Bruford

Bill Bruford's Earthworks - Footloose And Fancy Free (2002) {2CD Discipline Global Mobile DGM0201} [King Crimson related]

Bill Bruford's Earthworks - Footloose And Fancy Free (2002) {2CD Discipline Global Mobile DGM0201} [King Crimson related]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 835 Mb | MP3 @320 -> 278 Mb
Full Artwork @ 300 dpi (jpg) -> 38 Mb | 5% repair rar
© 2002 Discipline Global Mobile / Bill Bruford Prod. | DGM0201
Jazz / Fusion / Post Bop / Contemporary Jazz / Drums

While the music made by Bill Bruford's earlier Earthworks band was consistently more interesting, his current lineup continues to make great strides given its more traditional stance (post-bop acoustic piano/saxophone quartet verses ultra-modern Euro-jazz fusion). On the live Footloose and Fancy Free, the group exceeds its own studio performances with room to spare. The lovely ballad "Come to Dust" is a fine showcase for pianist Steve Hamilton, and Bruford's punchy drumming moves a complex "Triplicity." Even non-Earthworks tunes from Bruford's late-'90s collaborations with Tony Levin ("Original Sin") and Ralph Towner ("If Summer Had Its Ghosts") get inspiring interpretations as well, thanks to the well-seasoned playing of both tenor/alto saxophonist Patrick Calahar and Hamilton.
Anderson Bruford Wakeman Howe - Anderson Bruford Wakeman Howe (1989)

Anderson Bruford Wakeman Howe - Anderson Bruford Wakeman Howe (1989)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Arista, 259 970 | ~ 392 or 140 Mb | Scans(png) -> 285 Mb
Progressive Rock

File under "Yes." When this version of the band couldn't obtain rights to the name, they put their album out under their combined names, but it's still Yes by any other name. Jon Anderson's tenor wails through spacy lyrics, Rick Wakeman constructs cathedrals of synthesized sound, Steve Howe rips high-pitched guitar leads, and Bill Bruford makes his drums sound like timpani…
Bruford Levin Upper Extremities - BLUE Nights (2000) {2CD Discipline Global Mobile DGM0002} [King Crimson related]

Bruford Levin Upper Extremities - BLUE Nights (2000) {2CD Discipline Global Mobile DGM0002} [King Crimson related]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 604 Mb | MP3 @320 -> 251 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 2000 Discipline Global Mobile / Papa Bear Records | DGM0002
Jazz / Far-flung Improvisations / Jazz Rock / Art Rock / Avant-Garde

This recording chronicles the live performances of Bruford Levin Upper Extremities from 1998. The disc showcases the band's unique blend of jazzy modes with Crimson-esque textures and, occasionally, just plain weirdness. Many of the tracks become looser jams in the live performance. For those who saw this tour, the disc will be a great memento. For those who didn't, it will serve as a shining example of what they missed, and encouragement to be more careful not to pass up subsequent tours. The band is Tony Levin, Bill Bruford, Chris Botti, and David Torn.
Bill Bruford with Ralph Towner and Eddie Gomez - If Summer Had Its Ghosts (1997) {Discipline Global Mobile DGM9705}

Bill Bruford with Ralph Towner and Eddie Gomez - If Summer Had Its Ghosts (1997) {Discipline Global Mobile DGM9705}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 271 Mb | MP3 @320 -> 114 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1997 Discipline Global Mobile / Bill Bruford | DGM970
Jazz / Fusion / Modern Creative / Post Bop / Drums

On If Summer Had Its Ghosts, a primarily acoustic trio recording, drummer Bill Bruford, bassist Eddie Gómez, and pianist/guitarist Ralph Towner create some lush, wondrous, spontaneous and melodic music. It has jazz roots, improvisational branches, and elfin extensions. There's no gimmickry or pretension, although Bruford does add some sampled colors, and Towner overdubs his instruments as well as throwing in a pinch of electronic keyboards. What you basically hear is Bruford's newest and freshest music, interpreted and extrapolated upon by three virtuosos in mellifluous interactive conversation. At their most swinging, as on the lively, four/four, tick-tock, light rimshot, mid-tempo swing of the title track, they are telepathic, with Towner effortlessly switching from acoustic 12-string to piano and Gómez laying down soulful, full, deep bass punctuations.
Bill Bruford's Earthworks - Earthworks (1987) {Editions EG EGCD 48}

