Paavali Jumppanen is an internationally esteemed pianist, with a vast performance repertoire spanning from Bach to the Avant-garde. Jumppanen’s performances of the complete cycles of Beethoven’s and Mozart’s Piano Sonatas as well as Beethoven’s concertos and chamber music have won critical acclaim. Jumppanen has collaborated with numerous contemporary composers and has premiered many solo and chamber works for the piano. Of particular note are his recordings of Pierre Boulez’s complete piano sonatas at the request of the composer. This adaptability between musical genres gives a fresh reading of the core classical piano repertoire.
Beethoven was the last great composer to write string trios, and his are the finest works of their type. Mozart hardly touched this particular combination, and Haydn wrote quite few very early works which are now completely unknown. In any case, Haydn used two violins and a cello, whereas with Beethoven the standard combination became violin, viola, and cello. These are all early works, expert examples of all that Beethoven learned from Haydn and Mozart in preparation for the writing of his first great string quartets. But far from being mere composition exercises, these are highly rewarding works on their own, and these outstanding performances make the best possible case for their claim to be ranked among Beethoven's chamber music masterpieces.
In only a few years the Quatuor Voce has received numerous prizes in international competitions and also works regularly with many outstanding artists such as Yuri Bashmet, Gary Hoffman, Nobuko Imai, Bertrand Chamayou… Following a nomination from the Cité de la Musique in Paris, the European Chamber Hall Organisation (ECHO) has named the quartet as Rising Stars for the 2013-2014 season.
…The end of Beethoven’s standardsetting string quartet production and Schumann’s exuberant debut in chamber music wonderfully complement each other. In addition to the Super Audio CD (in 2+2+2-SACD multichannel format) the edition contains a DVD video with a concert version of op. 135 and an exciting conversation between Georg Albrecht Eckle and Peter Gülke. Here more questions about composer, works, and date of composition are answered in inimitable fashion than one would have ever dared to ask. What a rich and vast find for every classical fan!