Guitarist Freddie King rode to fame in the early '60s with a spate of catchy instrumentals which became instant bandstand fodder for fellow bluesmen and white rock bands alike. Employing a more down-home (thumb and finger picks) approach to the B.B. King single-string style of playing, King enjoyed success on a variety of different record labels. Furthermore, he was one of the first bluesmen to employ a racially integrated group on-stage behind him. Influenced by Eddie Taylor, Jimmy Rogers, and Robert Jr. Lockwood, King went on to influence the likes of Eric Clapton, Mick Taylor, Stevie Ray Vaughan, and Lonnie Mack, among many others.
Freddie King (also known as "Freddy" early in his career) was born in Gilmer, a rural town near Longview and east of Dallas, Texas. No relation to either B.B. or Albert King, Freddie was taught the guitar by his mother and an Uncle while he was still a child. Originally an acoustic, country blues-styled guitarist in the style of Lightnin' Hopkins and Blind Lemon Jefferson, King became enamored of the electrified Chicago blues sound of artists like Muddy Waters and Howlin' Wolf as a teen.
Katie Derham travels to Rio de Janeiro (where her father was born) to explore the story behind Brazil's most famous and enduring song. Written in 1962 by Antonio Carlos Jobim with lyrics by Vinicius de Moraes, with a later English translation by Norman Gimbel, The Girl from Ipanema defines the moment Brazil charmed the world stage with a laidback song about a haunting woman.
Bossa Nova translated as the "new beat" or "the new style", grew out of Rio De Janeiro in 1958. The instigators were a handful of artists with a desire to break from tradition, developing the samba rhythms with the influence of cool American jazz to find a music with such a warm soul and natural rhythm that no-one can help but tap and sway to its beat. Bossa Nova is palm trees swaying, it is like melting sugar in hot coffee, it is the setting sun and warm sand underfoot. It is the sound and beat of Brazil, it is one of the world's coolest musical styles and it remains to this day one of the world's great musical treasures.
24bit digitally remastered reissue. Comes housed in a cardboard sleeve. This release compiles two wonderful LPs presenting Zoot Sims playing bossa nova songs, as well as jazz standards in a bossa nova mood arranged by Manny Albam and Al Cohn: New Beat Bossa Nova (Colpix SCP435), and its sequel, New Beat Bossa Nova Vol. 2 (Colpix SCP437). Recorded in 1962, these were among the first albums to combine bossa nova and jazz. Both LPs feature the outstanding guitarist Jim Hall as a soloist.
Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. That's Brasil 65, not Brasil 66 – a distinction that marks a key early stage for the great Sergio Mendes – heard here on one of his first albums to mix together bossa jazz and vocals! The approach here is a bit more like vintage bossa dates from Brazil – or a bit like some of the Verve bossa records too – as Sergio's core trio is at the heart of every tune, playing with a great jazzy approach – then augmented in different ways by alto and flute from Bud Shank, guitar from Rosinha De Valenca, and vocals from the lovely Wanda De Sah! Production is perfect – really in a classic Elenco Records mode – and titles include "Let Me", "Consolacao", "Tristeza Em Mim", "Muito A Vontade", "Reza", "Berimbau", and "Aquarius".
In this accelerated introduction to bossa nova rhythm guitar for intermediate players and beyond, Fareed shows you the authentic bossa nova rhythms and chord voicings used by the Brazilian greats including Antonio Carlos Jobim, Joao Gilberto, Luis Bonfa, Baden Powell and many others. Fareed breaks the style down into one versatile rhythm pattern that underlies almost every bossa nova tune and then shows you the classic chord voicings used by most bossa nova guitarists.