In 1951, Bud Powell was still at the height of his considerable powers. Included here are two sessions from that year: a trio with Ray Brown and Buddy Rich (three takes of "Tea for Two" and a super-fast "Hallelujah") and eight solo piano tunes from a different date. On "Tea for Two," Rich's drumming brings out the charming show-off in Powell, and on "Hallelujah," Powell plays with a hysterical clarity. "Oblivion" and "Hallucinations" are the most masterful of the eight solo cuts. Here Powell swings effortlessly and seems to be speaking his own, true language. The elegance of another era pervades the Gershwin-esque "Parisian Thoroughfare" and "Dusk in Sandi." And one can imagine a young Bill Evans listening to "A Nightingale Sang in Berkeley Square" and taking note of the rich, logical voicings coupled with a wonderful singing tone.
Earl Rudolph "Bud" Powell (September 27, 1924 - July 31, 1966) was an American Jazz pianist. Powell has been described as one of "the two most significant pianists of the style of modern jazz that came to be known as bop", the other being his friend and contemporary Thelonious Monk. Along with Monk, Charlie Parker and Dizzy Gillespie, Powell was a key player in the history of bebop, and his virtuosity as a pianist led many to call him "the Charlie Parker of the piano". ~ Amazon
Pianist Chick Corea in 1996 gathered together some notable young all-stars (tenor-saxophonist Joshua Redman, trumpeter Wallace Roney, altoist Kenny Garrett, bassist Christian McBride, plus veteran drummer Roy Haynes) for explorations of tunes by the innovative pianist Bud Powell. Although "Bouncin' With Bud," "Tempus Fugit" and "Celia" have been occasionally recorded by others, most of the complex songs (including "Mediocre," "Dusk In Sandi," "Oblivion" and "Glass Enclosure") have rarely been played in recent decades. Rather than play revivalist bebop, Corea and his associates (after authentically stating the melody) perform modern post bop improvisations in their own styles, so much of the music is way beyond bop. In addition to nine Powell songs, Corea contributed a song rightfully titled "Bud Powell." All of the talented musicians have a fair amount of solo space and sound consistently inspired, making this a very successful and easily recommended project.
This album features trio performances by pianist Bud Powell, bassist Charles Mingus and drummer Roy Haynes that were recorded live at a Washington D.C. club; they were released for the first time in 1982. Powell is in consistently exciting form (this was one of his good nights) and the musicians sound inspired and creative during the set of bop-oriented standards. This recording concludes with a couple of excerpts from Bud Powell interviews held in 1963, giving listeners a rare chance to hear his voice.
Reissue with the latest remastering. Comes with liner notes. Strictly Bud Powell, in the best sense of the word – as the album's a sharp batch of trio tracks recorded for RCA in the 50s, and a great showcase for Bud's firey talents on the piano! The rhythm combo features bold work on drums from Art Taylor, alongside the bass of George Duvivier – but Powell's definitely the leading light here, as the album features some of his tremendously deft work on the keys throughout. There's a nice tension to the material – played with a strength that matches most of Bud's other work from the time – but a bit different than some of his other recordings for Verve and Blue Note. The set features 11 tracks in all – and titles include "Time Was", "Jump City", "Elegy", "Coscrane", and "Topsy Turvy".