Claudio Ferro

Claudio ver.6.3.63070212  Software

Posted by _anonymizer_ at Feb. 21, 2007
Claudio ver.6.3.63070212
Claudio ver.6.3.63070212 | 3,3 MB

Claudio offers wide range of sound quality parameters for recording (11-192 kHz, 8/16-bit, mono/stereo). It comes with a track editor for making cut-outs and splitting, transcription playback mode, mouse wheel support, endless loop playback, two-track mixer, pre-amplifier, some interesting playback effects (echo, equalizer, flanger and pitch), support for unattended scheduled recordings and exact time positioning bar (ETP) for quick and precise navigation within a sound track.

Huelgas Ensemble - The Mirror of Claudio Monteverdi (2016)  Music

Posted by LoveHive at Nov. 29, 2016
Huelgas Ensemble - The Mirror of Claudio Monteverdi (2016)

Huelgas Ensemble - The Mirror of Claudio Monteverdi (2016)
Classical, Choral | MP3 CBR 320 kbps | 00:59:05 | 136 MB
Label: Deutsche Harmonia Mundi

Monteverdi was a pioneer of the musical style we now call Baroque, but the Mass on this record is in classic Renaissance style and the music might have been written in the 1500s rather than the 1600s.
Claudio Monteverdi - Kölner Kammerchor / Peter Neumann - Madrigals (1996, MDG "Gold" # 332 0081-2) [RE-UP]

Claudio Monteverdi - Madrigals
Kölner Kammerchor / Peter Neumann
EAC+LOG+CUE | FLAC: 191 MB | Full Artwork: 65 MB | 5% Recovery Info
Label/Cat#: MDG "Gold" # 332 0081-2 | Country/Year: Germany 1996
Genre: Classical | Style: Late Renaissance, Early Baroque, Vocal

„… the release of a special audiophile treat. It is not without reason that French critics have just awarded the choir the ‘Diapason d’or’ prize.“ (K Int’l)
Claudio Paglieri, "Non son degno di Tex: Vita, morte e miracoli del mitico ranger" (repost)

Claudio Paglieri, "Non son degno di Tex: Vita, morte e miracoli del mitico ranger"
Marsilio | 2003 | ISBN: 8831782045 | Italian | EPUB/AZW3/MOBI/PDF | 139 pages | 1.8/0.2/0.2/0.6 MB

Tutto quello che avreste voluto sapere sul più famoso fumetto italiano. Un viaggio nel mondo di Tex, tra umorismo e statistica, per contare e raccontare i morti ammazzati, gli agguati, i pestaggi, le ferite di striscio alla tempia…
Una guerra civile. Saggio storico sulla moralità nella Resistenza - Claudio Pavone (Repost)

Una guerra civile. Saggio storico sulla moralità nella Resistenza - Claudio Pavone
Italian | 2010 | 840 Pages | ASIN: B00665LCUK | EPUB | 1.11 MB

A oltre mezzo secolo di distanza è ormai convinzione comune che occorra un ripensamento della Resistenza, sulla quale tutti mo­striamo troppo facili certezze. Si tratta, soprattutto, di riconoscere a questi fatti la loro dignità di grande evento storico, sottraendoli ai ricorrenti rischi della retorica celebrativa o alle strumentalizzazioni di parte spesso riduttive e liquidatorie…
Claudio Pavone - Una guerra civile. Saggio storico sulla moralità nella Resistenza [Repost]

Claudio Pavone - Una guerra civile. Saggio storico sulla moralità nella Resistenza
2010 | ASIN: B00665LCUK | Italiano | 840 pages | EPUB | 1.1 MB

Claudio Rugarli - Medicina interna sistematica  eBooks & eLearning

Posted by rotten comics at Nov. 1, 2016
Claudio Rugarli - Medicina interna sistematica

Claudio Rugarli - Medicina interna sistematica
2015 | ISBN: 8821439186 | Italiano | 222 pages | EPUB | 35 MB
Claudio Arrau - Arrau Remastered: The Early Recordings Vol.I, II, III (2016)

Claudio Arrau - Arrau Remastered: The Early Recordings Vol.I, II, III (2016)
MP3 320 kbps CBR | 02:30:25 | 350 MB
Genre: Classical | Label: Sony Classical

A patrician artist whose matinee-idol appearance was as elegant as his playing, Claudio Arrau achieved a major reputation for his performances of Brahms and Liszt. Indeed, few Romantic-period composers, from Beethoven onward, were beyond his grasp. In addition to that repertory, his Debussy was regarded by many connoisseurs as exemplary. Arrau believed that his abiding interest in psychoanalysis aided him in probing the intent of those whose works he performed. Certainly, Arrau's performances were marked by a balance between heart and intellect. Arrau was born in Chillán, Chile, on February 6, 1903. He received piano instruction from his mother at an early age, making his debut performance in Santiago at the age of five playing Mozart, Beethoven, and Chopin.
Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995) (Repost)

Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995)
EAC | FLAC (image+.cue, log) - 262 MB | MP3 (CBR 320 kbps) - 178 MB | Covers + Digital Booklet | 56:24
Genre: Classical | Label: Deutsche Grammophon | Catalog: 439941

This work is very hard to characterize emotionally, but it sighs and it sings enigmatically. Surprisingly, so many performances are very straightforward, never capturing these soulful, longing qualities that almost approach reverie at times. Not so this time. The interplay here is amazing, Pires' delicate approach is ideal for this music, and the conducting is elastic in that "Furtwanglerian" way. But don't get the impression this is bloated, Romantic Mozart…it's not. (Maybe Furtwangler wasn't the right name to evoke after all.
Maria João Pires, Wiener Philharmoniker, Claudio Abbado - Mozart: Piano Concertos Nos. 14 & 26 (1993)

Maria João Pires, Wiener Philharmoniker, Claudio Abbado - Mozart: Piano Concertos Nos. 14 & 26 (1993)
EAC | FLAC (image+.cue, log) - 241 MB | MP3 (CBR 320 kbps) - 149 MB | Covers + Digital Booklet | 52:00
Genre: Classical | Label: Deutsche Grammophon | Catalog: 4375292

Maria-Joào Pires has recorded these concertos before, for Erato, and this experience shows in assured playing. In K449 I find the sound of the Vienna Philharmonic, recorded in Vienna's Musikverein, too big: the string section seems large and the hall over-reverberant. Furthermore, the piano sounds plummy, and even those who dislike the fortepiano may question its suitability. With these reservations, one can enjoy Pires's deft and sensitive performance, without strong individuality but offering consistent intelligence, and the brisk finale shows her and Abbado at their best. Even so, this is a romanticized slow movement; the gooey orchestral sound does not help, but the pianist is also partly responsible in a way that I have sometimes noted in her performances of Mozart's sonatas.