Cachaito Orlando 'cachaito' Lopez

Six Feet Under Volume 1 (OST, 2002)  Music

Posted by woolf at Jan. 13, 2012
Six Feet Under Volume 1 (OST, 2002)

Six Feet Under Volume 1 (OST, 2002)
MP3 CBR 320kbps | 1 CD | ~ 162 MB
Genre: Soundtrack

original Soundtrack from the legendary HBO-TV-Series "Six Feet Under" that won prizes
Ali Farka Touré & Toumani Diabaté - Ali & Toumani (UK 2 LP Original) Vinyl rip in 24 Bit/96 Khz + CD-format

Ali Farka Touré & Toumani Diabaté - Ali & Toumani (2010)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 1,34 Gb, 294 Mb | 5% RAR Recovery
Styles: World, Ethnic | Filesonic + FilePost
World Circuit – WCB 083

This self-titled album is a fitting tribute to Touré’s and Diabaté’s genius and friendship, and is a beautiful farewell.
Los Amigos featuring Cachaito Lopez - Cubajazz n°6  (2007)

Los Amigos featuring Cachaito Lopez
Cuba | mp3 320 Kbps | 109 MB
Rumorrecords S.L. 2007

Peruchin with Cachaito Lopez (2007)  

Posted by Ibiza at July 31, 2009
Peruchin with Cachaito Lopez   (2007)

Peruchin with Cachao
Latin Jazz | mp3 320 Kbps | 83 MB
Rumorrecords 2007

Chucho Valdés - Featuring Cachaito (2002) {Egrem}  Music

Posted by tiburon at Jan. 31, 2012
Chucho Valdés - Featuring Cachaito (2002) {Egrem}

Chucho Valdés - Featuring Cachaito (2002) {Egrem}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 329MB + 5% Recovery
MP3 CBR 320 Kbps | 146MB + 5% Recovery
Genre: Latin Jazz

Chucho Valdes is easily the living king of Cuban jazz piano. This anthology, issued by the premier Bele Bele Jazz Club label from Spain, is an overview of the roots of the pianist's development as both an interpreter of classic Cuban material and as an improviser. The first 12 tracks on the set, recorded in 1970, borrow heavily from the "feelings" movement of Cuban dancehall music from the late '40s and early '50s, with numerous compositions by Jose Mendez and Cesar Portillo de la Luz. There are also trademark Valdes originals such as his own "Preludio No. 1," based on Debussy's. Other tracks here, from 1982, borrow from the later dancehall traditions and lineages such as the "Evocations" series written by Jesus Valdez including one for Josh White! The first 12 cuts features Valdes with a stellar rhythm section that included bassist Orlando Lopez (Cachaito) and drummer Enrique Pla, and the last eight are solo.

Daniela Lopez Osorio - Almamia Swimwear 2017  Girls

Posted by guasman at Jan. 16, 2017
Daniela Lopez Osorio - Almamia Swimwear 2017

Daniela Lopez Osorio - Almamia Swimwear 2017
60 JPG | up to 1840x2756 | 22 mb
Colombian model

Daniela Lopez Osorio - Nelly Collection 2015 Set 5  Girls

Posted by guasman at Jan. 13, 2017
Daniela Lopez Osorio - Nelly Collection 2015 Set 5

Daniela Lopez Osorio - Nelly Collection 2015 Set 5
156 JPG | 1425x1900 | 53,6 mb
Colombian model

Natalia Caramelo by Ruben Lopez for NIF  Girls

Posted by nrg at Jan. 10, 2017
Natalia Caramelo by Ruben Lopez for NIF

Natalia Caramelo - Ruben López Photoshoot 2016
9 jpg | 1200*1800 | 2.05 MB
Spanish model
Histories of Infamy: Francisco Lopez de Gomara and the Ethics of Spanish Imperialism (Repost)

Cristian A. Roa-de-la-Carrera and Scott Sessions, "Histories of Infamy: Francisco Lopez de Gomara and the Ethics of Spanish Imperialism"
English | ISBN: 0870818139, 1607321858 | 2005 | PDF | 272 pages | 2 MB

Vivaldi - Orlando furioso (Jean-Christophe Spinosi) [2004]  Music

Posted by Vilboa at Jan. 1, 2017
Vivaldi - Orlando furioso (Jean-Christophe Spinosi) [2004]

Vivaldi - Orlando furioso (Jean-Christophe Spinosi) [2004]
Classical | Naïve OP30393 | TT: 182:34 | EAC (flac, cue, log) | Covers | 845 Mb

Diving into Vivaldi's Orlando furioso with Jean-Christophe Spinosi, Matheus Ensemble, and a shockingly good cast is enough to make even the most jaded listener smile. It is fresh, unrelentingly impressive, and entertaining to a fault. The opera is over-plotted: the first paragraph of the synopsis is enough to confuse anyone not taking notes. And listening to the entire thing would amount to more flowery, athletic vocalism than most can stand in one sitting. But those with the remotest interest in Vivaldi opera, or opera at all, will be hard pressed not to marvel at the quality of what's recorded here. Spinosi is a brilliant Vivaldian who pulls sweet-toned lyricism and down-and-dirty sawing from his Matheus Ensemble, making the most of the composer's rich orchestration. And the cast pulls one rabbit after another out of its collective hat, tackling Vivaldi's consummately difficult arias with élan.