Beethoven Missa Solemnis Flac

Philippe Herreweghe, Collegium Vocale - Ludwig van Beethoven: Missa Solemnis (2012)

Philippe Herreweghe, Collegium Vocale - Ludwig van Beethoven: Missa Solemnis (2012)
EAC | FLAC (image+.cue, log) | Covers Included | 01:15:17 | 806 MB
Genre: Classical, Choral | Label: Phi | Catalog: LPH 007

Philippe Herreweghe's 2011 recording of Ludwig van Beethoven's Missa Solemnis in D major receives high marks, not only for the elegant period treatment, but also for the profound conviction of the performance. The Collegium Vocale Ghent and the Orchestre des Champs-Élysées deliver the music with a somewhat smaller sound than one usually hears in modern performances; the Classical proportions of the ensembles allow details to stand out with utter clarity and the choral parts to move with greater fluidity and transparency than permitted with much larger choruses.
Philippe Herreweghe, Collegium Vocale Gent - Beethoven: Missa Solemnis (2013) [Official Digital Download 24/44]

Philippe Herreweghe, Collegium Vocale Gent - Beethoven: Missa Solemnis (2013)
FLAC (tracks) 24-bit/44.1 kHz | Time - 75:17 minutes | 729 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Collegium Vocale Gent and Orchestre des Champs-Elysées interpret Beethoven's Missa Solemnis for PHI. This major work of the sacred repertoire, high on the list alongside Bach's Mass in B minor and the Mozart Requiem, is Beethoven's longest work and assuredly the one that demanded the most work. The composer even considered the Mass his finest work. Philippe Herreweghe shares this opinion and judges the Missa Solemnis to be one of the apogees in the history of classical music. With four superb soloists, a refined chorus and orchestra, Philippe Herreweghe invites us to a thoroughly transcendental experience.
Nikolaus Harnoncourt - Beethoven: Missa Solemnis In D Major, Op. 123 (2016)

Nikolaus Harnoncourt - Beethoven: Missa Solemnis In D Major, Op. 123 (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 492 MB | 01:21:27
Classical | Label: Sony Classical | Release Year: 2016

When Nikolaus Harnoncourt retired from the stage in December last year, it was his expressed wish to release the broadcast recording of his last project, Beethoven s monumental Missa solemnis as his personal legacy. The Missa solemnis concerts at the Styriarte Festival Graz and the Salzburg Festival in summer 2015 were his last public performances. This recording of Beethoven s late masterpiece was made from material captured at the Graz concerts and rehearsals. As a result of his life-long research on Beethoven, he conducted the work for the first time with the Concentus Musicus Wien on period instruments. The Concentus is joined by the Vienna based Arnold Schoenberg Choir featuring Laura Aikin (soprano), Bernarda Fink (alto), Johannes Chum (tenor) and Ruben Drole (bass).

Nikolaus Harnoncourt - Beethoven: Missa Solemnis (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 16, 2017
Nikolaus Harnoncourt - Beethoven: Missa Solemnis (2016) [TR24][OF]

Fleetwood Mac - Mirage (Deluxe Edition)
Classical | FLAC (tracks) 24-bit/48 kHz | 81:27 min | 904 MB | Digital booklet
Label: Sony Classical | Tracks: 11 | Rls.date: 2016

When Nikolaus Harnoncourt retired from the stage in December last year, it was his expressed wish to release the broadcast recording of his last project, Beethoven s monumental Missa solemnis as his personal legacy. The Missa solemnis concerts at the Styriarte Festival Graz and the Salzburg Festival in summer 2015 were his last public performances. This recording of Beethoven s late masterpiece was made from material captured at the Graz concerts and rehearsals.
Beethoven: Missa Solemnis; Messe en ut majeur (Carlo Maria Giulini) (1990)

Beethoven: Missa Solemnis; Messe en ut majeur (Carlo Maria Giulini) (1990) (1990)
2 CDs | EAC Rip | FLAC, IMG+CUE, LOG | HQ Full Scan | 02:16 | 625 MB
Genre: Classical, Opera | Label: EMI Classics
Herbert von Karajan, Berliner Philharmoniker, Wiener Singverein - Beethoven: Missa Solemnis [2008/1979]

Beethoven - Missa Solemnis (Herbert von Karajan, Anna Tomowa-Sintow, Ruža Baldani, Eric Tappy, José van Dam) [2008/1979]
NTSC 4:3 (720x480) VBR | Latin (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.11 Gb (DVD9) | 83 min
Classical | Deutsche Grammophon | Sub: Latin, Deutsch, English, Francais, Espanol, Chinese

