Cannonball Adderley

Cannonball Adderley Quintet - Country Preacher (1969) {1994 Capitol Jazz}

Cannonball Adderley Quintet - Country Preacher (1969) {1994 Capitol Jazz}
EAC Rip | FLAC with CUE and log | scans | 234 mb
MP3 CBR 320kbps | RAR | 92 mb
Genre: jazz

Country Preacher is the 1969 live album by American jazz saxophonist Cannonball Adderley and his quintet. Originally released by Capitol Records, this was released by Capitol Jazz on 1 November, 1994.
Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {OJC Remasters Complete Series rel 2011 - item 06of33}

Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {OJC Remasters Complete Series rel 2011 - item 06of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 341 Mb | MP3 @320 -> 137 Mb
Full Artwork @ 600 dpi (png) -> 531 Mb | 5% repair rar | 24bit remastering
© 1961, 2011 Riverside / Concord | 0888072326910
Jazz / Hard Bop / Saxophone / Piano

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.

Cannonball Adderley - Somethin' Else (1958)  Music

Posted by v3122 at April 11, 2017
Cannonball Adderley - Somethin' Else (1958)

Cannonball Adderley - Somethin' Else (1958)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1992 | Mobile Fidelity Sound Lab, UDCD 563 | ~ 300 or 105 Mb | Scans Included
Jazz, Hard Bop

Cannonball Adderley gave up his own band in 1957 when he had the opportunity to become a sideman in Miles Davis' epic ensemble with John Coltrane, eventually resulting in some of the greatest jazz recordings of all time (including Milestones and Kind of Blue). Davis returned the favor in March of 1958, appearing as a sideman on Adderley's all-star quintet date for Blue Note, and the resulting session is indeed Somethin' Else…
Nat Adderley & Cannonball Adderley - Soul Zodiac (1972) {Stateside-EMI 50999 2 08515 2 1 rel 2008}

Nat Adderley & Cannonball Adderley - Soul Zodiac (1972) {Stateside-EMI 50999 2 08515 2 1 rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 420 Mb | MP3 @320 -> 158 Mb
Full Artwork @ 300 dpi (jpg) -> 34 Mb | 5% repair rar
© 1972, 2008 Stateside / EMI Records | 50999 2 08515 2 1
Jazz / Hard Bop / Soul Jazz / Jazz Funk / Cornet / Saxophone

A few seconds of spacy echo loops and you know where this album is coming from – the early jazz/rock era, the Age of Aquarius and all that. Yet this crazy amalgam of jazz, rock, electronics, and spoken astrological advice by the popular Los Angeles DJ Rick Holmes actually works, for the music behind the soulfully intoned words is very inventive and Holmes plays effectively off its rhythms.

Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}  Music

Posted by popsakov at Oct. 16, 2016
Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}

Cannonball Adderley - Somethin' Else (1958) {1986, Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 300 Mb | MP3 CBR320 ~ 105 Mb
Scans (PNG, 400 dpi) ~ 52 Mb | RAR 5% Recovery
Jazz, Hard Bop | Blue Note #0777 7 46338 2 6 / DIDX 899

Cannonball Adderley gave up his own band in 1957 when he had the opportunity to become a sideman in Miles Davis' epic ensemble with John Coltrane, eventually resulting in some of the greatest jazz recordings of all time (including Milestones and Kind of Blue). Davis returned the favor in March of 1958, appearing as a sideman on Adderley's all-star quintet date for Blue Note, and the resulting session is indeed Somethin' Else. Both horn players are at their peak of lyrical invention, crafting gorgeous, flowing blues lines on the title tune and "One for Daddy-O," as the rhythm team (Hank Jones, Sam Jones, Art Blakey) creates a taut, focused groove…
The Cannonball Adderley Quintet - Music, You All (2016) {Blue Note-Real Gone Music RGM-0454 rec 1972}

The Cannonball Adderley Quintet - Music, You All (2016) {Blue Note-Real Gone Music RGM-0454 rec 1972}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 312 Mb | MP3 @320 -> 118 Mb
Full Artwork @ 600 dpi (png) -> 238 Mb | 5% repair rar
© 1972, 2016 Blue Note / Capitol / Real Gone Music / Dusty Groove | RGM-0454
Jazz / Soul Jazz / Modern Jazz / Jazz Funk / Saxophone

