Brilliant Mozart

W. A. Mozart - Great Mass in C minor KV 427/J.S. Bach: Chorale (Nicol Matt) [2004] (PS3 SACD rip)

W. A. Mozart - Great Mass in C minor KV 427/J.S. Bach: Chorale (Nicol Matt) [2004] (PS3 SACD rip)
SACD ISO image = 3.6 GB | Scans PDF (800 dpi): 7.5 MB | 5% Recovery
Classical | Label: Brilliant Classics | Catalog Number: 92211 | Direction: Nicol Matt, Chamber Choir of Europe

The pan-continental Chamber Choir of Europe recorded a number of Mozart works for the Dutch budget label Brilliant as part of a large Mozart edition, and these performances have been reissued several times, singly and in groups. The choir always has an attractively clear sound that comes from the youth of its members, and this is one of the group's most distinctive if not necessarily one that will appeal to every listener. Conductor Nicol Matt generally falls close to the middle of the road, but here he runs counter to type among recordings of Mozart's "Great" Mass in C minor, K. 427. The modest dimensions he gives the work, aided by close-up microphone placement that brings out individual voices in the group, are fresh and cogently thought out.

Mozart - Chamber Music (Alban Berg Quartet) (2003) (7CD Box Set)  Music

Posted by shamanicus at Sept. 19, 2017
Mozart - Chamber Music (Alban Berg Quartet) (2003) (7CD Box Set)

Mozart - Chamber Music (Alban Berg Quartet) (2003) (7CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Covers | 1.56 Gb | MP3 CBR 320kbps | RAR | 870 mb
Classical, Chamber Music | Label: EMI - 5 855812

Hours and hours of delicate masterpieces by the Viennese Classical master, Mozart! The Alban Berg Quartet, Markus Wolf (viola) and Alfred Brendel (piano) perform String Quartets K. 387; 421; 458 ("Hunt"); 428; 464; 465 ("Dissonance"); 499 ("Hoffmeister"); 575; 589; 590; 515, and 516, plus String Quintets K. 515 and 516; Piano Concerto K. 414 (arranged for piano and string quartet by Mozart), and Piano Quartet K. 493.
Vladimir Spivakov, Anatoly Sheinyuk, Yuli Turovsky, Sergey Dizhur - Mozart: Kirchensonaten (2015)

Vladimir Spivakov, Anatoly Sheinyuk, Yuli Turovsky, Sergey Dizhur - Mozart: Kirchensonaten (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 66:05 | 326 MB
Genre: Classical | Label: Melodiya | Catalog: MEL CD 10 02265

Vladimir Spivakov is known for his Mozart interpretations as a soloist, chamber ensemble member and conductor. In his renditions, Mozart’s concertos, violin sonatas, ensembles, divertimentos, symphonies and masses preserve the combination of lightness and inner depth, youthful naivety and philosophic wisdom which were so characteristic of the great Salzburger. From the first years of his artistic career, Spivakov showed interest in Mozart’s heritage composed in different genres.
PhilHarmonia Octet - Mozart, Beethoven, Klein: Music for Wind Instruments (2017)

PhilHarmonia Octet - Mozart, Beethoven, Klein: Music for Wind Instruments (2017)
Classical | MP3 CBR 320 kbps | 00:59:36 | 138 MB
Label: Supraphon a.s.

The present album marks the 10th anniversary of the PhilHarmonia Octet. The ensemble is made up of superlative soloists, laureates of major international competitions, and members of globally renowned orchestras (the Berliner Philharmoniker, WDR Köln, Czech Philharmonic, etc.). The recording features works by both Czech and foreign composers. The Serenade in C minor is one of the first pieces signalling the change in Mozart’s music, with the hitherto enthralling playful abandon being replaced by serious, dramatic tones. Although formally an entertainment piece, Die kleine Nachtmusik possesses an intellectual profundity.
Emil Gilels, Leonid Kogan, Mstislav Rostropovich - Haydn, Mozart, Schumann: Piano Trios (2007)

Joseph Haydn, Wolfgang Amadeus Mozart, Robert Schumann: Piano Trios (2007)
Emil Gilels, piano; Leonid Kogan, violin; Mstislav Rostropovich, cello

EAC | WV | Image (Cue&Log) ~ 272 Mb | Mp3 (CBR320) ~ 150 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 00547 | Time: 01:01:50

