Billy Joe Shaver's first recording in six years is a stunner. Partnering with his guitar-slinging son, Eddy, Tramp on Your Street is a rollicking yet intimate ride through the world Billy Joe-style. There are smoking country rockers that are brazen, raw, and in-your-face, such as the sizzling remake of "Been to Georgia on a Fast Train" (which is now the definitive version), "The Hottest Thing in Town," "I'm Just an Old Chunk of Coal," and the blues-rock of "I Want Some More/TennTex Tear Down." There is the restless Bob Wills swing of "Good Old U.S.A." and the shuffling Texas stroll of "If I Give My Soul." And of course, in the title track, "When Fallen Angels Fly," and the Louvin Brothers-inspired "I'm Gonna Live Forever," there are the searing, completely naked lyrics of repentance, deliverance, and doubt that have been a part of Shaver's music form the beginning. Without them, the center would be missing. The big question for most is: Can Billy Joe rock at his age? The answer is that with Eddy beside him turning it up, he can not only rock, he can roll too. This is a partnership based on respect, tough love, and iconoclastic musical ideals. It's deep in the roots of the sill and even deeper in the Shavers' blood. Tramp on Your Street is a monumental return to recording for Billy Joe Shaver and a triumph of Eddy's musical direction and six-string skill.
All Music Review by Thom Jurek
These two late-'60s albums were released at the peak of Joe South's commercial success and visibility, coinciding with his hits "Games People Play" (which appears on 1968's Introspect) and "Walk a Mile in My Shoes" (which is on 1969's Don't It Make You Want to Go Home?). This Raven reissue combines both records onto one CD, with the addition of the way-cool psychedelic soul outing "Hole in Your Soul" (from the Games People Play album) as a bonus track.
The second song on Joe Ely's 2011 album Satisfied at Last is titled "Not That Much Has Changed," and it's hard not to think that sums up the album pretty well. That isn't an insult: Ely has been making records since 1972, he knows his craft well, and he's still one of the most consistently rewarding artists to come out of the Texas singer/songwriter community. His voice is in great shape on Satisfied at Last, he brings a genuine passion and soul to his performances in the studio, and his tales of outlaws and ramblers trying to make their way under the big sky of the Southwest are still resonant, intelligent, and down to earth. But while some Joe Ely albums find the man experimenting with his style or embracing a more ambitious concept, Satisfied at Last is 39 minutes of the man doing what he's been doing for a long time, and as a consequence, it's somewhat short on surprises…..
It's hard to call Joe South a neglected artist, since so many of his songs have become pop standards, often through covers by other artists. "Hush" was Deep Purple's breakthrough, "Down in the Boondocks" was Billy Joe Royal's big hit, Lynn Anderson is forever identified with "Rose Garden," the Tams had a hit with "Untie Me," and Elvis Presley turned "Walk a Mile in My Shoes" into a signature anthem late in his career. Plus, South himself had big hits with "Don't It Make You Want to Go Home?" and "Games People Play," the latter of which won two Grammy Awards.
Singer/songwriter Joe South (born Joe Souter) began his career as a country musician, performing on an Atlanta radio station and joining Pete Drake's band in 1957. The following year, he recorded a novelty single, "The Purple People Eater Meets the Witch Doctor," and became a session musician in Nashville and at Muscle Shoals. South appeared on records by Marty Robbins, Eddy Arnold, Aretha Franklin, Wilson Pickett, Bob Dylan (Blonde on Blonde), and Simon & Garfunkel ("The Sounds of Silence"). During the '60s, South began working on his songwriting, crafting hits for Deep Purple ("Hush") and several for Billy Joe Royal, including "Down in the Boondocks." South began recording his own material in 1968, scoring a hit with the Grammy-winning "Games People Play" (Song of the Year) the following year. While South produced hits like "Don't It Make You Want to Go Home" and "Walk a Mile in My Shoes," Lynn Anderson had a smash country and pop hit in 1971 with South's "(I Never Promised You a) Rose Garden."
Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.
Reissue with the latest remastering. Features original cover artwork. A familiar grouping, but one that's presented here in a very different way – as bassist David Williams is up front in the lead, instead of working in his more familiar role in the trio of pianist Cedar Walton! Yet Walton's on board for this debut set from Williams as a leader – as is drummer Billy Higgins – and it's wonderful to hear the way they change things up slightly to give David more time in the spotlight, and to hear the way that Williams hits some of his more lyrical, melodic modes too – qualities that further our love of his talents on the bass, which were already great enough when working behind Walton. Cedar gets in plenty of solos along the way, but often cedes more time to Williams.