Brian Beach

Pro PowerShell for Amazon Web Services: DevOps for the AWS Cloud by Brian Beach [Repost]

Pro PowerShell for Amazon Web Services: DevOps for the AWS Cloud by Brian Beach
Apress; 1 edition | January 14, 2014 | English | ISBN: 1430264519 | 301 pages | PDF | 7 MB

Pro PowerShell for Amazon Web Services: DevOps for the AWS Cloud by Brian Beach [Repost]  eBooks & eLearning

Posted by tanas.olesya at Oct. 29, 2014
Pro PowerShell for Amazon Web Services: DevOps for the AWS Cloud by Brian Beach [Repost]

Pro PowerShell for Amazon Web Services: DevOps for the AWS Cloud by Brian Beach
Apress; 1 edition | January 14, 2014 | English | ISBN: 1430264519 | 301 pages | PDF | 7 MB

Pro PowerShell for Amazon Web Services is written specifically for Windows professionals who already know PowerShell and want to learn to host Windows workloads in the Amazon Elastic Cloud Compute (EC2) cloud service. The cloud offers information technology workers significant cost savings and agility unimaginable even just a few years ago. Tasks that traditionally took weeks of work, costing thousands of dollars, can be completed in minutes for a fraction of a penny.
Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson [Audiobook]

Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson [Audiobook] by Peter Ames Carlin
English | September 26, 2014 | ASIN: B00NYD0XIE | M4B@64 kbps | 14 hrs 15 mins | 389 MB
Narrator: Bronson Pinchot | Genre: Nonfiction/Biography
The Beach Boys - The Beach Boys Live. 50th Anniversary Tour (2013) [2CD] {Capitol}

The Beach Boys - The Beach Boys Live. 50th Anniversary Tour (2013) [2CD] {Capitol}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 891 Mb | MP3 @320 -> 298 Mb
Full Artwork @ 300 dpi (jpg) -> 29 Mb | 5% repair rar
© 2013 Capitol Records / UM | 0602537379460
Rock / Contemporary Pop

2012 marked the 50th anniversary of the greatest American band, The Beach Boys. To mark this momentous occasion, the band reunited to tour the country as well as a number of International concerts. The fans were thrilled to see Brian Wilson, Mike Love, Al Jardine, Bruce Johnston and David Marks on the same stage again, playing all the hits and more. This magical tour is now captured on the 41 track collection, Live-The 50th Anniversary Tour.
The Beach Boys - Pet Sounds (1966) {DCC 180g} 24-bit/96kHz Vinyl Rip plus Redbook CD Version

The Beach Boys - Pet Sounds
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
407 MB (24/96) + 173 MB (CD) | RAR 5% recovery | DR Analysis | Rock | 1966
DCC LPZ-2006 (1995) 180g Mono Pressing mastered by Steve Hoffman

is the eleventh studio album by the American rock band The Beach Boys, released May 16, 1966, on Capitol Records. It has since been recognized as one of the most influential records in the history of popular music and one of the best albums of the 1960s.

The Beach Boys - The Beach Boys (1985/2015) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Dec. 21, 2016
The Beach Boys - The Beach Boys (1985/2015) [TR24][OF]

The Beach Boys - The Beach Boys
Pop, Rock | FLAC (tracks) 24-bit/192 kHz | 40:23 min | 1.41 GB | Front Cover
Label: Capitol, Brother Records | Tracks: 12 | Rls.date: 1985/2015

The Beach Boys' first new studio album in five years was a concerted attempt to regain old glories, which it did to an extent, selling better than any record since 15 Big Ones and spinning off the Top 30 single "Getcha Back" and the chart entry "It's Gettin' Late." But despite the production sheen provided by Steve Levine (of Culture Club fame), this is another competent but uninspired effort. Review by William Ruhlmann

The Beach Boys - Sunflower (1970/2015) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Dec. 21, 2016
The Beach Boys - Sunflower (1970/2015) [TR24][OF]

The Beach Boys - Sunflower
Pop, Rock | FLAC (tracks) 24-bit/192 kHz | 36:53 min | 1.56 GB | Front Cover
Label: Capitol, Brother Records | Tracks: 12 | Rls.date: 1970/2015

After Reprise rejected what was to be their debut album for the label, the Beach Boys re-entered the studio to begin work on what would become a largely different set of songs. The results signaled a creative rebirth for the band, a return to the beautiful harmonies and orchestral productions of their classic mid-'60s material.

The Beach Boys - M.I.U. Album (1978/2015) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Dec. 20, 2016
The Beach Boys - M.I.U. Album (1978/2015) [TR24][OF]

The Beach Boys - M.I.U. Album
Pop, Rock | FLAC (tracks) 24-bit/192 kHz | 32:20 min | 1.16 GB | Front Cover
Label: Capitol, Brother Records | Tracks: 12 | Rls.date: 1978/2015

Released in 1978, this Beach Boys album is named for the Maharishi International University in Fairfield, Iowa where it was recorded, a move that caused great turmoil within the band. Neither Dennis nor Carl Wilson approved of the decision, prompted by Mike Love's adherence to Transcendental Meditation. As a result, only Love, Al Jardine and Brian Wilson were involved in any major way. The single Come Go With Me, re-released off a compilation in 1981, broke into the top 20 the second time around.

The Beach Boys - Love You (1977/2015) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Dec. 20, 2016
The Beach Boys - Love You (1977/2015) [TR24][OF]

The Beach Boys - Love You
Pop, Rock | FLAC (tracks) 24-bit/192 kHz | 34:23 min | 1.31 GB | Front Cover
Label: Capitol, Brother Records | Tracks: 14 | Rls.date: 1977/2015

Judging by the title and the quilted design on the cover, Love You would appear to be an album of ballads or romantic tracks, maybe '70s remakes of "Surfer Girl" or "In My Room." But from the brutal synthesizer stabs and Carl Wilson's throaty yell, "Harrahhh!" on the opening track, it's clear this is no ordinary Beach Boys LP.

The Beach Boys - Live In Chicago 1965 (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Dec. 20, 2016
The Beach Boys - Live In Chicago 1965 (2016) [TR24][OF]

The Beach Boys - Live In Chicago 1965
Pop, Rock | FLAC (tracks) 24-bit/88.2 kHz | 107:18 min | 1.90 GB | Front Cover
Label: Capitol Records | Tracks: 40 | Rls.date: 2016

Over the past several years since copyright laws were changed in the EU, it has become a tradition at the end of the year for record labels to release “copyright extension” releases featuring unreleased material from their biggest artists to protect their interests in said material. Hot off the heels of a compilation of Motown unreleased material from 1965 comes another release in this vein from a group who has made this a yearly tradition: The Beach Boys. This last Friday, Capitol put up quietly (as is the norm with these releases) on all digital download services a set of two unreleased concerts: Live In Chicago 1965.