Coleman Trio

The Ornette Coleman Trio - At The 'Golden Circle' Stockholm Vol. 1 (1965) {2013 Japan SHM-CD Blue Note 24-192 Remaster}

The Ornette Coleman Trio - At The 'Golden Circle' Stockholm Vol. 1 (1965) {2013 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 516 Mb | MP3 @320 -> 181 Mb
Full Artwork @ 600 dpi (png) -> 228 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81037
Jazz / Avant-Garde Jazz / Post Bop / Saxophone

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Ornette Coleman's 1965 trio with bassist David Izenzon and drummer Charles Moffett is easily the most underrated of all his bands. Coming off the light of the famed quartet in which Don Cherry, Eddie Blackwell, and Charlie Haden shone, anything might have looked a bit dimmer, it's true. But this band certainly had no apologies to make. Coleman was deep into creating a new approach to melody, since Haden and Cherry had honed his harmonic sensibilities.
The Ornette Coleman Trio - At the Golden Circle in Stockholm, Vol.2 (1965/2013) [Official Digital Download 24bit/192kHz]

The Ornette Coleman Trio - At the "Golden Circle" in Stockholm, Vol.2 (1965/2013)
FLAC (tracks) 24 bit/192 kHz | Time - 43:59 minutes | 1,66 GB
tudio Master, Official Digital Download | Artwork: Digital booklet

At The "Golden Circle" Stockholm Volume Two is the second installment in a two-volume set featuring The Ornette Coleman Trio performing at the Gyllene Cirkeln club in Stockholm. The two-night event features Ornette Coleman (alto sax), David Izenzon (bass) and Charles Moffett (drums). The ensemble performs with exhilarating synergy on tunes including “Snowflakes And Sunshine,” “The Riddle” and “Antiques.” The Penguin Guide To Jazz included both volumes as part of its “Core Collection” and gave both four star reviews (of a possible four stars). These recordings marked the beginning of Ornette Coleman's contract with Blue Note.
The Ornette Coleman Trio - At the "Golden Circle" in Stockholm, Vol.1 (1965/2013) [Official Digital Download 24bit/192kHz]

The Ornette Coleman Trio - At the "Golden Circle" in Stockholm, Vol.1 (1965/2013)
FLAC (tracks) 24 bit/192 kHz | Time - 39:26 minutes | 1,6 GB
Studio Master, Official Digital Download | Artwork: Front cover

At The "Golden Circle" Stockholm Vol. 1 is the first installment in a two-volume set featuring The Ornette Coleman Trio performing at the Gyllene Cirkeln club in Stockholm. The two-night event features Ornette Coleman (alto sax), David Izenzon (bass) and Charles Moffett (drums). The ensemble delivers thrilling performances of “Faces And Places,” “Dawn” and “European Echoes.” The Penguin Guide To Jazz included both volumes as part of its “Core Collection” and gave both four star reviews.
Dick Fontaine's Jazz Movies: Ornette Coleman Trio / Sound?? - Double Feature (2005)

Dick Fontaine's Jazz Movies: Ornette Coleman Trio / Sound?? - Double Feature (2005)
Video: PAL, MPEG-2 at 8 032 Kbps, 720 x 576 (1.333) at 25.000 fps | Audio: AC-3 2 channels at 224 Kbps, 48.0 KHz
Genre: Jazz | Label: Rhapsody Films, Inc. | Copy: Untouched | Subtitles: French, Spanish | Runtime: 58 min. | 3,18 GB (DVD5)

In this indispensable DVD, two of the most interesting films ever made modern experimental jazz are included. The first one, " Ornette Coleman Trio", presents Ornette Coleman's famous trio during their visit to Paris in 1966 in order to record the soundtrack of a very nutty-looking Belgium film called "Who's Crazy?"…
Ornette Coleman - Beauty Is A Rare Thing. The Complete Atlantic Recordings + At The Golden Circle Vol. 1&2 [combined repost]

Ornette Coleman - Beauty Is A Rare Thing. The Complete Atlantic Recordings + At The Golden Circle Vol. 1&2
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.43 Gb | MP3 @320 -> 1.34 Gb
Full Artwork @ 300 dpi (jpg) -> 129 Mb | 5% repair rar
© 1993, 2002 Atlantic, Rhino / Blue Note | R2 71410 / 535518~19 2
Jazz / Avant-Garde Jazz / Free Jazz / Saxophone

