Bra DD

MåBra - Mars 2016  Magazines

Posted by Torries at April 27, 2016
MåBra - Mars 2016

MåBra - Mars 2016
Swedish | 124 pages | True PDF | 48,3 MB

MåBra - September 2015  Magazines

Posted by Torries at Aug. 28, 2015
MåBra - September 2015

MåBra - September 2015
Swedish | 124 pages | True PDF | 50 MB

No Bra (2002) Complete  Comics

Posted by alexandra10 at July 3, 2014
No Bra (2002) Complete

No Bra (2002) Complete
English | CBR | 5 Issues | 239 MB

This is a story about 2 childhood friends, Masato and Yuki, that reunite as teenagers. Masato is surprised to find that Yuki has become so cute, but even more surprised to realize that Yuki was, and still is, a guy. Yuki's affection for cross-dressing leaves Masato with feelings of discomfort and fright.

National Geographic - Man-Made: Secret History of the Bra  Video

Posted by konnect at Sept. 7, 2009
National Geographic - Man-Made: Secret History of the Bra

National Geographic : Secrets Of The Bra
XviD | English | 640x368 25.00fps | MPEG Audio Layer 3 48000Hz stereo 128Kbps
No Subtitles | 47 minutes | 349 MB | 4 Parts | RS.com
Release: 22 April 2008, NGC (US)
Genre: Documentary | Special Subject

From boiling cauldrons to silk looms to metal factories, National Geographic Channel traces the evolution of one of woman’s most provocative pieces of clothing - The Bra
The Ruby Slippers, Madonna's Bra, and Einstein's Brain: The Locations of America's Pop Culture Artifacts

Chris Epting "The Ruby Slippers, Madonna's Bra, and Einstein's Brain: The Locations of America's Pop Culture Artifacts"
Santa Monica Press | English | 2006-03-01 | ISBN: 1595800085 | 312 pages | PDF | 11 MB

No Bra 1-5  Comics

Posted by Lebedev30 at March 25, 2017
No Bra 1-5

No Bra 1-5
Japanese | KAWATSU Kenjiro | CBR | 5 Volumes | 219.5 Mb
Genre: Comedy Ecchi Gender Bender Romance School Life Shounen
Giuliano Carmignola, Venice Baroque Orchestra - Vivaldi, Locatelli, Tartini: Concerto Veneziano (2005) [DD 24bit/96kHz]

Giuliano Carmignola, Venice Baroque Orchestra - Vivaldi, Locatelli, Tartini: Concerto Veneziano (2005)
FLAC tracks 24bit/96kHz | Digital Booklet | 1.25GB + 5% Recovery
Studio Master, Official Digital Download, Deutsche Grammophon/Archiv

This disc is really something special. Collectors are so spoiled for choice in the baroque repertoire at present, particularly on period instruments, but even in a glutted market this disc stands out for imaginative repertoire selection and outstanding interpretation. Its particularly gratifying, in these days of complete editions of everything, to see a discerning artist like Giuliano Carmignola choose four remarkably diverse works by three different composers, and simply play the living daylights out of them. The result roundly disproves the notion that Italian baroque violin concertos all sound the same, a point made even more forcefully by imaginative continuo work (on harpsichord, lute, and organ) by the Venice Baroque Orchestra that helps to emphasize each pieces individual character. The two Vivaldi concertos, for example, couldnt be more different.

MåBra - Mars 2017  Magazines

Posted by Torries at Feb. 26, 2017
MåBra - Mars 2017

MåBra - Mars 2017
Swedish | 108 pages | True PDF | 49 MB

MåBra - Februari 2017  Magazines

Posted by Torries at Jan. 30, 2017
MåBra - Februari 2017

MåBra - Februari 2017
Swedish | 16 pages | True PDF | 54 MB
London Symphony Orchestra under Bernard Haitink - Beethoven Piano Concerto No.2 (2016) [DD 24bit/96kHz]

London Symphony Orchestra under Bernard Haitink - Beethoven Piano Concerto No.2 (2016)
FLAC tracks 24bit/96kHz | Digital Booklet | 658MB + 5% Recovery
Studio Master, Official Digital Download, B&W Society of Sound

The Piano Concerto No. 2 is also Beethoven in classical mode, using an orchestra that would have suited a Mozart piano concerto equally well. What marks it out from other classical works of the time are the solo outbursts in each of the first two movements. In the first, a contrapuntal cadenza with exciting modulations takes us into new and more individual territory, in which the keyboard becomes absolutely the composers focus; in the second we are treated to some powerful, improvisatory solos. The last movement, a rondo with a highly rhythmic main theme in 6/8, manages to introduce a descending chromatic progression towards the end and closes with the piano oscillating rapidly between major and minor chords (a light hearted conclusion to the piece, but one which taxes every pianist).