Fahrenheit 451 (1966) was François Truffaut's highly stylised adaptation of Ray Bradbury's dystopian science fiction classic, a vision of a future in which firemen burn books. Herrmann wrote music for strings, harp and percussion, a gracefully chill, urgently rhythmic portrait of a sterile world. The finale, "The Road", blossoms into one of Herrmann's finest melodies, a heartbreakingly lovely homage to the indominability of the human spirit. The expanded suite of 10 selections was specially realised for this album. The Man In The Grey Flannel Suit (1956) and Tender Is The Night (1962) are rare Herrmann gems, achingly lovely melodies aptly presented beside the more famous and utterly captivating "Andante Cantabile" from The Ghost And Mrs Muir (1947). The suite from Anna And The King Of Siam (1946) marks one of Hollywood's earliest ventures into world music, with Herrmann extensively researching Siamese music before composing this glittering, majestic and deeply imaginative work.
John Williams, classical guitar virtuoso, is known for his wide-ranging approach to repertory, which includes appearances playing electric rock guitar and international music. (…) Williams has toured throughout the world. He has performed and recorded nearly the entire standard guitar repertory, plus a large quantity of transcriptions. Several of these transcriptions are by his own hand. He was a professor of guitar at the Royal College of Music in London from 1960 to 1973. However, he also has a strong tendency to explore music outside the classical tradition. He does session work on film soundtracks, has arranged Beatles songs, and plays electric guitar in Sky, a classical-rock fusion band. He has also formed his own ensembles, John Williams and Friends and Attacca, to explore other music.