While it's true this set has been given the highest rating AMG awards, it comes with a qualifier: the rating is for the music and the package, not necessarily the presentation. Presentation is a compiler's nightmare in the case of artists like John Coltrane and Ornette Coleman, who recorded often and at different times and had most of their recordings issued from the wealth of material available at the time a record was needed rather than culling an album from a particular session.
Ornette Coleman - The Empty Foxhole (1966) {2015 Japan SHM-CD Blue Note 24-192 Remaster}

Ornette Coleman - The Empty Foxhole (1966) {2015 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 250 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 600 dpi (png) -> 173 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5121
Jazz / Post Bop / Avant-Garde Jazz / Saxophone

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from Charlie Haden on bass, able to match Coleman's energy with effortless ease, and really getting a lot of room to leave his mark on the music – plus the very young (10!) Denardo Coleman, who plays drums here with this stark, simple style that's not only completely unique, but which also leaves a lot of open room left for Haden and Ornette to really stretch out. Ornette plays his usual alto, plus trumpet and violin – and titles include "Good Old Days", "The Empty Foxhole", "Zig Zag", and "Freeway Express".
Ornette Coleman - New York Is Now! (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Ornette Coleman - New York Is Now! (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 291 Mb | MP3 @320 -> 113 Mb
Full Artwork @ 600 dpi (png) -> 252 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81060
Jazz / Avant-Garde Jazz / Saxophone

Goodbye Mr. Coleman… and THANK YOU… Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. "New York is now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York downtown scene in years to come! Ornette's at his most late 60s unbridled here – freer than before, and working with a lineup that includes Jimmy Garrison on bass and Elvin Jones on drums – still no piano at all – plus great work from Dewey Redman on tenor, who really burst into new prominence with this album. Ornette plays a bit of violin alongside alto sax – and tracks include "Toy Dance", "Round Trip", "Broad Way Blues", and "We Now Interrupt For A Commercial".
Ornette Coleman - Chappaqua Suite (1965) [2CD] {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Ornette Coleman - Chappaqua Suite (1965) [2CD] {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 552 Mb | MP3 @320 -> 189 Mb
Full Artwork @ 300 dpi (jpg) -> 31 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 4043~4
Jazz / Avant-Garde Jazz / Saxophone

Reissue and remastered. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. This four-part suite is actually a film soundtrack to the debut feature by Conrad Rooks, though it was never used as such. Recorded in 1965, it was performed by the Ornette Coleman Trio with Charles Moffett on drums and David Izenson on bass; augmenting the session were Pharoah Sanders on tenor and a large studio orchestra arranged by Joseph Tekula. What is most notable is the kind of control Coleman has over the orchestra. His trio is playing by intuition, which was normal for them, but they open to accommodate the more formal constructs of a band who knows little about improvisation and how it works in the free jazz context.
Ornette Coleman - Love Call (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Ornette Coleman - Love Call (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 330 Mb | MP3 @320 -> 128 Mb
Full Artwork @ 600 dpi (png) -> 235 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81095
Jazz / Avant-Garde Jazz / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Bonus tracks. The other half of the New York Is Now session, which is, in a sense, ridiculous. Blue Note issued two records when they really had one. There were two dates, April 29 and May 7, 1968. Half the tunes from this volume and half from New York Is Now were recorded at each session. The CD versions contain all of the alternate takes and unreleased cuts of both days. Here, Coleman with Dewey Redman and the rhythm section of Elvin Jones and Jimmy Garrison work through Coleman's melodic conceptions and harmonic constructs on five numbers, with alternate takes making up two more.
Murray, Allen & Carrington Power Trio - Perfection (2016) {Motema Music MTA-CD-193}

Murray, Allen & Carrington Power Trio - Perfection (2016) {Motema Music MTA-CD-193}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 365 Mb | MP3 @320 -> 136 Mb
Full Artwork @ 300 dpi (jpg) -> 30 Mb | 5% repair rar
© 2016 Motema Music | MTA-CD-193
Jazz / Contemporary Jazz / Modern Jazz / Saxophone / Drums / Piano

This much-anticipated recording debut of the new jazz supergroup- David Murray, Geri Allen & Terri Lyne Carrington Power Trio- is dedicated to Ornette Coleman, who passed just days before the recording. The album features (and is named after) Coleman's never before recorded composition, “Perfection.”