that somehow seems to work. On their debut album, the North Carolina quintet peddles an exciting mix of revved-up rock, country twang, folk, blues and swing, driving it all home with unrestrained energy and unpolished charm. The crazed quaver in singer Hope Nicholls’ voice provides the heart of the Bones’ sound; three songs without her lead vocals are the album’s weakest cuts. Producer Don Dixon admirably translates the group’s wild-eyed persona to vinyl, but this is a band that must be seen live for a full grasp of their eclectic frenzy. Delightfully different graduates of the R.E.M.-inspired school of Southern pop. (The CD and cassette add three tracks.)
Having scored four consecutive Top Ten albums in the previous two years, Grand Funk Railroad may not have seemed to casual observers like a band who needed to rise phoenix-like from the ashes, but the title of the band's seventh album referred to its re-emergence after a litigious split from manager/producer Terry Knight.
Featuring "Mainstreet" and… "Night Moves"
Bob Seger recorded the bulk of Night Moves before Live Bullet brought him his first genuine success, so it shouldn't come as a surprise that it's similar in spirit to the introspective Beautiful Loser, even if it rocks harder and longer.
This is the album that Hendrix "owed" Capitol for releasing him over to Reprise Records and significantly, it isn't a studio effort, as his Reprise albums have been. Which is not to imply that it is any better than those Experience albums. The context of the album is vital — Band of Gypsys was one of Hendrix' 1969 amalgamations consisting of Buddy Miles on drums and Billy Cox on bass, among others. They hadn't been together very long when this session was recorded live at the Fillmore East, New Year's Eve 1969/70, and the music shows it.