C.p.e.bach Mp3

Miklós Spányi - C.P.E. Bach: The Solo Keyboard Music, Vol. 35 (2018) [Official Digital Download 24/96]

Miklós Spányi - C.P.E. Bach: The Solo Keyboard Music, Vol. 35 (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 78:23 minutes | 1.36 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

As Carl Philipp Emanuel Bach published successive collections of the Kenner und Liebhaber series, he explored new genres and styles. In the second collection he added his idiosyncratic rondos, and in the fourth he included free fantasias. The fifth collection, composed between 1779 and 1784, contains no new genres, but displays more variety in terms of textures and thematic ideas than any of the previous volumes. In fact, Bach’s preoccupation with variation is almost obsessive – it is as if he cannot finish phrases without varying either texture, tonality, rhythmic pulse or dynamics.
Miklos Spany - C.P.E. Bach: The Solo Keyboard Music, Vol. 35 (2018)

Miklos Spany - C.P.E. Bach: The Solo Keyboard Music, Vol. 35 (2018)
Classical | WEB FLAC (tracks) & d. booklet | 337 MB
Label: BIS | Tracks: 24 | Time: 78:23 min

As Carl Philipp Emanuel Bach published successive collections of the Kenner und Liebhaber series, he explored new genres and styles. In the second collection he added his idiosyncratic rondos, and in the fourth he included free fantasias. The fifth collection, composed between 1779 and 1784, contains no new genres, but displays more variety in terms of textures and thematic ideas than any of the previous volumes. In fact, Bachs preoccupation with variation is almost obsessive it is as if he cannot finish phrases without varying either texture, tonality, rhythmic pulse or dynamics.
Sergio Azzolini, Streicherakademie Bozen & Gerhard Egger - C.P.E. Bach: Bassoon Music (Werke für Fagott) (2011)

Sergio Azzolini, Streicherakademie Bozen & Gerhard Egger - C.P.E. Bach: Bassoon Music (Werke für Fagott) (2011)
Classical | WEB FLAC (tracks) & front cover | 985 MB
Label: Sony Classical | Tracks: 31 | Time: 210:23 min

The career of Carl Philipp Emanuel Bach (1714-1788) was unquestionably more illustrious than that of his father Johann Sebastian (1685-1750). Like his godfather, Georg Philipp Telemann, CPE took serious diplomas in law at the universities of Leipzig and Frankfurt before committing himself, at age 24, to the profession of music.
Miklós Spányi - C.P.E. Bach: The Solo Keyboard Music, Vol. 34 (2017)

Miklós Spányi - C.P.E. Bach: The Solo Keyboard Music, Vol. 34 (2017)
Classical | WEB FLAC (tracks) & d. booklet | 341 MB
Label: BIS | Tracks: 24 | Time: 78:19 min

Carl Philipp Emanuel Bach had begun his series für Kenner und Liebhaber – ‘for Connaisseurs and Amateurs’ – with the traditional formula of a set of six sonatas, but became more unconventional in the second and third collection in which he alternated three sonatas with three rondos. With the fourth instalment, published in 1783, he went further still as he increased the number of pieces to seven and added ‘free fantasias’ to the sonatas and rondos.
RIAS Kammerchor - C.P.E. Bach: Magnificat, Wq. 215 (2014) [Official Digital Download]

RIAS Kammerchor, Akademie für Alte Musik Berlin & Hans-Christoph Rademann - C.P.E. Bach: Magnificat, Wq. 215 (2014)
FLAC (tracks) 24-bit/48 kHz | Time - 55:30 minutes | 664 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

On 9 April 1786, Carl Philipp Emanuel Bach conducted a charity concert in Hamburg featuring three of his finest and most representative works: the Symphony Wq 183/1 (1780), the Magnificat written in 1749 in the hope of succeeding his father as Kantor in Leipzig, and finally the stupendous Heilig (1776) for double choir, of which he wrote: ‘It will be my swansong of this kind, and will serve to ensure that I shall not soon be forgotten after my death.’ He was right: 300 years after his birth, this album with the same programme proves as much.
Pallade Musica & Mélisande Mcnabney - Schieferlein, Telemann & C.P.E. Bach: Sonates en trio (2017)

