Bach Cantata 56

Vaughan Williams: The First Nowell; Bach: Cantata 63; Mendelssohn: Vom Himmel Hoch (2010)

Vaughan Williams: The First Nowell; Bach: Cantata 63; Mendelssohn: Vom Himmel Hoch (2010)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 293 MB
Genre: Classical | Label: Lpo | Catalog Number: 50

This disc is a far cry from the typical fare we’ve come to expect on the shelves around the Christmas season. The inclusion of Bach’s sublime Cantata 63 and Mendelssohn’s Vom Himmel hoch give the disc a year round appeal. Vaughan Williams’ joyful The First Nowell is a veritable feast of well loved carols and the London Philharmonic Choir together with soloists Lisa Milne and Christopher Maltman exude Christmas cheer.
VA - The All-Baroque Box From Monteverdi To Bach: Limited Edition Box Set 50CDs (2012)

VA - The All-Baroque Box From Monteverdi To Bach: Limited Edition Box Set 50CDs (2012)
Baroque, Classical | MP3 CBR 320 kbps | 7,65 Gb
Label: Deutsche Grammophon | Release Year: 2012

With The All-Baroque Box we realize one of our fondest dreams: harnessing the deep catalogue of Archiv Produktion (supplemented on occasion by Decca L oiseau lyre recordings) to create a comprehensive collection of great music from Monteverdi to Bach. The music ranges from huge Baroque (Missa Salisburgensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (the Goldberg Variations, Bach cello suites, solo cantatas) overwhelming in its impact and emotional content.
Bach Collegium Japan, Masaaki Suzuki - Johann Sebastian Bach: Lutheran Masses, Vol. 1 (2015)

Bach Collegium Japan, Masaaki Suzuki - Johann Sebastian Bach: Lutheran Masses, Vol. 1 (2015)
EAC | FLAC | Image (Cue&Log) ~ 378 Mb (incl 5%) | Scans included | Time: 01:05:30
Genre: Classical, Choral | Label: BIS | # BIS-2081

The Reformations fundamental alterations to traditional forms of church service, had, by Bach's time, resulted in German churches Latin yielding to the country's own language. To a limited extent, however, the Latin mass text did remain in use in the Protestant church in particular the Kyrie and Gloria sections. Termed Missa to differentiate them from complete settings, these pieces are often referred to now as 'Lutheran Masses'. Bach's famous Mass in B minor began its existence as a work of this type, and four other examples from Bach's pen have survived. Newly performed and recorded by Bach Collegium Japan under the direction of Masaaki Suzuki, the Missae BWV 235 and 236 are here combined with four separate settings of the Sanctus. Two of these are original works, whereas BWV 241, and possibly also 240, is an arrangement of another composers setting. The 'KyrieChriste' BWV Anh 26 is an example of how Bach used music by other composers, in this case by his Neapolitan contemporary Francesco Durante.
Philippe Herreweghe, Collegium Vocale Gent - Bach: Magnificat BWV 243 & 243a & Cantatas BWV 8, 63, 80, 125, 138 (2010)

Philippe Herreweghe, Collegium Vocale Gent - Bach: Magnificat BWV 243 & 243a & Cantatas BWV 8, 63, 80, 125, 138 (2010)
EAC | FLAC | Image (Cue & Log) ~ 777 Mb | Total time: 61:49+53:06+58:40 | Scans included
Classical | Label: Harmonia Mundi | # HML 5908360.62 | Recorded: 1990, 1997, 2002

"It is…a fine pairing of two of Bach’s more extroverted works, in which Herreweghe delves beneath the masculine surface of the Magnificat to find its more tender interior and boldly explores Bach’s expansion of Luther’s great Reformation hymn, Ein feste Burg ist unser Gott. For whatever reason, Cantata 80 seems to have lost a degree of popularity lately, and it’s good to hear it again, complete with W. F. Bach’s interpolated trumpets."
– George Chien

Johann Sebastian Bach - Best Bach 100 - 6 CD Set  Music

Posted by Seedbox at Sept. 21, 2010
Johann Sebastian Bach  - Best Bach 100 - 6 CD Set

Johann Sebastian Bach - Best Bach 100 - 6 CD Set (2006)
FLAC | Log + CUE | 6 Cd | 2.31 Gb | 250 Mb Rars | 5% Recovery | Multi Host
Genre: Classical

