Wealthy entrepreneur Bruce Wayne and his ward Dick Grayson lead a double life: they are actually the crime-fighting duo Batman and Robin. A secret Batpole in the Wayne mansion leads to the Batcave, where Police Commissioner Gordon summons the Dynamic Duo on the Batphone with the latest emergency threatening Gotham City. Racing to the scene of the crime in the jet-powered Batmobile, Batman and Robin must (with the help of their trusty utility-belts) thwart the efforts of a rogues gallery of flamboyant arch-villains, including the Joker, the Penguin, the Riddler and the Catwoman.
Now in paperback, Batman: The Complete History offers a comprehensive overview of the Dark Knight's dark past. Best-selling author Les Daniels covers the gamut - from Batman's creation and runaway success, to the 1954 accusations of Batman and Robin's homosexuality, to the campy antics of the Adam West TV show, and the emergence of Frank Miller's very disturbed and very dark Knight. Illustrated with archival comic book art and rare Batman paraphernalia and designed by Batman's biggest fan, Chip Kidd, this history aims to please the core fans, while converting even more. --
Created by Bob Kane in the late 1930s, Batman is one of the world's greatest fictional heroes. "The Ace of Detectives," "The Caped Crusader," "The Dark Knight"--each generation has coined its own favorite nickname to describe this ultimate crime fighter as he wages a relentless war on a gallery of bizarre but deadly villains. For the updated and expanded edition of Batman: The Ultimate Guide to the Dark Knight, DK has been permitted unparalleled access to the archives of DC Comics, the publishers of Batman. Spectacular artworks reveal key installations and equipment, such as the Batcave, the Batmobile, the Batsuit, and the weapons contained in Batman's Utility Belt. Crucial events and characters of the Batman legend are illustrated with spectacular images from the original DC comic books. This new edition covers the most significant post-millenial storylines, plus additional information on the Caped Crusader's classic Silver and Golden Age exploits from the late 1930s to the early 1970s. --
Tongue-in-cheek humor prevails in Batman, a witty homage to the Dynamic Duo's exaggerated exploits. The Caped Crusaders (Adam West and Burt Ward) are called in as a last resort when the criminal masterminds of the millennium team up to conquer Gotham City by turning the U.N. Security Council into dehydrated dust; among the villains are the Joker (Cesar Romero), Catwoman (Lee Meriwether), the Riddler (Frank Gorshin), and the Penguin (Burgess Meredith). The entire cast is excellent, particularly West and Ward, who distinguish themselves among a standout list with hilariously straight-faced performances. The film includes some truly memorable scenes, highlighted by a particularly tenacious shark with a vertical leap that would put Spud Webb to shame and a bomb on the waterfront with no place to explode (nuns, infants and lovebirds beware!).
The penultimate volume in Hyperion’s four-part survey of the complete solo piano music of Ernő Dohnányi focuses on music from the period when the composer’s pre-eminent position was being assured. The titles of the largest works here, Ruralia hungarica and the Variations on a Hungarian Folksong, mask in their nationalistic ostentation the skill of a true master of piano composition. Martin Roscoe inhabits the world of Dohnányi’s music like no other—appraisals of the earlier volumes attest to this—and this new recording is a joy.
William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.