William "Bootsy" Collins cut his teeth playing bass with the James Brown band in 1970, but when he landed in George Clinton's Parliament/Funkadelic crew in the mid-70s, he quickly became a figurehead of Clinton's messier, trippier cartoon funk. Throughout the 1976-82 period condensed into this two-disc set, Bootsy and his Rubber Band were essentially P-Funk for kids. His records had all the stage-crowding chaos of the Mothership, with the politics and priapism replaced by goofy spiels about the excellence of, well, Bootsy, plus squelchy, googly sounds and his infamous star-shaped shades. The tone he got out of his star-shaped bass, like huge bubbles surfacing from the bottom of a lake, was heavy enough that he could slow things way, way down–"Jam Fan (Hot)" crawls like no other hard-funk record. That, in turn, let him be the half-serious love-man Clinton couldn't risk being (check out the wacky, spacey slow jam "Munchies for Your Love"). Glory B mostly collects unedited album tracks, though it also throws in 1980's lost demi-hit "Freak to Freak" (credited to Sweat Band) and the 1982 single "Body Slam!".
Overload is a 2005 album by the Canadian hard rock band Harem Scarem. It is the tenth Harem Scarem studio album. The Japanese version contains the song "You Shook Me All Night Long" (AC/DC cover) as a bonus track, while the European CD comes with "Wishing" which was previously released on the Japanese version of Higher.
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Anthem's third studio album since their reformation in the year 2000. The album has been considered by most critics to be much more aggressive than their previous album Seven Hills. This direction of blending both new and old styles into their own musical style became the force for their future releases…