This one-off collaboration between the Cure's Robert Smith and Siouxsie and the Banshees' Steven Severin resulted in an eccentric, and at times incompatible, mix of psychedelic sounds wrapped around alternative '80s pop. Writers Smith and Severin's more eccentric tendencies are as likely to evoke pictures of a carnival as a funereal march, but the backbone rests largely on tightly constructed tunes with occasional forays into the experimental…
Reissue with the latest remastering. Features original cover artwork. The 1978 Jazz Messengers was one of Art Blakey's strongest groups in years, although it would soon be overshadowed by its successor (which introduced a young Wynton Marsalis). With trumpeter Valerie Ponomarev, altoist Bobby Watson and a tenor saxophonist forming a potent frontline and new material from each of the principals (plus pianist James Williams) in addition to a lengthy ballad medley, this is a fine all-around set, last available on LP.
When guitarist Al Caiola (1920) moved to New York after graduating he was quickly hired as a staff musician by CBS, where his skill and adaptability guaranteed him a heavy radio and TV schedule until he left in 1956; he was, in fact, one of the busiest, most successful and respected session men in New York City throughout the 1950s and 1960s. In 1955, at the peak of his success, he recorded “Deep in a Dream” and “Serenade in Blue” for Savoy Records, two albums which focused on a meticulous and reverent treatment of a collection of well-known standards and of his own originals. Technically impeccable, on these Caiola is backed by an excellent rhythm section, with pianist Hank Jones demonstrating his usual warmth and skill, aided by drummer Kenny Clarke and bassist Clyde Lombardi.
This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Abbey Lincoln's third of three Riverside albums directly precedes her more adventurous work with drummer (and then-husband) Max Roach. With fine backup from trumpeter Kenny Dorham, pianist Wynton Kelly, Les Spann (doubling on guitar and flute), bassist Sam Jones, and drummer Philly Joe Jones) on seven of the ten numbers, and by Roach's regular quintet at the time on the other three selections, Lincoln is quite emotional and distinctive during a particularly strong set. Highlights include the first vocal version ever of "Afro-Blue," "Come Sunday," Oscar Brown, Jr.'s "Brother, Where Are You," "Softly, As in a Morning Sunrise," "Long as You're Living," and Lincoln's own "Let Up." A very memorable set.
Three Blind Mice Blu-spec CD reissue series. Limited paper sleeve edition. Yellow Carcass in the Blue is considered an important album by talented singer Kimiko Kasai in which she really began to show her original qualities. At the same time, as the "double bill" credit suggests, it was also a showcase for the Kosuke Mine Quartet, which plays two tunes on their own.
After a long hiatus from the record shelves, the turbaned Dr. Lonnie Smith – along with guitarist John Abercrombie and drummer Marvin "Smitty" Smith – sets his sights upon John Coltrane, turning in five 'Trane tunes plus Mongo Santamaria's "Afro-Blue" and a grooving Smith tribute, "Traces of Trane." The propulsive title track is mostly dominated by Abercrombie, while "Impressions" continues the driving pace as Lonnie sprays Hammond B-3 organ notes all over the place with constant brief call-and-response dialogues with himself.