Bill Bruford's Earthworks - Earthworks (1987) {Editions EG EGCD 48}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 256 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1990 Editions EG | EGCD 48
Rock / Fusion / Jazz Rock / Modern Creative / Post Bop / Instrumental Rock

Drummer Bill Bruford made a name for himself in the '70s as a rock & roller of a progressive bent. In the '80s he formed the rather extraordinary jazz/fusion band that became Earthworks – Bruford, saxophonist Iain Ballamy, keyboard and brass virtuoso Django Bates, and bassist Mick Hutton. This was their first album; an interesting one it was, though a later, live recording of the band presented some of the same material in a more highly developed state, rendering this original somewhat irrelevant.
Bruford Levin Upper Extremities - Bruford Levin (1998) {HSTO22CD} [Re-Up]

Bruford Levin Upper Extremities - Bruford Levin (1998) {HSTO22CD}
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 341MB + 5% Recovery
Genre: Fusion, Jazz Rock

Bill Bruford and Tony Levin, two very well known prog musicians, formed BRUFORD LEVIN UPPER EXTREMITIES for a while, which was a fusion band. They put out two albums, a self-titled and a live album called "Blue Nights." David Torn and Chris Botti were the other two members of the band.
Anderson Bruford Wakeman Howe - Anderson Bruford Wakeman Howe (1989) [2010, 2CD Edition] (Repost)

Anderson Bruford Wakeman Howe - Anderson Bruford Wakeman Howe (1989)
[2010, 2CD Edition]

EAC: flac (tracks) + cue + log | RAR, 3%, 389,48 MB + 482,65 MB
mp3, 320 kbps | RAR, 3%, 139,58 MB + 161,50 MB| Scans | RAR, 3%, 86,21 MB
Label: Gonzo Media Group | Cat №: HST004CDSE | (Uploaded + GigaPeta + RapidGator + DepositFiles)

This remastered and Deluxe edition of the debut album now includes a second disc of bonus material which contain rare mixes and single edits and more importantly three live tracks recorded on the British leg of the bands world tour.
Anderson, Bruford, Wakeman, Howe - Anderson, Bruford, Wakeman, Howe (1989) [2CD] {2011 Gonzo Deluxe Edition}

Anderson, Bruford, Wakeman, Howe - Anderson, Bruford, Wakeman, Howe (1989) [2CD] {2011 Gonzo Deluxe Edition}
EAC rip (secure mode) | FLAC+CUE+LOG -> 885 Mb | MP3 @320 -> 306 Mb
Full Artwork @ 300 dpi (png) -> 88 Mb
© 2011 Gonzo MG | HST004CDSE
Rock / Prog Rock / Art Rock

This re mastered and Deluxe edition of the debut album now includes a second disc of bonus material which includes rare mixes and single edits and more importantly three live tracks recorded on the British leg of the bands world tour. The massive Yes fan base will ensure a positive reception to this release which contains in the bonus disc many tracks that have not been available for many years and also previously unreleased material and as such makes the package more desirable.
Bruford Levin Upper Extremities - Bruford Levin (1998) {HSTO22CD}

Bruford Levin Upper Extremities - Bruford Levin (1998) {HSTO22CD}
EAC 1.0 | FLAC tracks level 8 | Cue+Log+M3U+MD5+TAU | Full Scans 300dpi | 335MB + 5% Recovery
Genre: Fusion,Jazz Rock,New Age

Bruford Levin Upper Extremities (B.L.U.E.) was a musical group composed of drummer Bill Bruford, bassist Tony Levin, guitarist David Torn, and trumpeter Chris Botti.This rip is lossless debut for the net.

Patrick Moraz & Bill Bruford - Flags (1985)  Music

Posted by v3122 at June 23, 2017
Patrick Moraz & Bill Bruford - Flags (1985)

Patrick Moraz & Bill Bruford - Flags (1985)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
EG, 825 680-2 | ~ 216 or 96 Mb | Scans(jpg) -> 16 Mb
Prog-Rock, Jazz-Rock

Flags is a 1985 album by the duo Moraz and Bruford. Unlike their prior effort Music for Piano and Drums, which featured only an acoustic drum kit and grand piano, this recording expanded their musical palette by including a Kurzweil 250 synthesizer and electronic percussion…