Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A strong outing from this key post-Mingus collaboration – and a record that really shows both Don Pullen and George Adams really coming into their own! Pullen's piano can have plenty of edges, as can Adams' tenor – but there's also some warmer, lyrical moments that really round things out – kind of a balance between righteous energy and deeper quietude that the musicians might have learned during their time with Charles Mingus – taken to a logical small group extension here. Adams also plays a bit of flute, which is especially nice – and the group also includes Cameron Brown on bass and Dannie Richmond on drums. Titles include "The Great Escape Or Run John Henry Run", "Seriously Speaking", "Soft Seas", and "Protection".
7th Wonder were a soul-funk group from Alabama with a style similar to Earth Wind & Fire and Kool & the Gang, a self-contained vocal and instrumental unit whose versatility yielded splendid funky dance tracks and melodic balladry of the Southern Soul genre. Having made their chart debut on Abet Records from Nashville in 1973 with their version of Kris Kristofferson's ballad For The Good Times, the group signed with Parachute in 1978 to score R&B hit singles with Words Don t Say Enough and My Love Ain't Never Been This Strong both featuring on the Words album, recorded mainly at the renowned Muscle Shoals Studio with their house musicians, then moved to the dedicated soul sister-label Chocolate City in 1980, where I Enjoy Ya and The Tilt both also reached the R&B top 50 and featured in their second album, Thunder, recorded at the Malaco Studio in Jackson, Mississippi.
After the success of Così fan tutte and The Marriage of Figaro, René Jacobs' CD recording of this centrepiece of the Mozart/Da Ponte trilogy offered us his reflections on Classical opera and garnered serious acclaim worldwide. Performed at the Innsbruck festival in August 2006 and filmed in Baden-Baden, this production is nourished by his thoughts on Don Giovanni as taboo-breaker but still respects Mozart's intentions as closely as possible.
In the documentary Looking for Don Giovanni, the director Nayo Titzin follows the creation of this production in the search for musical truth.