Bernard Herbert Suits

Bernard Fanning - Brutal Dawn (2017)  Music

Posted by SERTiL at May 28, 2017
Bernard Fanning - Brutal Dawn (2017)

Bernard Fanning - Brutal Dawn
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 39:18 min | 247 MB
Label: Dew Process - DEW9000855 | Tracks: 10 | Rls.date: 2017
Rock, Alternative, Singer-Songwriter

Former Powderfinger frontman Bernard Fanning experienced a creative epiphany, completing a two-part album that deals with memory and the passage of time. Brutal Dawn is the companion to 2016’s Civil Dusk. It’s a less rustic affair; “Isn’t It a Pity” draws inspiration from ‘70s greats like Bill Withers and The Band with its luscious strings. Fanning demonstrates wisdom on “In the Ten Years Gone” and “Letter from a Distant Shore”. Drop them on your next road-trip playlist and feel transported.
In the Shadow of Dred Scott : St. Louis Freedom Suits and the Legal Culture of Slavery in Antebellum America

In the Shadow of Dred Scott : St. Louis Freedom
Suits and the Legal Culture of Slavery in Antebellum America

by Kelly Kennington
English | 2017 | ISBN: 0820345512 | 311 Pages | PDF | 3.2 MB
Nonlinear Elliptic and Parabolic Problems: A Special Tribute to the Work of Herbert Amann (Repost)

Michel Chipot, Joachim Escher, "Nonlinear Elliptic and Parabolic Problems: A Special Tribute to the Work of Herbert Amann"
2005 | pages: 530 | ISBN: 3764372664 | PDF | 4,6 mb

Bernard de Montferrand, "Vergennes: La gloire de Louis XVI"  eBooks & eLearning

Posted by TimMa at May 15, 2017
Bernard de Montferrand, "Vergennes: La gloire de Louis XVI"

Bernard de Montferrand, "Vergennes: La gloire de Louis XVI"
Tallandier | 2017 | ISBN: 1021006911 | French | EPUB | 446 pages | 1.2 MB

Ce livre essaie de réunir tous les aspects de celui qui fut l’un des plus grand ministre des Affaires étrangères français à la veille de la Révolution, l’homme, le Ministre des Affaires Etrangères treize ans durant et l’action intérieure d’un quasi Premier Ministre.
Il décrit celui qui créa une conception française de l’équilibre des pouvoirs en Europe, celui qui donna un coup d’arrêt à la suprématie maritime anglaise et qui permit la naissance des Etats Unis, des résultats bien supérieurs à ceux obtenus par Talleyrand avec lequel on le compare souvent mais qui du fait de son esprit est beaucoup plus connu. …
James S. Coleman, Elihu Katz, Herbert Menzel - Medical Innovation. Uno studio della diffusione

James S. Coleman, Elihu Katz, Herbert Menzel - Medical Innovation. Uno studio della diffusione
Italian | 2016 | 100 pages | ASIN: B01NCMGWH1 | EPUB | 1,1 MB
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002

Wolfgang Amadeus Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002
Anna Tomowa-Sintow (soprano), Agnes Baltsa (contralto), Werner Krenn (tenor), José van Dam (bass)
Wiener Singverein, Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
Recording: Berlin, 9/1975

EAC | APE | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
Classical, Choral | Label: Deutsche Grammophon | # 471 639-2 | Time: 00:53:12

Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid.

Herbert G. Wells - Nel paese dei ciechi  eBooks & eLearning

Posted by Karabas91 at May 15, 2017
Herbert G. Wells - Nel paese dei ciechi

Herbert G. Wells - Nel paese dei ciechi
Italian | 2013 | 60 pages | ISBN: 8845923320 | EPUB | 0,1 MB
Berliner Philharmoniker, Herbert von Karajan - Schubert: Symphonie No. 9 & Rosamunde Ballet Music (1978/2013) [24/96]

Berliner Philharmoniker, Herbert von Karajan - Schubert: Symphonie No. 9 & Rosamunde Ballet Music (1978/2013)
FLAC (tracks) 24-bit/88.2 kHz | Time - 68:12 minutes | 1.18 GB
Studio Master, Official Digital Download | Artwork: Front Cover

There are those who would argue that the Berlin Philharmonic under Herbert von Karajan was a magnificent instrument for the later Romantics Brahms, Bruckner, Wagner, and Strauss. There are others, however, who would argue that Karajan and the BPO were too magnificent for the earlier Romantics Mendelssohn, Schumann, and especially Schubert. They would say that the lushly, plushly, voluptuously sensual sound of the BPO simply overwhelmed the lighter, brighter, and more lyrical early Romantics. And while a few might concede that the BPO may be acceptable in Mendelssohn’s Italian or Schumann’s Rhenish, even they would say that they were all wrong for Schubert.

Java: A Beginner's Guide by Herbert Schildt [Repost]  eBooks & eLearning

Posted by naag at May 11, 2017
Java: A Beginner's Guide by Herbert Schildt [Repost]

Java: A Beginner's Guide by Herbert Schildt
English | 17 Nov. 2004 | ISBN: 0072231890 | 648 Pages | PDF | 9 MB
Mstislav Rostropovich, Herbert von Karajan, Berliner Philharmoniker - R. Strauss: Don Quixote (1976/2017) [24/96]

Mstislav Rostropovich, Herbert von Karajan, Berliner Philharmoniker - R. Strauss: Don Quixote (1976/2017)
FLAC (tracks) 24-bit/96 kHz | Time - 43:49 minutes | 781 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Commanding the podium with his slender figure, theatrical shock of hair and penetrating blue eyes, Herbert von Karajan projected the hieratic image of the conductor as officiant of some quasi-mystic rite. And anyone who ever saw him conduct live or on his many audiovisual recordings will agree that in his performances, music did indeed become a religion and Karajan its high-priest. Karajan (1908-1989) embodied classical music in the general consciousness as an epoch-making conductor, media star, opera producer, festival director and festival founder.