Superlatives are inadequate for the box record company Universal Music recently released. Two hundred hits on ten CDs, hundreds of hits and a lot of TV and news clips on five DVDs and then another book as reference book. It can not be on. The disadvantage of the Testament of the sixties is that for a hundred euros a hefty investment. The advantage that you are now ready to be a hit with your sixties Collection.
Features 24 bit remastering and comes with a mini-description. On One for Fun from 1960, Earl May is back on bass, this time with Kenny Denis on drums. The set has a more contemporary feel than the earlier tracks and features three Taylor originals, including the cool, yet cooking, "A Little Southside Soul." Among the standout tracks, the Rogers and Hart classic "Blue Moon" is transformed by Taylor and company into a vehicle for some of the CD's best solo and group work.
This is the most comprehensive collection of the rockabilly era that was ever assembed in one box. On these 40CDs there are 1000 carefully chosen songs. A booklet is also included with information, biographies and many rare illustrations.
Culled from the deep vaults of Chicago's Chess Records, 'Go Go Power' takes its name from a fantastic slice of gritty Chicago R&B groove by pint-sized soulster Sugar Pie Desanto. The songs here were not chart hits in the U.S., but were popular in the U.K., where clubs devoted to soul music continue to thrive. Marlena Shaw's excellent "Wade in the Water" shows that she wasn't restricted to jazz recordings, and Billy Stewart surprises with the funky rendition of the blues standard "Everyday (I Have the Blues)." As if they weren't potent enough by themselves, Sugar Pie Desanto and Etta James team up for "In the Basement" and ask you to "stop and check yourself" on "Do I Make Myself Clear." It's also nice to see lesser-known names make stellar appearances here, like the Knight Brothers – best known for their 1965 ballad "Temptation 'Bout to Get Me" – turn in a Memphis burner with "That'll Get It," while Chicago staple Bobby McClure proves he knows what he wants with the pulsing "Peak of Love." A thoroughly consistent selection that makes for a fine downtown diversion when the uptown gloss and polish of Motown seems too genteel.