Formes noires fantomatiques, sombres silhouettes drapées, visages de femmes mangés par le tissu : pourquoi de telles images, désormais familières, dérangent-elles ? Pourquoi le port du voile blesse-t-il à ce point le regard des Européens ? Loin des polémiques, Bruno Nassim Aboudrar renouvelle le débat et met au jour les malentendus qui entourent cette pratique millénaire. Le voile n'est pas spécifiquement musulman : il l'est devenu. Presque absente du Coran, c'est une prescription construite progressivement, au terme d'une histoire dont l'épisode colonial est un chapitre majeur. …
Quadrivium was composed in 1969 and marks the beginning of Maderna’s final creative period, during which he wrote impressive and headstrong works for large symphonic forces. Aura was commissioned for the 80th anniversary of the Chicago Symphony Orchestra and was premiered in 1972. Amanda was written in 1966 and is uninhibited, cheerful and lyrical.
Two absolutely superb piano players from different musical worlds: Bruno Canino, as a representative of art music, and Enrico Pieranunzi, as a representative of jazz. Two Americas, the Northern one and the Southern one, and some of the greatest composers from both. To what extent is music beautifully gifted with making a universal language flow out, beyond genres, places, artists, composers, performers? Listening to Americas one is again led to realize that apparent contrasts are actually bonds consisting of irresistible mutual attractions, common points, osmotic relations. The Americas project has been conceived for two pianos intertwining like cultures and musical worlds do. Here, between Canino and Pieranunzi, it matters little who is playing “what” and “when”.
24K Magic (pronounced "twenty-four karat magic") is the third studio album by American singer Bruno Mars. It was released on November 18, 2016, by Atlantic Records. Recording sessions took place from 2015 to 2016, while the third record was produced its entirety by Shampoo Press & Curl, who are serving as the executive producers, with the additional production by The Stereotypes, Jeff Bhasker and Emile Haynie. It marks the first time Mars has not produced under The Smeezingtons.
The Café del Mar is perhaps most known around the world for its chill-out music compilations. The songs are described as balearic ambient, easy listening music. The collections of the music played at the café were first sold on cassette at the end of the 1980s. In 1994, the first official “Café del Mar” CD was released, which included works by world-renowned artists. Following the great success of the first release, a total of 18 volumes of the main compilation series have been published.
Unorthodox Jukebox is the second studio album by American singer and songwriter Bruno Mars. It was released on December 7, 2012, by Atlantic Records. It serves as the follow-up to Mars' debut record Doo-Wops & Hooligans (2010). The album was initially planned to be more "energetic" than his previous work, but, it ended presenting a wide range of styles such as reggae rock, disco and soul music. The singer co-wrote the whole record and worked with several past collaborators, while enlisting new producers and no guest vocalists. Lyrically, Unorthodox Jukebox revolves around the theme of relationships, incorporating more explicit lyrics and subjects than his previous material. Critical response to Unorthodox Jukebox was generally favorable; many reviewers compared Mars' work to that of his previous album, while others deemed the lyrical content as shallow and lacking of depth.
Teer was formed in 1994 by founding members John Teer, Nathan Boone and Shane French. Vocalist Dan Michaels has been with the band since 1996. Recently Teer welcomed Frank Bruno as their bassist…
‘This set of five discs is an invitation to a rather special journey: through what you hear, and what you read too, you will traverse, guided by the cello, not one history but several histories. With these Cello Stories, our intention is to show you how an instrument and its repertoire have taken shape whilst retaining the imprint and memory of diverse origins. I have selected the musical programme from my recordings for Alpha – some of them previously unreleased – to complement the text by Marc Vanscheeuwijck and numerous contemporary illustrations.’ –Bruno Cocset