Beethoven Piano Sonatas Lewis

Glenn Gould - Beethoven: Piano Sonatas Nos. 30-32 (1956/2015) [TR24][OF]

Glenn Gould - Beethoven: Piano Sonatas Nos. 30-32
Classical | FLAC (tracks) 24-bit/44.1 kHz | 55:09 min | 303 MB | Digital booklet
Label: Sony Classical | Tracks: 08 | Rls.date: 1956/2015

Sensation yields to scandal: Gould’s feisty and headstrong treatment of the final triptych in Beethoven’s pianistic “New Testament” outraged the critics no less than his sleeve notes, in which he claimed of op. 111 that “the piece is weak in spots; it needs greater speed. Especially the first movement is such a bad piece that I wanted to get on to the finale.”
Glenn Gould - Beethoven: Piano Sonatas Nos. 5-7, Op. 10 (1965/2015) [TR24][OF]

Glenn Gould - Beethoven: Piano Sonatas Nos. 5-7, Op. 10
Classical | FLAC (tracks) 24-bit/44.1 kHz | 42:06 min | 389 MB | Digital booklet
Label: Sony Classical | Tracks: 10 | Rls.date: 1965/2015

The “scandal” surrounding Beethoven’s final triptych of sonatas (see No. 2) failed to rematerialize, but Gould remained true to his unorthodox interpretative approach and brazenly violated the composer’s instructions, changing the tempo of the F-major sonata at the opening of the firstmovement recapitulation and substituting a fortissimo for a pianissimo in movement 3 of the D-major Sonata.
Glenn Gould - Beethoven: Piano Sonatas Nos. 16-18 (1973/2015) [TR24][OF]

Glenn Gould - Beethoven: Piano Sonatas Nos. 16-18
Classical | FLAC (tracks) 24-bit/44.1 kHz | 57:52 min | 530 MB | Digital booklet
Label: Sony Classical | Tracks: 10 | Rls.date: 1973/2015

This was the last of five new recordings released in September 1973, appearing one day after the four others. It marked the end of a long and often convoluted process: the first bars of the op. 31 triptych were recorded in July 1960, the final session took place almost thirteen years later on 15 May 1973! Amazingly, none of this is evident in the sonatas themselves.
Glenn Gould - Beethoven: Piano Sonatas Nos. 8, 14 & 23 (1970/2015) [TR24][OF]

Glenn Gould - Beethoven: Piano Sonatas Nos. 8, 14 & 23
Classical | FLAC (tracks) 24-bit/44.1 kHz | 57:09 min | 531 MB | Digital booklet
Label: Sony Classical | Tracks: 09 | Rls.date: 1970/2015

Yet another scandal: Gould played the F-minor Piano Sonata, op. 57, at such a tortuously slow tempo that it seemed to fall into unrelated bits. “There is about the Appassionata – an egoistic pomposity, a defiant ‘let’s just see if I can’t get away with using that once more’ attitude—that on my own private Beethoven poll places this sonata somewhere between the King Stephen Overture and the Wellington’s Victory Symphony.”
Glenn Gould - Beethoven: Piano Sonatas Nos. 8-10 (1967/2015)  [TR24][OF]

Glenn Gould - Beethoven: Piano Sonatas Nos. 8-10
Classical | FLAC (tracks) 24-bit/44.1 kHz | 41:58 min | 389 MB | Digital booklet
Label: Sony Classical | Tracks: 09 | Rls.date: 1967/2015

Amazingly, Gould’s third LP of Beethoven sonatas met with hardly any grumblings from the critics and was, all in all, warmly received. True, one reviewer spoke of “iconoclastic interpretations,” but acknowledged that it enabled listeners to discover a completely new Beethoven. Admittedly Gould’s Appassionata languished in the ice-box
Glenn Gould - Beethoven: Piano Sonatas Nos. 12 & 13 (1983/2015) [TR24][OF]

Glenn Gould - Beethoven: Piano Sonatas Nos. 12 & 13
Classical | FLAC (tracks) 24-bit/44.1 kHz | 43:45 min | 380 MB | Digital booklet
Label: Sony Classical | Tracks: 08 | Rls.date: 1983/2015

Another Beethoven album. With this, Gould had turned out of a total of twenty-one of the thirty-two Beethoven sonatas—or perhaps twentytwo, for the “artist contract cards” of 1979-80 refer to a recording of the B-flat major Sonata, op. 22, that has never resurfaced. Several of the missing sonatas (the Largo from op. 7, the G-minor Sonata op. 49, no. 1, the A-major Sonata op. 101, the Hammerklavier op. 106) at least exist in the form of live CBC recordings.
Paavali Jumppanen - Beethoven: Piano Sonatas, Opp. 7, 13, 109, 110 & 111 (2016)

Paavali Jumppanen - Beethoven: Piano Sonatas, Opp. 7, 13, 109, 110 & 111 (2016)
Classical | MP3 CBR 320 kbps | 01:58:34 | 273 MB
Label: Ondine

The final volume of pianist Paavali Jumppanen’s acclaimed cycle of Beethoven piano sonatas.

John O'Connor - Beethoven: Piano Sonatas Volume I (1986) {Telarc}  Music

Posted by TestTickles at Nov. 22, 2016
John O'Connor - Beethoven: Piano Sonatas Volume I (1986) {Telarc}

John O'Connor - Beethoven: Piano Sonatas Volume I (1986) {Telarc}
EAC Rip | FLAC with CUE and log | scans | 138 mb
MP3 CBR 320kbps | RAR | 133 mb
Genre: classical

Beethoven: Piano Sonatas Volume I is the 1986 album by pianist John O'Connor. This was released on the Telarc label.

Glenn Gould - Beethoven: Piano Sonatas Nos. 1-3 & 15 (1980/2015)  Vinyl & HR

Posted by SERTiL at Nov. 14, 2016
Glenn Gould - Beethoven: Piano Sonatas Nos. 1-3 & 15 (1980/2015)

Glenn Gould - Beethoven: Piano Sonatas Nos. 1-3 & 15
Classical | FLAC (tracks) 24-bit/44.1 kHz | 95:51 min | 816 MB | Digital booklet
Label: Columbia, Sony Music Ent. | Tracks: 16 | Rls.date: 1980/2015

Among the projects that Columbia had arranged with Gould were the complete recordings of Bach’s solo keyboard works and the Beethoven sonatas. Both were to remain unfinished. Long after becoming a concert drop-out, Gould now planned to become a “record drop-out”: “My contract with CBS runs a bit beyond my 50th year. After that, there is going to be a major change of gears, much as there was twenty years ago.”
Davide Cabassi - Beethoven: Piano Sonatas Opp. 53, 54, 57, Andante Favori WoO 57 (2016)

Davide Cabassi - Beethoven: Piano Sonatas Opp. 53, 54, 57, Andante Favori WoO 57 (2016)
Classical | MP3 CBR 320 kbps | 01:09:31 | 160 MB
Label: Decca Records | Release Year: 2016

The Pianist Davide Milan Cabassi starts a recording path that will see him in the recording of four cd entirely dedicated to sonatas by Ludwig van Beethoven. The first of this series, recently published, contains the sonatas op. 10 and the Pathetique Op. 13. For the truth Cabassi had already recorded some sonatas of Beethoven (op. 110 and the two Op. 27), but it is now a more full-bodied and structured project to leave testimony of an author who is congenial, and which has also Concerts repertoire. Just in relation to the new record release takes place our meeting.