Beethoven was Wilhelm Furtwängler’s guiding musical force. In his interpretations of the symphonies, the conductor generates irresistible dramatic momentum – and a constant sense of imaginative freshness – through the interrelationship of form, harmony, texture, rhythm and tempo. These recordings, all made in the late 1940s and early 1950s, in the Musikverein in Vienna and at concerts in London, Bayreuth and Stockholm, were newly remastered in 2010, bringing their sound more alive than ever before.
The majority of the concerts given by Wilhelm Furtwängler and the Berlin Philharmonic between 1947 and 1954 were recorded by the RIAS Berlin; all of these recordings are documented in this boxed set. The original tapes from the RIAS archives have been made available for the first time for this edition so these CDs also offer unsurpassed technical quality. Furthermore, some of the recordings are presented for the very first time, such as the Fortner Violin Concerto with Gerhard Taschner.
Conductor Wilhelm Furtwängler already enjoyed a worldwide legendary standing during his lifetime he was considered the German conductor and performances were greeted with rapturous applause. Today, more than 50 years after his death, Wilhelm Furtwängler is still an icon and his work has become an integral part of the music scene.
Success in Europe quickly followed and he appeared with the Berlin and Vienna Philharmonic Orchestras as well as local orchestras in London, Stockholm, Edinburgh, Lucerne, Milan, Salzburg and Paris. It is from this time that the superb recordings in this 21-CD set were made. Here is a special selection of some of EMI's celebrated Furtwängler recordings, some recorded live at concerts and some made in the studios.
Conductor Wilhelm Furtwangler already enjoyed a worldwide legendary standing during his lifetime - he was considered the German conductor and performances were greeted with rapturous applause. Today, more than 50 years after his death, Wilhelm Furtwangler is still an icon and his work has become an integral part ofthe music scene.
The Vienna Philharmonic is one of the world's leading recording orchestras. Ever since its very first recording of Beethoven's 6th Symphony under Franz Schalk in 1928, work in the studio has taken up a considerable part of its "free time", which is, on account of its duties at the Vienna State Opera, in any case very limited. There are not many major 20th-century conductors, many important works of the operatic and concert repertory, or indeed many important labels that do not figure in its large and comprehensive disco-graphy.