Pallade Musica & Mélisande Mcnabney - Schieferlein, Telemann & C.P.E. Bach: Sonates en trio (2017)
Classical | MP3 CBR 320 kbps | Digital Booklet | 01:04:17 | 153 MB
Label: ATMA Classique

Baroque ensemble Pallade Musica offers a glimpse into the world of Otto Ernst Gregorius Schieferlein, a German Baroque composer. Precious little is known of Schieferlein. He was born in 1704, in Buxtehude, a city near Hamburg, where he died on in 1787. Among the few works that have been attributed to Schieferlein are a wedding cantata, and the three trio sonatas that are recorded here for the first time. They have survived in an 18th-century manuscript copy from the library of the Royal Conservatory of Brussels.
Paul Tortelier - Boccherini, C.P.E. Bach, Vivaldi, Tortelier (1988)

Paul Tortelier - Boccherini, C.P.E. Bach, Vivaldi, Tortelier (1988)
EAC | FLAC (image+.cue, log) | Covers Included | 63:07 | 359 MB
Genre: Classical | Label: Arion | Catalog: ARN 68058

A consummate artist whose approach to the cello was directed toward breathing life into the music, Paul Tortelier earned the respect and affection of countless colleagues. An enduring friendship with Pablo Casals found him playing, in the words of a French critic, Apollo to Casals' Jupiter. Like Casals, Tortelier emphasized using but one finger at a time on the string to allow free vibration. Fantasy and emotional freedom marked his performances and attracted numerous young players.

C.P.E. Bach: A Guide to Research  eBooks & eLearning

Posted by arundhati at Oct. 12, 2017
C.P.E. Bach: A Guide to Research

Doris Powers, "C.P.E. Bach: A Guide to Research"
2002 | ISBN-10: 0815321791, 1138966908 | 312 pages | PDF | 5 MB
Joshard Daus, Zelter-Ensemble der Sing-Akademie zu Berlin - C.P.E. Bach: Matthaus-Passion (2005)

Joshard Daus, Zelter-Ensemble der Sing-Akademie zu Berlin - C.P.E. Bach: Matthäus-Passion (2005)
EAC | FLAC | Image (Cue & Log) ~ 285 Mb | Total time: 55:01 | Scans included
Classical | Label: Capriccio | # 60 113 | Recorded: 2004

Have you ever wondered what or who is the missing link between the Passions of J.S. Bach and the more ‘enlightened’ oratorios of Josef Haydn and his contemporaries? For that matter how did things come to change so quickly? I have recently reviewed some cantatas by Gottfried Homilius (1714-1785) on Carus 83.183 and he is certainly a link. But really it is C.P.E. Bach, that great reactionary and under-estimated genius, who is ‘yer man’.
This recording is a result of several years of reconstruction work and then a full performance which took place on Palm Sunday in 2003 after about 220 years of neglect.
Patrick Gallois, Kevin Mallon - C.P.E. Bach: Flute Concertos (2002)

Patrick Gallois, Kevin Mallon - C.P.E. Bach: Flute Concertos (2002)
EAC | APE | Image (Cue & Log) ~ 550 Mb | Total time: 125:56 | Scans included
Classical | Label: Naxos | # 8.555715-16 | Recorded: 2002

The Flute Concertos of C.P.E. Bach are among the most dramatic and engrossing of this important composer's works. This Bach was a major influence on Haydn and Mozart, but the music is worth hearing in its own right, and the Concerto in A Minor, which opens this set, is one of the masterpieces of its era. Gallois and the Toronto Camerata use modern instruments, but their performances are permeated by the sensibility of Bach's era. They are clear and forceful, responding beautifully to the pre-romantic elements in the music, and Gallois even adds appropriate embellishments to his playing. The Concerto in D Minor may not be the composer's own arrangement for flute, but it sounds convincing enough. This is certainly the best set of C.P.E. Bach's Flute Concertos since the long-deleted Rampal set for CBS, and the performances are markedly superior to those on a recent Black Box CD.
-Leslie Gerber