Actor Bill Paxton made his directorial debut with Frailty. The bulk of the story is told through flashbacks, as a mysterious man (Matthew McConaughey) tells a terrible tale to an FBI agent (Powers Boothe) investigating the "God's Hand" serial killer case. The man grew up in a small town in Texas, where he and his brother lived a bucolic life with their kindhearted widower father (Paxton). One night, the father awakens the two boys, Fenton (Matthew O'Leary) and Adam (Jeremy Sumpter), and tells them he's had a vision, and God has chosen him and his sons to help Him slay demons who walk the earth in human form. He tells the boys they can never tell anyone about this task. Before long, he comes home from work with a list of names that he claims an angel has given to him. He then begins abducting people, bringing them home, one by one, and having the boys watch while he lays his hands on them. After having proven, to his mind, that they are demons and not human, he chops them up with an axe while the boys look on.
In many ways a bridge between the late-'50s generation of folksingers like Dave Van Ronk and the early-'60s version posed by innovative songwriters like Bob Dylan and Phil Ochs, Tom Paxton managed to keep his integrity intact through it all, and if he didn’t exactly break new ground anywhere, he has always been a careful and thoughtful songwriter. This set brings together five of the six LPs Paxton recorded and released with Elektra Records between 1964 and 1972 (the sixth, New Songs Old Friends, released in 1972, was a retrospective live set), 1964’s Ramblin’ Boy, 1966’s Outward Bound, 1968’s Morning Again, 1969’s The Things I Notice Now, and 1970’s Tom Paxton 6. The end result is an almost complete collection from Paxton's peak middle years, the years when he wrote and recorded most of the songs on which his legacy rests.
THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.
Church musicians, especially of the Anglican/Episcopal persuasion, should be happy that there's at least one person out there writing first-rate, functional, and very accessible (in the best sense) anthems and service music–music that dedicated, competent choirs and organists can perform to a high standard. Some listeners may recognize Grayston Ives (nom de plume of Bill Ives) for his years (in the 1980s) with the King's Singers where he both sang and contributed as an arranger.