Brass Construction continued to avoid the scrap heap, turning out another better-than-expected album. There were two more good singles in "Walkin' the Line" and "We Can Work It Out," and the production, arrangements, instrumental support, and vocals were all more inspired than they had been in the past.
Released by Funky Town Grooves in 2010 through EMI, this release combines the third and fourth albums by Brass Construction, which were originally issued, respectively, in 1977 and 1978. They were not among the band's best releases, but they did generate four charting singles, namely the Top 20 R&B hit "L-O-V-E-U," as well as "Celebrate," "Help Yourself," and "Get Up." There's a handful of solid album cuts, the best of which is the earlier album's "Top of the World," a jam that contains a wild guitar solo and an incredible breakdown. Casual fans should seek out either The Best of Brass Construction: Movin' & Changin' or Classic Masters.
Brass Construction leader Randy Muller took the group in a wider direction on their sophomore effort, Brass Construction 2 issued in December 1976. Their second LP was still funky, horn-punctuated disco; it just wasn't non-stop funky disco as their gold self-titled debut. Adding more Latin/Afro Cuban rhythms,they had a Top 10 R&B hit with the first single "Ha Cha Cha." It also introduced the irving Spice strings, who give the urgent radio-aired "Screwed" a swirling, almost tipsy feel.
Brass Construction is the self-titled debut album by the funk band Brass Construction. It was released in 1975 on United Artists Records. The album went number one on the R&B charts in 1976. The Singles "Changin'" and "Movin'" both reached number one on the Hot Dance Club Play chart in 1976.
I've always found majestic brass orchestra, I don't know, maybe the feast of sound.
"Brass Hommage" is a tribute to the inimitable sound which has made German Brass famous. It acknowledges the success of an audio vision come true: to create a chamber-music ensemble with ten brass musicians, a group with the sound potential of a mighty organ, a symphony orchestra or a big band – a vision which the German Brass musicians have achieved with the musical elegance that is their very own. Their special arrangements have made them into inventors of a highly refined sound idiom that was to become their hallmark. It is compositions for the organ and symphonic works from the classical field that provide the brass players with inspiration, but jazz standards or South American music deliver an equal appeal and the challenge to expand the palette of tone colours. A tango like "La Cumparsita" can transform into the rhythm of a bandoneon, while music by Cole Porter exudes a touch of Broadway flair, "As Time Goes By" conjures up the power of the images from the legendary film "Casablanca", and a jazz classic like "Bourbon Street Parade" emulates the sound of a Dixieland band from New Orleans.
Big Brass marks one of trumpeter Benny Bailey's earliest efforts as a leader, but it is also one of the best releases of his career. Joined by an all-star septet including Phil Woods, Julius Watkins, and Les Spann in the front line, plus a rhythm section consisting of Tommy Flanagan, Buddy Catlett, and Art Taylor, Bailey and his musicians shine in their interpretations of charts by Quincy Jones, Hale Smith, Oliver Nelson, and Tom McIntosh.
The album newly remastered from the original master tapes. John Coltrane assembles a 20-piece band for these three songs. There's McCoy Tyner, Reggie Workman, Elvin Jones, and 16 others. It's heavy on brass, per the title, there are five french horns, for example. There are notable players like Eric Dolphy, Booker Little, Freddie Hubbard, and Julian Priester in the band, but the solos are by Coltrane, Tyner, or Jones. The orchestration was done by Coltrane, Tyner, and Dolphy. The liner notes say Dolphy did a lot of it, later it came out Tyner did more (though Dolphy was no longer around to argue the point). It's not really a big band in the Duke Ellington style, but with all of the horns, it's certainly a big band.