This CD brings back one of the high points of singer Bill Henderson's career. Because he settled in Los Angeles, Henderson never became a major name but he was actually one of the top male jazz singers to emerge in the late '50s. Backed quite sympathetically by the swinging Oscar Peterson Trio (which consisted of pianist Peterson, bassist Ray Brown, and drummer Ed Thigpen), Henderson is in prime form on such songs as "All or Nothing at All," "Gravy Waltz," "I've Got a Crush on You," and "The Folks Who Live on the Hill"; four previously unissued songs round out the fairly definitive collection.
This is a great collection of rare and hard to find tunes compiled by Jeffrey Glenn. Hundreds of odds & ends by little known groups, famous singers, and famous singers before they became famous.
Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Two different sides of Verve Records in the 50s – one modern, one a bit more traditional – and both represented in live material from the Newport Jazz Festival in 1957! Side one features a stunning live performance from pianist Teddy Wilson – working in a tight trio with Milt Hinton on bass and Spec Powell on drums – and really blowing away any conceptions we might have had about Wilson being aging or flowery at the time. Instead, he's got a sharp edge and command of the keys that's amazing – and which almost seems to have a bit more bite than usual in this concert setting.
A jazz and pop vocalist born in Stockholm, Sweden, on February 28, 1962, Caroline Henderson would move to Copenhagen in 1983 and become one of Denmark's top talents. Her first taste of fame and fortune in her new home came about in 1989, as part of the group RayDeeOh, with Maria Bramsen. That group soon came to an end, and Henderson was left to fend for herself. In 1995 she released the first of many albums, Cinemataztic, and began to work in television and film, as well as acting in plays. Her follow-up full-length, Metamorphing, hit stores in 1998, and was followed over the next ten years by five more albums, all of which (Dolores J in 2000, NAOS in 2002, Don't Explain in 2003, Made in Europe in 2004, and Love or Nothin' in 2007) built upon the success of their predecessors. In March of 2008 Henderson released album number eight, No. 8, which was a Top Five hit in Denmark. Apart from her commercial successes, Henderson also won Denmark's Grammy for Best Vocal Recording in 2007 for her work on the album Love or Nothin'.
When South Africa was still suffering under the apartheid system in the 1980s, Johnny Clegg & Savuka was the last thing apartheid supporters wanted in a pop group. Their lyrics were often vehemently anti-apartheid, and apartheid supporters hated the fact that a half-black, half-white outfit out of South Africa was integrated and proud of it. Released in the U.S. at the end of the 1980s, Cruel, Crazy, Beautiful World is among the many rewarding albums the band has recorded. Sting and the Police are a definite influence on Clegg & Savuka, who have absorbed everything from various African pop styles to Western pop, funk, rock, and reggae. The lyrics are consistently substantial and frequently sociopolitical – "Bombs Away" addresses the violence of the apartheid regime, while "Warsaw 1943" reflects on the horrors Eastern Europe experienced at the hands of both communists and fascists during World War II. Clegg and company enjoyed a passionate following at the time, and this fine CD proves that it was well deserved.
William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.
The Tyler, TX-raised Bugs Henderson took his cues from the wealth of great roadhouse blues and blues-rock guitarists that were around Dallas, including Freddie King, Johnny Winter, and literally dozens of others on the Texas music scene of the '60s. Henderson has cited James Burton, Ricky Nelson's guitarist, as a major influence.