Beethoven Octet

Gaia Wilmer Octet - Migrations (2017)  Music

Posted by Domestos at Dec. 4, 2017
Gaia Wilmer Octet - Migrations (2017)

Gaia Wilmer Octet - Migrations (2017)
XLD Rip | FLAC (tracks+.cue, log) ~ 300.48 Mb | 51:18 | Cover
Contemporary Jazz | Label: Red Piano Records

Migrations, introduces the music of Brazilian composer and saxophonist Gaia Wilmer, an emerging voice in the contemporary jazz community. Drawing inspiration from Brazilian music, its harmonies, rhythms and melodies, and from contemporary jazz, Gaia creates a unique and colorful world of music that is both cerebral and emotional. Her music draws inspiration from composers such as Hermeto Pascoal, Guillermo Klein, Kenny Wheeler, Vijay Iyer and Maria Schneider, and the pieces generate their shapes and feelings from the idea of home; the strong relationship with Brazilian and Latin American cultures and with contemporary jazz and the relationship between people.
Beethoven - Complete Sonatas For Violin & Piano - Renaud Capucon & Frank Braley (2010) {3CD Virgin Classics 50999 642001}

Beethoven - Complete Sonatas For Violin & Piano - Renaud Capuçon & Frank Braley (2010) {3CD Virgin Classics 50999 642001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 966 Mb | MP3 @320 -> 530 Mb
Full Artwork @ 300 dpi (jpg) -> 44 Mb | 5% repair rar
© 2010 Virgin Classics / EMI Records | 50999 642001
Classical / Sonatas / Piano / Violin

Among the many genres Beethoven used to build on his reputation upon his arrival in Vienna, the violin sonatas allowed him not only to demonstrate his own prowess on the keyboard, but also played to the increasing popularity of chamber works that might be attempted by sophisticated amateurs. Following Mozart's trend of liberating the violin from a mere secondary role, Beethoven continued to bring about the equality of both instruments in all of his duo sonatas. Performing these 10 sonatas is the splendid duo of violinist Renaud Capuçon and pianist Frank Braley. The recordings take place in la Chaux de Fonds concert hall in Switzerland, a venue that offers listeners an exceptionally wonderful, intimate sound quality even on a CD.

Maynard Ferguson - Maynard Ferguson Octet (1955) [Reissue 2008]  Music

Posted by gribovar at Nov. 2, 2017
Maynard Ferguson - Maynard Ferguson Octet (1955) [Reissue 2008]

Maynard Ferguson - Maynard Ferguson Octet (1955) [Reissue 2008]
EAC Rip | FLAC (image+.cue+log) - 144 MB | MP3 CBR 320 kbps (LAME 3.93) - 93 MB | Covers - 47 MB
Genre: Jazz, Big Band | RAR 3% Rec. | Label: Verve Records (0602517685710)

Maynard Ferguson Octet is an album by Canadian jazz trumpeter/trombonist Maynard Ferguson featuring tracks recorded at Capitol Studios, Los Angeles, CA. (tracks 1-5) April 25th 1955, (tracks 6-8) April 27th 1955 and originally released on the EmArcy label 1955. This early triumph from the solo career of the brilliant trumpeter remains bewilderingly rare - it's an avowed West Coast-jazz classic but it's been out of print for years. Verve Originals re-issued this 2008.
The Orford String Quartet - Beethoven: The Complete Quartets (1994)

The Orford String Quartet - Beethoven: The Complete Quartets (1994)
EAC Rip | FLAC (tracks+log+.cue) | Scans included | 08:52:59 | 2,27 Gb
Classical | Label: Delos Records

The Orford String Quartet was a Canadian string quartet active from 1965 through 1991. They came to be the leading string quartet in Canada, and one of the finest in the world. For 26 years, the Orford String Quartet was the best of its breed in Canada.

Christian Escoude Octet - Gipsy Waltz (1989) {EmArcy 838 772-2}  Music

Posted by ruskaval at Oct. 25, 2017
Christian Escoude Octet - Gipsy Waltz (1989) {EmArcy 838 772-2}

Christian Escoude Octet - Gipsy Waltz (1989) {EmArcy 838 772-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 283 Mb | MP3 @320 -> 110 Mb
Full Artwork @ 600 dpi (jpg) -> 137 Mb | 5% repair rar
© 1989 EmArcy / Phonogram France | 838 772-2
Jazz / Modern Creative / Gipsy Jazz / Guitar

