Bette Midler's debut album displays how raw her talent was at the beginning of her career, a coarseness that has been lost as she's honed her persona into something brassier. Not that brassy's bad; she's just matured as a performer. But listen to this, then throw in 1990's fine Some People's Lives to see how she shines with both voices. On The Divine Miss M, the atmosphere is so intimate it's like she and the band are right in front of you…
Using her regular touring band and employing Don Was, an expert on helping pop veterans reclaim the sounds that made them successful, Bette Midler makes an excellent album to tie in with the premiere of her network television show. Was seems to conceive of Midler as a kind of pre-rock, neo-Brill Building performer, frequently putting her into mid-tempo pop arrangements of old R&B ballads, here including Baby Washington's 1960 hit "That's How Heartaches Are Made," the Temptations' 1971 hit "Just My Imagination (Running Away With Me)" (which here sounds even more like an old Drifters hit than it does usually), and a pair of 1980 titles, Teddy Pendergrass' "Love TKO" and the Manhattans' "Shining Star."
"Live at Last" is the first live album by American singer Bette Midler, a two-disc set released in 1977, Midler's fourth album release on the Atlantic Records label. The album spawned from her live, recorded performance, "The Depression Tour" in Cleveland, entitled "The Bette Midler Show".
Multiple Grammy Award®-winning singer and legendary performer Bette Midler returns to the studio to release “It’s The Girls,” a stunning new album that pays tribute to girl groups through the ages. “It’s The Girls” is a jaunty and celebratory collection of some of the greatest harmonies performed by girl groups such as The Ronettes, The Boswell Sisters, The Andrew Sisters, The Chiffons as well as Motown acts like Martha Reeves and The Vandellas, and The Marvelettes, among others.
Bette Midler exploded onto the screen with her take-no-prisoners performance in this quintessential film about fame and addiction from director Mark Rydell. Midler is the rock-and-roll singer Mary Rose Foster (known as the Rose to her legions of fans), whose romantic relationships and mental health are continuously imperiled by the demands of life on the road. Incisively scripted and beautifully shot—by Vilmos Zsigmond, with assistance on the dazzling concert scenes by a host of other world-class cinematographers, including Conrad L. Hall, László Kovács, Owen Roizman, and Haskell Wexler—this is a sensitively drawn and emotionally overwhelming melodrama that made the popular singer into a movie star as well.
Thighs and Whispers is the fifth studio album by American singer Bette Midler. Released in 1979, the album reached #65 on the Billboard Pop Albums chart.