This one-disc run through Underworld's 20-year career serves a purpose, yet newcomers should know this prime techno act already has a couple of necessary albums (Dubnobasswithmyheadman and Second Toughest in the Infants), plus there's a companion release to this set (1992-2012) that features the "real" full-length versions of most of these cuts, although you do have to shell out for a second disc. On top of this all, folks intrigued by Underworld generally fall in love with them, so this gateway drug will likely become redundant.
The basic core of tracks making up Brian Eno's Music for Films was originally assembled in 1976 for inclusion in a promotional LP of prospective cues sent to film directors. In early 1978, a bit before Music for Airports, Editions EG released Music for Films with little more than Eno's cryptic comment: "some of it was made specifically for soundtrack material, (and) some of it was made for other reasons but found its way into films." As with most things Eno, this led to a good deal of speculation and controversy. One filmmaker long ago stated, "All of that is crap – this music was never used in any films," and another film student who had tried out some of the cues: "this is the worst music for films ever.
This P represents a beautiful set of ambience from one of the form's masters.
"Taking Tiger Mountain (By Strategy)" is the second solo album by English musician Brian Eno. Unlike his previous album "Here Come the Warm Jets", Eno used a core band of five instrumentalists (keyboards, guitars, bass, drums and percussion) and used fewer guest musicians. Also participating was guitarist and co-writer Phil Manzanera, who had played with Eno in Roxy Music. It's a loose concept album - often inscrutable, but still playful - about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states…
In 2016, as he was preparing for the release of Reflection, Brian Eno admitted that he wasn't quite sure what the term "ambient music" even means anymore. It's been used to describe everything from atmospheric techno to tense, foreboding sound sculptures. For him, it's always referred to generative compositions, unrestricted by time constraints or rhythmic structures, and often left to chance. Reflection continues with the type of albums he initiated with 1975's untouchable Discreet Music. The piece slowly unfolds over the course of an hour, with notes calmly being suspended in mid-air, only to drift away and pop up later at their leisure.
Brian Eno brings the first album in three and a half years. This Japanese edition features SHM-CD format, and includes four pieces of art prints and a 8-page booklet. Special packaging. Special Feature - a bonus track for Japan. The Ship marks Brian Eno's first ambient album since 2012's Lux. Work on the album began as a 3-D sound installation in Stockholm, but altered to stereo when Eno realized he could sing in a low C, The Ship's root note. The Ship contains two works, the 21-minute title track, and the three-part "Fickle Sun." The title piece, a reflection on the sinking of the Titanic, recalls a moment in his distant past: he released Gavin Bryars' Sinking of the Titanic on his Obscure Music label in 1975.
Brian Eno's album of instrumental pieces, Making Space, was released during his visit to Mexico City in June of 2010 - the CD comes in a digipak with fold-out artwork and is available exclusively from venues hosting his installations and lectures. All compositions by Brian Eno except "Flora and Fauna/Gleise 581d", "New Moons", "Vanadium" by Brian Eno and Leo Abrahams; "Hopeful Timean Intersect" by Brian Eno, Tim Harries, Leo Abrahams. All instruments by Brian Eno except Leo Abrahams: guitar on "Flora and Fauna/Gleise 581d", "New Moons", "Hopeful Timean Intersect"; Tim Harries: bass on "Hopeful Timean Intersect".
Reflection is the twenty-sixth solo studio album by English musician Brian Eno, released on 1 January 2017 on Warp Records. It is a single piece of ambient music produced by Eno that runs for 54 minutes in length.