Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs…
Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs.
R.I.P. David Bowie, music’s greatest innovator has died at age of 69.
The first in a series of career-spanning comprehensive box sets, Five Years 1969-1973 chronicles the beginning of David Bowie's legend by boxing all of his officially released music during those early years. This amounts to six studio albums – 1969's David Bowie (aka Space Oddity); 1970's The Man Who Sold the World; 1971's Hunky Dory; 1972's The Rise & Fall of Ziggy Stardust & the Spiders from Mars; Aladdin Sane, and Pin Ups (both from 1973); a pair of live albums (Ziggy Stardust: The Motion Picture Soundtrack and Live in Santa Monica '72, both released long after these five years) and a two-CD collection of non-LP tracks called Re:Call, plus Ken Scott's 2003 mix of Rise & Fall of Ziggy Stardust. That list suggests how "officially released" is a guideline that's easily bent.
Includes the classics you'd expect, 'The Jean Genie', 'Space Oddity', 'Starman', 'Drive In Saturday', 'Ziggy Stardust', 'Suffragette City', 'Changes', 'Sorrow', 'The Man Who Sold the World' and relative obscurities like the B-side 'Velvet Goldmine', Bowie's version of 'All the Young Dudes' and alternate takes of 'John, I'm Only Dancing' and 'The Prettiest Star'.
Le meilleur du Bowie première période : du space folk ("Space Oddity") au rock le plus dur ("Rebel Rebel"). Dès ses débuts, Bowie a toujours aimé passer d'un style à l'autre pour éviter de faire du surplace. Ceci dit, cette compilation de grands succès tient à l'écart certaines expérimentations ou explorations plus difficiles d'accès comme les improvisations jazz d'Aladdin Sane.
Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie's fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread.
The third installment in a comprehensive deluxe reissue series of David Bowie's entire catalog, A New Career in a New Town (1977-1982) chronicles perhaps the most artistically ambitious phase in Bowie's career – one that began with 1977's Low and concluded with 1980's Scary Monsters (And Super Creeps)…