Bernhard

Channel 4 - Operation Bernhard: The Great Nazi Cash Swindle (2004)  Video

Posted by notbanned at Oct. 24, 2017
Channel 4 - Operation Bernhard: The Great Nazi Cash Swindle (2004)

Channel 4 - Operation Bernhard: The Great Nazi Cash Swindle (2004)
HDTV | 1920x1080 | .MKV/AVC @ 2246 Kbps | 48 min 30 s | 848 MiB
Audio: English AAC 196 kbps, 2 channels | Subs: None
Genre: Documentary

Documentary examining Operation Bernhard, the counterfeiting scheme devised by the Nazis during World War Two to undermine the British war effort. SS Intelligence employed a 104-strong workforce - consisting of Jewish prisoners in Sachsenhausen concentration camp near Berlin - to forge more than 3 billion Pounds, with the intention of flooding the UK with fake bank notes and so trigger huge inflation and destabilise the economy. Their best forgeries fooled the Bank of England, and the notes are considered among the most perfect counterfeits ever produced, being extremely difficult although not impossible to distinguish from the real thing.
Jews and Christians in Medieval Europe: The historiographical legacy of Bernhard Blumenkranz

Jews and Christians in Medieval Europe: The historiographical legacy of Bernhard Blumenkranz by Philippe Buc, Martha Keil, John Victor Tolan
English | 2016 | ISBN: 2503565166 | 383 Pages | PDF | 8.8 MB

The name of Bernhard Blumenkranz is well known to all those who study the history of European Jews in the Middle Ages and in particular the history of Jewish-Christian relations.
Bernhard Klapprott, Capella Thuringia, Cantus Thuringia - Kellner: Sacred Cantatas (2018)

Bernhard Klapprott, Capella Thuringia, Cantus Thuringia - Kellner: Sacred Cantatas (2018)
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 418 MB
Label: CPO | Tracks: 30 | Time: 71:48 min

Although Johann Peter Kellner received only a relatively brief training in music, he attained a quite considerable compositional level, not least because of his contacts with members of Bachs circle of friends. Until 1762 Johann Peter composed a number of cantatas along with his son Johann Christoph that have been brought together in the Schüler-Jahrgang (Pupils Annual Cycle).

Thomas Bernhard - Camminare  eBooks & eLearning

Posted by Karabas91 at March 14, 2018
Thomas Bernhard - Camminare

Thomas Bernhard - Camminare
Italian | 2018 | 125 pages | ISBN: 8845932575 | EPUB | 0,7 MB

«Mentre io, prima che Karrer impazzisse, camminavo con Oehler solo di mercoledì, ora, dopo che Karrer è impazzito, cammino con Oehler anche di lunedì… ho salvato Oehler dall'orrore… perché non c'è nulla di più orribile del dover camminare da soli di lunedì»: bastano poche frasi, ad apertura di pagina, a immergerci nel flusso ipnotico della scrittura di Thomas Bernhard. Ma perché, e quando, Karrer è impazzito? Forse, dice Oehler (che come molti personaggi di Bernhard è contagiato da una «micidiale tendenza al soliloquio» e al «meditare sino allo sfinimento su cose insolubili»), c'entra il suicidio dell'amico Hollensteiner - il chimico annientato dalla «bassezza» dello Stato austriaco, che «nulla odia più profondamente di chi è fuori dall'ordinario»..

Bernhard Meyer - Murmuration (2018)  Music

Posted by Fizzpop at Feb. 4, 2018
Bernhard Meyer - Murmuration (2018)

Bernhard Meyer - Murmuration (2018)
MP3 CBR 320 kbps | 01:00:42 | 138 MB
Jazz | Label: Traumton

Ein schillerndes Quintett charismatischer Persönlichkeiten mit einem ungewöhnlichen Instrumentarium.
"Diese Besetzung hatte ich schon seit Langem im Kopf", sagt Bernhard Meyer (Halbresonanz-Bass) über sein Quintett, das ein ungewöhnliches Instrumentarium mit charismatischen Musikern vereint.

Thomas Bernhard - Teatro III (Repost)  eBooks & eLearning

Posted by Karabas91 at Dec. 24, 2017
Thomas Bernhard - Teatro III (Repost)

Thomas Bernhard - Teatro III
Italian | 2016 | 250 pages | ISBN: 880622123X | EPUB | 0,4 MB

Thomas Bernhard - Teatro II (Repost)  eBooks & eLearning

Posted by Karabas91 at Dec. 24, 2017
Thomas Bernhard - Teatro II (Repost)

Thomas Bernhard - Teatro II
Italian | 2015 | 237 pages | ISBN: 8806221221 | EPUB | 0,8 MB

Thomas Bernhard - Teatro I (Repost)  eBooks & eLearning

Posted by Karabas91 at Dec. 24, 2017
Thomas Bernhard - Teatro I (Repost)

Thomas Bernhard - Teatro I
Italian | 2015 | 265 pages | ISBN: 8806221213 | EPUB | 0,9 MB
Klaus Mertens, Hamburger Ratsmusik, Simone Eckert - Dresden 1652: Werke von Christoph Bernhard und Christian Herwich (2005)

Klaus Mertens, Hamburger Ratsmusik, Simone Eckert - Dresden 1652: Werke von Christoph Bernhard und Christian Herwich (2005)
EAC | FLAC (image+.cue, log) | Covers Included | 64:20 | 276 MB
Genre: Classical, Vocal | Label: New Classical Adventure | Catalog: 60147

Die Hamburger Ratsmusik: ein Ensemble mit 500-jähriger Geschichte. Dieser Gegensatz reizt zum kreativen Dialog zwischen Tradition und Gegenwart, von Alter Musik und lebendiger Interpretation. Die Anfänge der Hamburger Ratsmusik reichen zurück bis ins 16. Jahrhundert. Nach dem Grundsatz „Gott zu Ehren und Hamburg zur Lust, Ergötzlichkeit und Nutz“ leistete sich die Stadt ein Eliteensemble von acht Ratsmusikern, das vielen fürstlichen Hofkapellen Konkurrenz machen konnte.
Cecilia Bartoli, Bernhard Forck, Akademie fur Alte Musik - Gluck: Italian Arias (2001)

Cecilia Bartoli, Bernhard Forck, Akademie für Alte Musik - Gluck: Italian Arias (2001)
EAC | FLAC | Image (Cue & Log) ~ 305 Mb | Total time: 67:34 | Scans included
Classical | Label: DECCA | # 467 248-2 | Recorded: 2001

After the pan-global success of her disc of Vivaldi arias, mezzo Cecilia Bartoli is clearly a woman on a mission to rescue the neglected operatic output of otherwise well-known composers. Of the eight arias by Gluck on this disc, six have never been recorded before–and it's likely that the operas they have been taken from will be unknown to all but the most obsessive buffs. Unfortunately, even Bartoli can't quite make a case for all the material here: it sometimes lapses into the excessive passage-work and routine arpeggios which are especially obvious in the first track. But there's also plenty of Gluck at his most inspired, writing with acute sympathy for a woman going mad at the thought of her lover's impending execution (track 3) and screwing dramatic tension to almost Verdian levels with the words "estremi sospiri" (final breaths) in an aria from La clemenza di Tito (track 7). Bartoli is as amazing as ever, blending her trademark intensity and almost unbearably gorgeous lyricism into an explosive mix of vocal fabulousness. She is accompanied with period vigour by the Akademie für Alte Musik.
–Warwick Thompson