Karajan surmounted this pinnacle of the choral-symphonic repertoire - which Beethoven himself called "the greatest work I have composed" - no fewer than four times in the recording studio, but only once live and on film: in this unique document from the 1979 Salzburg Easter Festival. The atmosphere of Salzburg's Festspielhaus and festival audience adds a special frisson to this conductor's classic interpretation of the Missa solemnis.
Ludwig van Beethoven - Missa Solemnis (Royal Concertgebouw Orchestra, Nikolaus Harnoncourt) (2012) [Blu-ray]

Ludwig van Beethoven - Missa Solemnis (Royal Concertgebouw Orchestra, Nikolaus Harnoncourt) (2012)
Blu-ray | BDMV | MPEG-4 AVC Video 20949 kbps 1080i / 29.970 fps / 16:9 / High Profile 4.1 | 20.46 GB
Audio: LPCM Audio Latin 2.0 / 48 kHz / 2304 kbps / 24-bit;
DTS-HD Master Audio Latin 5.0 / 48 kHz / 3717 kbps / 24-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 24-bit)
Classical | Length: 01:34:13 | Nitroflare/Uploadable
Beethoven: Missa Solemnis - Crowe, Johnston, Gilchrist, Rose, Gardiner, Monteverdi Choir (2013)

Beethoven: Missa Solemnis - Crowe, Johnston, Gilchrist, Rose, Gardiner, Monteverdi Choir (2013)
X Lossless Decoder | Flac (Tracks + cue + log) | 1 CD | Full Scans | 343 MB
Genre: Classical | Label: Soli Deo Gloria Records | Catalog Number: 718

This album was recorded live at the Barbican in 2012. It features soloists Lucy Crowe (soprano), Jennifer Johnston (mezzo), James Gilchrist (tenor), Matthew Rose (bass). Sir John Eliot Gardiner offers a daring reading of this piece. The ORR’s performance on period instruments is virtuosic and colourful; the Monteverdi Choir contributes arresting chorus parts. Composed “from the heart”, Beethoven’s epic Mass has been described a statement of highly personal religious faith. It is rarely heard in concert due to the large forces required and the exacting demand it places on all performers.

Beethoven - Missa Solemnis (Otto Klemperer) (2001 / 1965)  Music

Posted by Ebisu at Nov. 29, 2013
Beethoven - Missa Solemnis (Otto Klemperer) (2001 / 1965)

Beethoven - Missa Solemnis (Otto Klemperer) (2001 / 1965)
Classical | Eac. Flac, Img+Cue, Log | Scans | 455.56 MB
Label: EMI | TT: 79:31

With no slight intended to the other great recordings of the Missa Solemnis in the world, there's this one and then there are all the rest. Truly. Even with the 1940 Toscanini and the 1974 Böhm, this 1965 recording of Otto Klemperer and the Philharmonia Orchestra and Chorus embodies everything that's great about the Missa Solemnis. And everything that's great about late Beethoven is in the Missa Solemnis: the energy, the nobility, the strength, the vision, and – above all – the overwhelming sense that the numinous is imminent. Beethoven thought it was his best work and who could not agree? That's what's in Klemperer's performance.

Beethoven - Missa Solemnis (Eugene Ormandy) (1994)  Music

Posted by Ebisu at Oct. 1, 2013
Beethoven - Missa Solemnis (Eugene Ormandy) (1994)

Beethoven - Missa Solemnis (Eugene Ormandy) (1994)
Classical | Eac. Flac, Img+Cue, Log | Covers | 388 MB
Label: Sony Music | Catalog N.: SBK 53517| TT: 76:15

Longtime Philadelphia Orchestra conductor Eugene Ormandy developed what came to be known as the "Philadelphia Sound." (He groused that it should be called the "Ormandy Sound," even though its fundamentals had already been established during Leopold Stokowski's long tenure with the Philadelphia Orchestra.) Largely as an effort to overcome the dry acoustics of the orchestra's home, the Academy of Music, Ormandy emphasized lush string sonorities and, often, legato phrasing and rounded tone. He was lauded even by his own musicians for his ability to conduct everything from memory, even complex contemporary scores. Still, aside from the voluptuous tone, Ormandy's interpretations rarely bore an individual stamp. They were, however, highly polished, intelligently balanced, and well paced, always serving the scores honorably, and often with a dash of controlled excitement.