Can: Can Box Music (live 1971 77)

Can: Can Box Music (Live 1971-77) lossless  

Posted by juanchito at Nov. 16, 2009
Can: Can Box Music  (Live 1971-77) lossless

Can: Can Box Music (Live 1971-77) 1999 -lossless-
krautrock | EAC Rip, log | Wavpack + cue | Covers 300 dpi | 592 MB

Kaiti Garbi - 18 Album - 13-18  Music

Posted by izmirli at June 1, 2006
Kaiti Garbi - 18 Album - 13-18

Kaiti Garbi - 18 Album - 13-18

Kaiti Garbi - 18 Album - 13-18

Kaiti Garbi - 18 Album - 13-18

Kaiti Garbi - 18 Album - 13-18

Kaiti Garbi - 18 Album - 13-18

Kaiti Garbi - 18 Album - 13-18
Greek Pop | MP3 | 192 Kbps | 21 - 147Mb
The Bill Evans Trio - "Live" (1971) Japanese Remastered Reissue 1995

The Bill Evans Trio - "Live" (1971) Japanese Remastered Reissue 1995
EAC | FLAC | Tracks (Cue&Log) ~ 317 Mb (incl 5%) | Mp3 (CBR320) ~ 148 Mb (incl 5%) | Scans included
Genre: Piano Jazz, Cool, Post-Bop | Label: Verve | # POCJ-9136 | Time: 00::

Originally released in 1971, Trio Live is a concert album featuring pianist Bill Evans and his trio performing at the Trident Club in Sausalito, California in 1964. Backing Evans at this time were bassist Chuck Israels and drummer Larry Bunker. This is laid-back date that finds Evans delving into a handful of jazz standards including such songs as "Someday My Prince Will Come," "How My Heart Sings," "What Kind of Fool Am I?", and others. Although by no means an essential release, ardent Evans fans will definitely want to check this out.
Bang on a Can - Philip Glass: Music in Fifths & Two Pages (2004)

Bang on a Can - Philip Glass: Music in Fifths & Two Pages (2004)
EAC | FLAC | Tracks (Cue&Log) ~ 297 Mb (incl 5%) | Mp3 (CBR320) ~ 128 Mb (incl 5%) | Scans included
Genre: Minimalism, Chamber Music, Avant-Garde | Label: Cantaloupe Music | # CA21016 | Time: 00:52:07

Fans of Bang on a Can and Philip Glass may grab "5ths" impulsively, but all others should approach this disc with caution. Music in Fifths and Two Pages may be classic Glass works, from 1969 and 1968, respectively, and their place in the development of his style of minimalist music is undeniable. However, Music in Fifths is austere and edgy, and the emphasis on tight ensemble playing in parallel fifths puts a premium on the group's physical stamina. But the music is relentless and tiring after the first few minutes. The rapid, repetitive melody in organum voicing changes slightly over the course of 24 minutes, but only the most persevering listener will be able to detect the subtle rhythmic shifting. Two Pages may offer a change of color and texture, but the relief is brief indeed, for this piece runs on its narrow pitch material for 27 minutes, without significant changes other than the shortening or elongation of cycles. These pieces are among Glass' most severe works, and come well before the comparatively lush pattern pieces of the late '70s and the neo-Romantic scores of the 1980s.
I Can Can Beef!! How to can beef to save money and time with quick, easy, delicious family recipes (repost)

I Can Can Beef!! How to can beef to save money and time with quick, easy, delicious family recipes by Jennifer Shambrook
English | 2013 | ASIN: B00BOB667K | 120 pages | MOBI | 1,4 MB

In I Can Can Beef!! you will learn to can delicious, naturally flavorful and tender beef cubes. The well explained step-by-step instructions are followed by a series of easy and tasty recipes for super-quick nutritious family meals.

ELVIS - Live in Las Vegas [BOX SET] [LIVE] DISK 4 - MP3 Pro (Nero Rip)  Music

Posted by GeneralMaximus at Oct. 10, 2005
ELVIS - Live in Las Vegas [BOX SET] [LIVE] DISK 4 - MP3 Pro (Nero Rip)



Disc 4:
May 6, 1956 (New Frontier Hotel, Las Vegas)

ELVIS - Live in Las Vegas [BOX SET] [LIVE] DISK 2  Music

Posted by GeneralMaximus at Oct. 9, 2005
ELVIS - Live in Las Vegas [BOX SET] [LIVE] DISK 2




Disc 2:

Aug.11,1970, Midnight Show

Ask Video - Live 9 405: DJing Techno and House (2013)  

Posted by house23 at March 13, 2013
Ask Video - Live 9 405: DJing Techno and House (2013)

Ask Video - Live 9 405: DJing Techno and House (2013)
MP4 | AVC 121kbps | English | 1280x720 | 30fps | 2h 06mins | AAC stereo 96kbps | 252 MB
Genre: Video Training

The future of DJing is here! House & Techno producer Noah Pred shows you all the ins and outs in this DJ-centric Live 9 course. DJing is a fundamentally improvisational medium, and many of Live's dedicated features fit the needs of the modern DJ astonishingly well: Full song beat mapping… Looping… Infinite amount of loop points… On stage synchronization… Sample triggering… Tons of effects… Can it record your set? Not only can it record your set, but it allows for exceptional multitrack editing possibilities in case you want to fix your mistakes or change something you recorded! However, since Ableton Live isn't designed explicitly for DJs, there's a bit of homework required to realize its full potential – which is where this course comes in. You learn how to warp your music collection for automatic synchronization. You see how to configure the Live interface for a basic DJ set. You get educated about the many ways to organize your files for optimal usage in the DJ booth.
John Lydon - Psycho's Path (1997) [2015, Universal Music Japan, UICY-77457]

John Lydon - Psycho's Path (1997)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Universal Music Japan, UICY-77457 | ~ 527 or 171 Mb | Scans(png) -> 107 Mb
Alternative Rock / House

For his first solo album, John Lydon decided to tentatively explore electronica without leaving behind the guitar growl that made the Sex Pistols' 1996 reunion a success. The guitars are woven into the electronic dance beats throughout Psycho's Path, which occasionally results in some exciting juxtapositions…
Public Image Ltd. - Second Edition (1979) [2015, Universal Music Japan, UICY-40155]

Public Image Ltd. - Second Edition (1979)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Universal Music Japan, UICY-40155 | ~ 422 or 143 Mb | Scans(png) -> 116 Mb
Alternative Rock / Post Punk

PiL managed to avoid boundaries for the first four years of their existence, and Metal Box (issued in the U.S. as Second Edition) is undoubtedly the apex. It's a hallmark of uncompromising, challenging post-punk, hardly sounding like anything of the past, present, or future. Sure, there were touchstones that got their imaginations running – the bizarreness of Captain Beefheart, the open and rhythmic spaces of Can, and the dense pulses of Lee Perry's productions fueled their creative fires – but what they achieved with their second record is a completely unique hour of avant-garde noise…