Killer work from the same sessions that gave the world Cannonball Adderley's classic Black Messiah album – live material from an extended stretch as the Troubadour club in LA – featuring a very righteous, freewheeling version of Cannonball's group! The lineup features some wonderful work on Fender Rhodes from George Duke – who brings a more soulful, spiritual current to the proceedings than Joe Zawinul did in earlier years – a really commanding presence that hints at his brewing solo fame, and which is a very welcome addition to the core lineup, which also includes Cannon on soprano and alto, and brother Nat on cornet!
Cannonball Adderley Quintet - The Price You Got To Pay To Be Free (2016) {Blue Note-Real Gone Music RGM-0453 rec 1970}

Cannonball Adderley Quintet - The Price You Got To Pay To Be Free (2016) {Blue Note-Real Gone Music RGM-0453 rec 1970}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 483 Mb | MP3 @320 -> 178 Mb
Full Artwork @ 300 dpi (jpg) -> 23 Mb | 5% repair rar
© 1970, 2016 Blue Note / Capitol / Real Gone Music / Dusty Groove | RGM-0453
Jazz / Fusion / Soul Jazz / Modern Jazz / Jazz Funk / Saxophone

Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – one that really displays the full charm of their approach at the time, and that wonderfully crowd-winning mode that made Cannon a key act at this time for rock and soul audiences too! Adderley raps a bit at key points, and brings some righteous energy to the concert – while the rest of the group follow up with performances that really send the whole thing home – Nat Adderley on cornet, Zawinul on Fender Rhodes and piano, Walter Booker on bass, and Roy McCurdy on drums. Cannon plays some soprano sax, in addition to his familiar alto. Produced by David Axelrod too!
Cannonball Adderley - Live! (1964) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]

Cannonball Adderley - Live! (1964) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 288 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 600 dpi (png) -> 209 Mb | 5% repair rar | 24-bit remaster
© 2011 Capitol Records / EMI Music Japan | TOCJ-50152 | Jazz Masterpiece Best & More 999 Series
Jazz / Hard Bop / Soul Jazz / Saxophone

Cannonball Adderley with David Axelrod production – a combination that couldn't miss back in the 60s! In keeping with the success of the Mercy Mercy Mercy album done with Axelrod, Capitol did everything they could to catch Cannonball in a live setting – a great move, given the open, soulful energy his group had in the format – crowd-pleasing, but always plenty darn creative too! Added to the mix here is some nice production by David Axelrod, capturing all the right moments in all the right ways – especially when Joe Zawinul steps up to take some sweet solos on the keys – and the great Charles Lloyd serves up some mighty nice work on flute and tenor sax. Other players include Nat Adderley on cornet, Sam Jones on bass, and Louis Hayes on drums – and titles include "The Song My Lady Sings", "Little Boy With The Sad Eyes", "Work Song", and "Sweet Georgia Bright".
Cannonball Adderley - Sophisticated Swing (1957) {2013 Japan Jazz The Best Series 24-bit Remaster}

Cannonball Adderley - Sophisticated Swing (1957) {2013 Japan Jazz The Best Series 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 187 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 600 dpi (png) -> 122 Mb | 5% repair rar | 24-bit remaster | Mono
© 2013 EmArcy / Mercury / Verve / Universal Japan | UCCU-9960
Jazz / Bop / Hard Bop / Swing / Saxophone

Sophisticated Swing is the fifth album by jazz saxophonist Cannonball Adderley, and his fourth released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb. A couple of decades ago Sophisicated Swing was the title of an instrumental tune - by Will Hudson, if our memory holds up - and the music that corresponded with it had a certain sleekness that probably justified the title by the standards of that era. But today sophistication in jazz has a somewhat deeper meaning. The true jazz sophisticate has absorbed the lessons of a new musical generation, one that brought with it great advances in harmonic, melodic and rhythmic subtlety. The word "swing", too, has acquired a significance mare far-reaching than any of us could have imagined in the days of monotonous four-to-the-bar rhythm sections and comparatively limited and unimaginative syncopation.
Cannonball Adderley - Cannonball Enroute (1958) {2013 Japan Jazz The Best Series 24-bit Remaster}

Cannonball Adderley - Cannonball Enroute (1958) {2013 Japan Jazz The Best Series 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 196 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 600 dpi (png) -> 124 Mb | 5% repair rar | 24-bit remaster
© 2013 Mercury / Verve / Universal Japan | UCCU-9961
Jazz / Hard Bop / Soul Jazz / Saxophone

Cannonball Enroute is the sixth album by the jazz saxophonist Cannonball Adderley, and his first released on the Mercury label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb. Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression of the familiar Adderley groove – with brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – with Mance and Jones bringing an especially nice bottom end to the record – one that gets things moving in a very soulful way! Titles include "Porky", "Hoppin John", "That Funky Train", "I'll Remember April", and "18th Century Ballroom".