All eight of the albums Wes Montgomery issued on Verve in the mid-'60s (including the two he did with organist Jimmy Smith) are on this limited-edition, five-CD box set. With the addition of 20 bonus tracks (none previously unreleased, some of them alternate takes or overdubbed versions) and a 76-page booklet that includes readable reproductions of the original LP sleeves, it's the definitive compilation of his work for the label. By its very size, of course, its appeal might be limited to completists and serious collectors.
Though labeled as a Cannonball Adderley Quintet session, this is actually a workout with a percussion section loaded with African drums, a big band, and in spots, voices – all unidentified. Nevertheless, this is one of the best and most overlooked of the Cannonball Adderley Capitols, a rumbling session that bursts with the joy of working in an unfamiliar yet vital rhythmic context. Cannonball turns in one of his swinging-est solos through a Varitone electronic attachment on Caiphus Semenya's "Gumba Gumba" and "Marabi" is a real hip-jiggler; you can't sit still through it. Other highlights include Cannon preaching blue smoke in his own Afro-Cuban-blues-flavored "Hamba Nami," a dignified trip through Wes Montgomery's "Up and At It," and Nat Adderley's commanding work on cornet at all times.
A collection of clips from the Beatles, during the period of 1968, around the Beatles White, and Abbey Road releases…
A big fan of The Beatles growing up in the 60s, Seth Swirsky noticed that whenever he heard someone relating a story about themselves and The Beatles, he was "all ears". So, starting in 2005, he sought out and filmed those with never before heard, "Beatles Stories".
Issued in 1968, more than a year after John Coltrane's death, Cosmic Music is co-credited to John and Alice Coltrane. Trane appears on only two of the four tracks here (they are also the longest): "Manifestation" and "Dr. King." They were both cut in February of 1966 at Coast Recorders in San Francisco, with the great saxophonist fronting his final quintet with Alice, Pharoah Sanders, Jimmy Garrison, Rashied Ali, and Ray Appleton adding percussion. "Manifestation" is also the first recorded instance of Sanders playing the piccolo in addition to his tenor saxophone; he takes an extended solo on the instrument. "Dr. King" was written to honor the civil rights leader during his lifetime. King's assassination occurred less than a year after the saxophonist's death.
This hybrid SACD contains stereo and 4.0 multi-channel audio and I think it's fantastic!
In essence, Tomita's The Planets is an electronic rendition of The Planets by Gustav Holst. The idea of messing with a classic like The Planets might offend some, but not me - I love it! His interpretation is incredibly imaginative and works a treat because each piece manages to capture some of the mood and emotion of the original as scored by Holst, yet also adds something to make it sound truly special. Not only does it work tremendously well as a piece of music, it sounds great too i.e. it sounds spectacular in stereo and multi-channel, as hi-res music should.