"…Recommended with enormous pleasure. " ~sa-cd.net
"…An amazing SACD. As interpretations, both of these are in a class of their own, the Franck having strong claims of being the best ever performance of this greatest French late romantic orchestral work. Almost certainly they will never be equalled let alone bettered on SACD." ~SA-CD.net
…This is a performance that holds your attention from first note to last–a rare feat in this work. (Munch's later Deutsche Grammophon effort pales by comparison, both sonically and interpretively.) If you want this Berlioz Requiem (and you do), SACD is the way to hear it.
"Originally recorded May (C Minor) and August (Pastoral) 1955 in two-track stereo, remastering supervisor John Newton, along with DSD engineer Dirk Sobotka, has revitalized two of the Charles Munch Beethoven symphonies with astonishing results. (…) The same Living Stereo recording of the Fifth — though not the Sixth — was also on a recent xrcd reissue which we reviewed Here. A/B comparison of the two formats showed the SACD to be sonically superior." ~Audiophile-Audition
…His overwhelming natural affinity for French music made Charles Munch an ideal conductor for Berlioz’s swirling tour de force Symphonie Fantastique. Perfectly capturing the drama, romance & philosophical angst in which this masterpiece is marinated, Munch takes the Boston Symphony Orchestra on an epic journey of proportions only possible in the human heart & mind. A classic, reborn in vivid Living Stereo.
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"…As far as sound goes, it's the best I've heard from Living Stereo and perhaps the best I've heard from my stereo period! The soloist to orchestra balance is just about perfectly even, which means the orchestra is considered an equal part by the engineers. I prefer that to the "I'm ready for my closeup now Mr De Mille" balance used by most producers in order to highlight the "STAR"." ~sa-cd.net
…The breadth, depth, and height of the sound stage presented by the multi-channel "surround" mix delivers an enormous portion of the experience of a live performance of a splendid orchestra, with splendid soloists in a splendid hall. You really are "surrounded" by the ambient signature of the Atlanta concert hall. Orff's percussive writing, as well as the innovative writing for winds and the large chorus is wonderfully captured with huge impact. I can ask for nothing more!