Collection includes: I Can't Stand Still (1982); Building the Perfect Beast (1984); The End of the Innocence (1989); Inside Job (2000); The Very Best of Don Henley (2009).
The only vocalist in history to net Grammy Awards in three different categories (jazz, pop, and R&B, respectively). Collection includes: We Got By (1975); Glow (1976); All Fly Home (1978); This Time (1980); Breakin' Away (1981); Jarreau (1983); High Crime (1984); L Is For Lover (1986); Heart's Horizon (1988); Blue Angel (1992) Single; Heaven and Earth (1992); Tenderness (1994)
Celebrating the 100th birthday of Academy Award-winning film composer Miklós Rózsa this three-CD box set captures his most memorable compositions. Present here are heraldic passages from the KING OF KINGS and BEN HUR scores the haunting piano concerto (with theramin!) from SPELLBOUND the lush and poignant love theme from THAT HAMILTON WOMAN the pastoral wedding suite from EYE OF THE NEEDLE and many more evocative symphonic works.
John Abercrombie Quartet: Up and Coming Starting the new year with, if not precisely a bang, a nevertheless unforgettable record whose strength lies in pristine lyricism, nuanced group interplay and writing that capitalizes on the entire quartet's appreciation of subtlety over gymnastics and refined lyricism over angularity, John Abercrombie's Up and Coming—ECM's first release of the year—is also founded strongly on the concept of relationship. The guitarist has been playing with Marc Copland since the pianist's days in the early '70s as a saxophonist before deserting it entirely for a career and discography that's as rich and rewarding as Abercrombie's…
Phantom Navigator is the seventeenth album by jazz saxophonist Wayne Shorter, that was released on Columbia in 1987.
Beyond category or idiom, audacious in its very idea, Herbie Hancock and Wayne Shorter perform a little over an hour of spontaneous improvised duets for grand piano and soprano sax. That's all no synthesizers, no rhythm sections, just wistful, introspective, elevated musings between two erudite old friends that must have made the accountants at PolyGram reach for their Mylanta. Hancock's piano is long on complex harmonies of the most cerebral sort, occasionally breaking out into a few agitated passages of dissonance. His technique in great shape, Shorter responds with long-limbed melodies, darting responses to Hancock's lashings, and occasional painful outcries of emotion.