"Oh my God, that's my daughter." So read the advertising copy of Hardcore. George C. Scott plays Jake Van Dorn, a man of means and conservative values who discovers that his precious daughter is appearing in X-rated films. Desperately making his way through the sub-rosa world of pornography, Van Dorn talks to pimps, prostitutes, and other such sterling individuals in hopes of locating his daughter and dragging her home. At one point, he falsely advertises himself as a porn producer in hopes that his little girl will show up for an interview.
X-Static is the eighth studio album by Daryl Hall & John Oates, released in 1979 by RCA Records. Buddah Records re-released the album with two bonus tracks in 2000. "Wait for Me" reached #18 on the Billboard charts and won a BMI airplay award.
As its album title suggests, Starship's compilation Greatest Hits (Ten Years and Change 1979-1991) covers not only the group's popular heyday, 1985-1991, but also the earlier era, 1979-1984, which was actually the latter days of Jefferson Starship, after the departures of co-lead singers Marty Balin and Grace Slick, with former Elvin Bishop Group singer Mickey Thomas replacing Balin, and Slick, eventually, returning. The history that is described by the collection is largely one of attrition, effectively traced by the performer credits listed in the booklet. In 1979, the group is a sextet consisting of Thomas, lead guitarist Craig Chaquico, rhythm guitarist Paul Kantner…
Robert Schroeder is a talented and inspired german electronic composer whose career has strong connections with analogue synth sequences and spacey, spherical soundscapes produced by Klaus Schulze during the second half of the seventies. If we compared it with the best essays from K.Schulze's classic period, Harmonic Ascendant figures as a major work, pushing the cosmic synthesizer trippiness to an other level of experimentation and emotion. Harmonic Ascendant is not as majestic and as visceral than early TD and Schulze but clearly better than anything produced by these two masters after the 70's.
Swan Lake was the first of Tchaikovsky's three great ballets– works which added a new level of depth and sophistication to what had been a purely superficial art form. Today the music is so well-known and popular that it's impossible to comprehend the difficulties the composer experienced at early performances. Audiences found the music "too symphonic," and the dancers were put off by the prominence given to the orchestra which, they felt, distracted ballet fans from the action on stage. Of course, all of these supposed "defects" are precisely what we admire about the music today, and this elegant but exciting performance reveals the music in all of its glory.