Christian Escoude combines elements of gypsy jazz, bop, and a contemporary flavor during these 1989 sessions that also include fellow guitarists Paul Challin Ferret, Jimmy Gourley, Frederic Sylvestre, accordion player Marcel Azzla, cellist Vincent Courtois, bassist Alby Cullaz, and either Billy Hart or Philippe Combelle on drums. The presence of so many players sometimes muddies the sound, especially when Azzla is too prominent in the mix. Several of the works were written by Escoude's late uncle, the popular accordion player/composer Gus Viseur, who had worked with Django Reinhardt and Stéphane Grappelli in the Quintet of the Hot Club of France, though the switch to electric guitars and addition of percussion indicates this is not your father's gypsy music.
James Ehnes - Mendelssohn: Violin Concerto, Octet (2010) (Repost)

James Ehnes - Mendelssohn: Violin Concerto, Octet (2010)
EAC | APE (image+.cue, log) | Covers Included | 57:31 | 278 MB
Genre: Classical | Label: ONYX | Catalog: LC 19017

The last of his orchestral compositions and one of his most enduringly popular pieces, Mendelssohn's violin concerto is as much a crowd-pleaser now as it was when premiered by Ferdinand David and the Leipzig Gewandhaus Orchestra in 1845. Its unassuming focus on melody and dynamic interaction between soloist and orchestra – rather than merely on technical feats and virtuosic showmanship – ensures its place at the heart of the violin concerto repertoire.

Ludwig Van Beethoven - Complete Works (2007) (100 CDs Box Set)  Music

Posted by murena at Sept. 18, 2017
Ludwig Van Beethoven - Complete Works (2007) (100 CDs Box Set)

Ludwig Van Beethoven - Complete Works (2007) (100 CDs Box Set)
EAC Rip | FLAC (Tracks+.cue, log) | Scans included | 25 Gb
MP3 320 kbps | 100 CDs, 213:33:15 min | 15 Gb
Genre: Classical, Romantic / Label: Brilliant Classics

The complete works of Beethoven on 85 CDs plus a supplement particularly outstanding recordings of the past on 15 CDs!
Including the 32 legendary piano sonatas, played by the eccentric talent of the century Friedrich Gulda
PhilHarmonia Octet - Mozart, Beethoven, Klein: Music for Wind Instruments (2017)

PhilHarmonia Octet - Mozart, Beethoven, Klein: Music for Wind Instruments (2017)
Classical | MP3 CBR 320 kbps | 00:59:36 | 138 MB
Label: Supraphon a.s.

The present album marks the 10th anniversary of the PhilHarmonia Octet. The ensemble is made up of superlative soloists, laureates of major international competitions, and members of globally renowned orchestras (the Berliner Philharmoniker, WDR Köln, Czech Philharmonic, etc.). The recording features works by both Czech and foreign composers. The Serenade in C minor is one of the first pieces signalling the change in Mozart’s music, with the hitherto enthralling playful abandon being replaced by serious, dramatic tones. Although formally an entertainment piece, Die kleine Nachtmusik possesses an intellectual profundity.

VA - 101 Beethoven (2012) (6CD Box Set) {Decca}  Music

Posted by shamanicus at April 11, 2017
VA - 101 Beethoven (2012) (6CD Box Set) {Decca}

VA - 101 Beethoven (2012) (6CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork (300dpi, png) | 2 Gb | MP3 CBR 320kbps | RAR | 1.17 Gb
Classical | Label: Decca - B0086AYARK

This six-CD collection of 101 favorite tracks is the perfect introduction to the music of Ludwig van Beethoven, considered by many to be the greatest of all classical composers.
The comprehensive collection covers every aspect of this popular composer s music from the power and might of his groundbreaking Choral Symphony to the Viennese charm of his Minuets.

Gaudier Ensemble - Louis Spohr: Octet & Nonet (1994)  Music

Posted by Designol at April 9, 2017
Gaudier Ensemble - Louis Spohr: Octet & Nonet (1994)

Gaudier Ensemble - Louis Spohr: Octet & Nonet (1994)
EAC | FLAC | Tracks (Cue&Log) ~ 299 Mb | Mp3 (CBR320) ~ 170 Mb | Scans included
Genre: Classical | Label: Hyperion | # CDA66699 | Time: 01:01:07

These are spirited and well-recorded versions of what probably remain Spohr's most popular works. The Nonet is freshly and attractively played, with a proper sense of chamber music informing the performance: that is to say, there is a companionable approach to phrasing, with ideas taken up and returned or passed on as if the players were really listening to one another rather than waiting to say what they were going to say anyhow. Only in the finale do matters become a touch competitive: it is not necessary to go at quite such a speed, and indeed the feeling is of pace rather than the real liveliness which only a very slightly easier tempo might have produced; while some of the string articulation is only just in position. The Adagio is beautifully played, and together with the nimble Scherzo is given a gentle serenade manner: nothing is gained, and sometimes all lost, by trying to make something too profound of these movements.