Following the ‘Gramophone Record of the Year’ award-winning set of the Brahms Symphonies, Riccardo Chailly turns his “rare talent for transforming music ripe for rediscovery” to Brahms’s Serenades. This exquisite recording renews these unjustly neglected and rarely performed works in performances of “trademark clarity” (Gramophone Record of the Year 2014) and marks the first Decca recording of these works since Kertesz in 1968.
The debut show for Mel, Boz, RF and Ian and what a fantastic atmosphere this soundboard recording has! The band are incredibly animated, clearly delighted to be away from their basement rehearsal room and obviously enjoying the liberation of being onstage. The shouts of encouragement and approval being exchanged – often in mid-song – give this recording an astonishing intimacy. Highlights include Fripp’s razor-sharp lines in the chorus section of Cirkus. There's an enchanting version of Lady of The Dancing Water with winsome backing vocals from Ian, trimmed with some rich baritone sax. And listen out for the running lines and slashing chords from LTIA pt1 as they make their debut during a radically different and experimental Sailor’s Tale.