Hiring noted roots experimentalists Tchad Blake and Mitchell Froom as engineer and consultant, respectively, Sheryl Crow took a cue from their Latin Playboys project for her second album – she kept her roots rock foundation and added all sorts of noises, weird instruments, percussion loops, and off-balance production to give Sheryl Crow a distinctly modern flavor…
After covering an iconic album by Bob Dylan in its entirety, that being the famously influential Blonde On Blonde no less, how is a band best advised as far as making its next move? That was the inevitable question Old Crow Medicine Show was forced to consider following the accolades that tribute received. After all, one of the main objectives at that juncture had to be to reestablish their own identity, free of anyone else’s shadow, including the biggest of all, that of Mr. Dylan. How then to make an album that might earn equal acclaim, and reaffirm their identity and ingenuity all at the same time?
It's hard to call The Globe Sessions a stumble, but its stripped-down, straightforwardness paled in comparison to the dark pop-culture kaleidoscope of Sheryl Crow's eponymous second album. That's why C'mon, C'mon, Crow's long-delayed fourth album, is such a delight – it's the sunny flip side of that masterpiece, a skillful synthesis of classic rock and modern sensibilities that's pretty irresistible. Crow has turned into the professional she always acted she was – she not only crafts songs impeccably, she knows how to record them, filling the record with interesting sonic details, whether it's the Steve Miller-styled "woo hoo"s on "Steve McQueen" or subtle Mellotrons on "Over You."
The Jimi Hendrix Experience and Cream are among the first groups that come to mind when discussing classic power trios. Ireland's Taste, led by guitarist Rory Gallagher, were also there at the beginning. They were raw, rocked hard, and were more devoted to the blues. Gallagher kept the trio format long after going solo, and became a fine songwriter as well. Crow Black Chicken are his countrymen. Christy O'Hanlon (vocals, guitar), Stephen McGrath (bass), and Gev Barrett (drums, backing vocals) have soaked up his and his contemporaries' influences, as well other loud and proud trios: ZZ Top, Mountain, Gov't Mule, etc. Electric Soup is their debut long-player. It's an excellent showcase for CBC's stunning playing and excellent songwriting – the latter is something many of their contemporaries never learned. These are not mere riff-heavy stoner rock jams, but songs. While they keep things basic, CBC understand the place of melody and dynamics; they've soaked up their share of folk and country in addition to blues and guitar rock.