This 6CD collection features music from one of the greatest composers of all time including: the Brandenburg Concertos, Toccata & Fugue, Suite No. 1 for cello and many many more.
Il Gardellino, Marcel Ponseele - De Profundis: J.S. Bach, C. Graupner (2010) (Repost)

Il Gardellino, Marcel Ponseele - De Profundis: J.S. Bach, C. Graupner (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 58:17 | 327 MB
Genre: Classical, Sacred | Label: Passacaille | Catalog: 969

This release is part of a set of Bach cantata recordings by the Belgian group Il Gardellino and director Marcel Ponseele: not an entire new Bach cantata cycle but a set of thematically oriented recordings that may also include works by other composers. "De profundis" (from the depths) offers three cantatas based on Psalm 130, which begins with the words "From the depths I cry to thee, Lord" and was translated into German in several ways.
Masato Suzuki, Masaaki Suzuki, Bach Collegium Japan - J.S. Bach: Concertos for Two Harpsichords (2014)

Masato Suzuki, Masaaki Suzuki, Bach Collegium Japan - J.S. Bach: Concertos for Two Harpsichords (2014)
EAC | FLAC (tracks+.cue, log) | Covers + Digital Booklet | 01:11:08 | 471 MB
Genre: Classical | Label: BIS | Catalog: 2051

This is an enjoyable, somehow spontaneous recording of several of Bach's works for a pair of harpsichords, with the great Japanese Bach conductor Masaaki Suzuki joined by his son Masato. The high spirits of the elder Suzuki here could be chalked up to any combination of several factors. One might be freedom from the rigors of his complete Bach cantata cycle, just recently completed when this album appeared in 2014.

Lisa Batiashvili - Bach (2014) [Official Digital Download]  Vinyl & HR

Posted by SERTiL at Nov. 23, 2017
Lisa Batiashvili - Bach (2014) [Official Digital Download]

Lisa Batiashvili - Bach (2014)
FLAC (tracks) 24-bit/44.1 kHz | Time - 69:11 minutes | 678 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Lisa Batiashvili presents a fine selection in chamber and orchestral music of popular, but also newly recorded Bach pieces.
Bob van Asperen, Melante Amsterdam - Bach: Harpsichord Concertos (1999)

Bob van Asperen, Melante Amsterdam - Bach: Harpsichord Concertos (1999)
EAC | FLAC | Image (Cue & Log) ~ 1.26 Gb | Total time: 59:35+61:45+47:19+61:30 | Scans included
Classical | Label: Virgin | # 5 61716 2 | Recorded: 1991-1994

Bach is often credited with having invented the keyboard concerto, despite the fact that all of his works in the mode were arrangements of existing concertos for other instruments. Furthermore, whatever influence they may have had was indirect. It’s unlikely that either Haydn or Mozart had heard any of this music or even knew of its existence. But Haydn may have encountered the keyboard concertos of Carl Philippe Emanuel, and Mozart knew Johann Christian’s works in the genre. Nevertheless the elder Bach’s concertos, whether played on a harpsichord, or on a piano, retain a revered place in the keyboard literature. Many listeners will remember the veteran Baroque specialist, Bob van Asperen, from his collaboration with Gustav Leonhardt in the Teldec Bach cantata series. Here he plays the solo concertos with expected grace and fluidity, accompanied by Melante Amsterdam, which is basically an expanded period-instruments string quartet. The performances have a chamber-like intimacy, which is especially attractive, for example, in the famous Largo of the F-Minor concerto (BWV 1056). The recording, dating back to 1993, sounds brand new.
(George Chien)
Balthasar-Neumann Ensemble & Choir; Thomas Hengelbrock - Lotti, Zelenka, Bach (2009) [Repost, New Rip]

Antonio Lotti - Jan Dismas Zelenka - Johann Sebastian Bach (2009)
Balthasar-Neumann Ensemble & Choir; Thomas Hengelbrock, conductor

EAC | FLAC | Image (Cue&Log) ~ 331 Mb | Mp3 (CBR320) ~ 174 Mb | Scans included
Classical, Choral | Label: Deutsche Harmonia Mundi | # DHM88697-59423 | 01:16:00

Gramophone Awards 2010 Best of Category - Baroque Vocal. "The Balthasar-Neumann Ensemble and Choir perform with full-blooded tension; Hengelbrock makes the fullest possible use of the plangent oboes and pulsating string chords but also ensures that the music-making never loses its focused precision…This is nothing short of revelatory."