Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Ornette Coleman's 1965 trio with bassist David Izenzon and drummer Charles Moffett is easily the most underrated of all his bands. Coming off the light of the famed quartet in which Don Cherry, Eddie Blackwell, and Charlie Haden shone, anything might have looked a bit dimmer, it's true. But this band certainly had no apologies to make. Coleman was deep into creating a new approach to melody, since Haden and Cherry had honed his harmonic sensibilities.
In this indispensable DVD, two of the most interesting films ever made modern experimental jazz are included. The first one, " Ornette Coleman Trio", presents Ornette Coleman's famous trio during their visit to Paris in 1966 in order to record the soundtrack of a very nutty-looking Belgium film called "Who's Crazy?"…
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from Charlie Haden on bass, able to match Coleman's energy with effortless ease, and really getting a lot of room to leave his mark on the music – plus the very young (10!) Denardo Coleman, who plays drums here with this stark, simple style that's not only completely unique, but which also leaves a lot of open room left for Haden and Ornette to really stretch out. Ornette plays his usual alto, plus trumpet and violin – and titles include "Good Old Days", "The Empty Foxhole", "Zig Zag", and "Freeway Express".
Goodbye Mr. Coleman… and THANK YOU… Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. "New York is now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York downtown scene in years to come! Ornette's at his most late 60s unbridled here – freer than before, and working with a lineup that includes Jimmy Garrison on bass and Elvin Jones on drums – still no piano at all – plus great work from Dewey Redman on tenor, who really burst into new prominence with this album. Ornette plays a bit of violin alongside alto sax – and tracks include "Toy Dance", "Round Trip", "Broad Way Blues", and "We Now Interrupt For A Commercial".
Reissue and remastered. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. This four-part suite is actually a film soundtrack to the debut feature by Conrad Rooks, though it was never used as such. Recorded in 1965, it was performed by the Ornette Coleman Trio with Charles Moffett on drums and David Izenson on bass; augmenting the session were Pharoah Sanders on tenor and a large studio orchestra arranged by Joseph Tekula. What is most notable is the kind of control Coleman has over the orchestra. His trio is playing by intuition, which was normal for them, but they open to accommodate the more formal constructs of a band who knows little about improvisation and how it works in the free jazz context.
This much-anticipated recording debut of the new jazz supergroup- David Murray, Geri Allen & Terri Lyne Carrington Power Trio- is dedicated to Ornette Coleman, who passed just days before the recording. The album features (and is named after) Coleman's never before recorded composition, “Perfection.”
Madrid-born tenor saxophonist and flautist Javier Vercher began his musical studies at an early age, under the direction of his father, himself a talented musician. Javier attended Berklee College in Boston, where he studied with Frank Tiberi, George Garzone, Greg Hopkins, David Johnson and Andy McGuee and learned directly from such figures as Mark Turner, Jerry Bergonzi, Steve Lacy, Mike Stern, Curtis Fuller and Bob Mintzer and on leaving Berklee began playing in drummer Bob Moses' band.