The history of the Russian chamber ensemble of the middle of the 20th century, in all possibility, did not know a more intricate yet remarkable brilliant group of musicians than the celebrated trio of Emil Gilels. Leonid Kogan and Mstislav Rostropovich. All to different in their essence were these three artistic individualities – these three virtuosos, spoilt children of fortune, who were brought together at various stages of disclosure of their outstanding talents. At that, there was not a great difference between their respective ages – Gilels was born in 1916, Kogan was born in 1924 and Rostropovich was born in 1927. Nonetheless, whereas Gilels was already able to reconsider and revise in many ways his principles of work, departing further and further from a pure demonstration of capabilities of his breathtaking technique, Rostropovich and Kogan were still passing through their lengthy period of thrill over their virtuosic powers, affecting their audiences in a straightforward manner.
Kari Kriikku, Tapiola Sinfonietta, John Storgårds - Mozart, Molter: Clarinet Concertos (2005) (Repost)

Kari Kriikku, Tapiola Sinfonietta, John Storgårds - Mozart, Molter: Clarinet Concertos (2005)
EAC | FLAC (image+.cue, log) | Covers Included | 62:19 | 283 MB
Genre: Classical | Label: Ondine | Catalog: ODE 1056-2

Mozart?s concerto actually began life as a concerto for basset horn (not basset clarinet) and was written in the key of G. The manuscript ended abruptly after the 191st measure of the first movement. Mozart rethought his plan, decided to recast the concerto in A, and overhauled the solo part for basset clarinet, an instrument developed by his friend Anton Stadler The version that entered the repertoire after Mozart?s death was an adaptation of the original.
Dong Hyek Lim & Ji Young Lim - Mozart & Beethoven: Violin Sonatas (2017) [Official Digital Download 24/192]

Dong Hyek Lim & Ji Young Lim - Mozart & Beethoven: Violin Sonatas (2017)
FLAC (tracks) 24-bit/192 kHz | Time - 78:09 minutes | 2.79 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Violinist Ji Young Lim quickly came to the attention of the international violin scene when she took First Prize of the 2015 Queen Elisabeth Competition in Brussels. The previous year, she was awarded First Prize in the International Violin Competition of Indianapolis, also winning the Mozart Prize.
Angela Hewitt - Mozart: Piano Concertos Nos. 6, 8 & 9 (2011) (Repost)

Angela Hewitt - Mozart: Piano Concertos Nos. 6, 8 & 9 (2011)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 75:22 | 312 MB
Genre: Classical | Label: Hyperion | Catalog: CDA67840

A brilliant specialist in the keyboard works of Johann Sebastian Bach, which she has recorded to great critical acclaim, Angela Hewitt proves herself equally attuned to the music of Wolfgang Amadeus Mozart in this first installment of the complete piano concertos. While beginning with the Piano Concertos No. 6, No. 8, and No. 9 might be an unusual opening gambit, jumping ahead of the earliest and least compelling concertos, they are still youthful works and more than competent examples of Mozart's budding mastery.
Dong Hyek Lim & Ji Young Lim - Mozart & Beethoven: Violin Sonatas (2017) [Official Digital Download 24/96]

Dong Hyek Lim & Ji Young Lim - Mozart & Beethoven: Violin Sonatas (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 78:09 minutes | 1.40 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Violinist Ji Young Lim quickly came to the attention of the international violin scene when she took First Prize of the 2015 Queen Elisabeth Competition in Brussels. The previous year, she was awarded First Prize in the International Violin Competition of Indianapolis, also winning the Mozart Prize.
Kristian Bezuidenhout - Mozart: Piano Concertos, K. 413, 414 & 415 (2016) [Official Digital Download 24/96]

Kristian Bezuidenhout - Mozart: Piano Concertos, K. 413, 414 & 415 (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 69:27 minutes | 1.16 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

In January 1783 Mozart advertised in the Wiener Zeitung ‘the publication of three new, recently completed piano concertos’, which could even be played with quartet accompaniment – thus enabling him to reach a wider public. In similar vein, he told his father that they were ‘very brilliant and pleasing to the ear . . . Here and there only connoisseurs will derive satisfaction from them – yet in such a way that the non-connoisseur will also be pleased, without knowing why.’ It’s a fair bet that these dazzling performances by Kristian Bezuidenhout and the Freiburger Barockorchester will meet with the same unanimous approval!