Bach Amadeus

Bach Collegium Japan, Soloists, Masaaki Suzuki - W.A. Mozart: Great Mass in C minor; Exsultate, jubilate (2016)

Wolfgang Amadeus Mozart: Great Mass in C minor; Exsultate, jubilate (2016)
Christian Immler, Makoto Sakurada, Carolyn Sampson, Olivia Vermeulen
Bach Collegium Japan; Masaaki Suzuki, conductor

EAC | FLAC | Image (Cue&Log) ~ 382 Mb (incl 5%) | Mp3 (CBR320) ~ 188 Mb (incl 5%) | Scans included
Genre: Classical, Choral, Vocal | Label: BIS | # BIS-SACD-2171 | Time: 01:11:17

As the mysterious opening bars of the Kyrie gradually emerge into the light, we know that this recording of Mozart’s glorious Great Mass in C minor is a special one: the tempi perfect, the unfolding drama of the choral writing so carefully judged, and, above it all, the crystalline beauty of soloist Carolyn Sampson’s soprano, floating like a ministering angel. Masaaki Suzuki’s meticulous attention to detail, so rewarding in his remarkable Bach recordings, shines throughout this disc, the playing alert, the choir responsive, the soloists thrilling. And there is the bonus of an exhilarating Exsultate, Jubilate with Sampson on top form.
VA - Valentine's Day: 50 Classical Love Songs (Johann Sebastian Bach) 2013

VA - Valentine's Day: 50 Classical Love Songs (Johann Sebastian Bach) 2013
MP3 320 CBR kbps | Tracks: 50 | 03:57:07 | 544 Mb
Genre: Instrumental, Classical | Label: X5 Music Group
Alina Ibragimova - Karl Amadeus Hartmann: Concerto Funebre (2007) (Repost)

Alina Ibragimova - Karl Amadeus Hartmann: Concerto Funebre (2007) (Repost)
X Lossless Decoder | Flac (Tracks + cue + log) | 1 CD | Full Scans | 358 MB
Genre: Classical | Label: Hyperion | Catalog Number: 67547

As is well known, the Third Reich drove many of its gifted composers into exile, to early deaths or to the concentration camps. But a significant responsibility devolved on another group, who became ‘internal exiles’, remaining in Germany, but refusing to become cultural ornaments of the Nazi regime. Karl Amadeus Hartmann (1905–1963), in Bavaria, consistently kept the spirit of modernism and human commitment alive in his own work.
Claude Bolling Sextet - Jazzgang Amadeus Mozart (1965) Reissue 2007

Claude Bolling Sextet - Jazzgang Amadeus Mozart (1965)
EAC | FLAC | Tracks (Cue&Log) ~ 189 Mb | Mp3 (CBR320) ~ 100 Mb | Scans included
Jazz & Classical | Label: Philips | # 983 781-2 | Time: 00:29:08

The reissue of keyboardist Claude Bolling's recordings of the 1960s may prompt a positive reevaluation of his contributions. Bolling has been known, at least outside France, mostly for the flute-and-piano works he composed for Jean-Pierre Rampal; his recordings with Rampal hit a certain popular groove and stuck with the formula. They were undeniably appealing in a simple way, but they became fatally overexposed. Bolling's earlier recordings reveal more imagination in his treatment of the relationship between jazz and classical music. Take for example this 1965 album, recorded in Paris. It's one of the few successful jazz treatments of Mozart, who is notoriously resistant to jazz treatment. The difficulty comes as a result of Mozart's reliance on harmonic rhythm, or the speed of the rate of change of the harmonies in the music. This feature seems impossible to capture in jazz, which heavily relies on regular chord changes, but Bolling's solutions here, making use of a classic jazz sextet, are brilliantly imaginative.
Maria Joao Pires - Verdes Anos 1976-1985: J.S. Bach, Beethoven, Chopin, Schumann, Mozart (2005) 5CD Box Set

Maria João Pires - Verdes Anos 1976-1985 (2005) 5CD Box Set
J.S. Bach, Beethoven, Chopin, Schumann, Mozart

EAC | FLAC | Image (Cue&Log) ~ 1.27 Gb (incl 5%) | Mp3 (CBR320) ~ 818 Mb (incl 5%) | Scans ~ 24 Mb
Genre: Classical | Label: Erato/Warner Classics | # 2564612482 | Time: 05:30:10

Maria João Pires “shapes and colours every phrase, and with immaculate taste, and she makes sure the phrases end as eloquently as they begin,” wrote Gramophone in 1974. “She conveys not just the details but the relevance of every note to the whole … Best of all, she communicates everything she has discovered about the music, and it is worth having.” This Portuguese pupil of Wilhelm Kempff, Pires was one of the artists who defined the Erato label in the 1970s and 1980s. This 5-CD box gathers together the recordings she made over the period from 1976 to 1985 and it reflects the consistent focus of her repertoire, with its special emphasis on Austro-German composers of the Classical and early-Romantic periods. Embracing solo works, piano duets and concertos, it contains works by Mozart, Schumann, Beethoven, but also by Bach and Chopin.
Bach - Goldberg-Variationen BWV 988 (Gustav Leonhardt) [2012 / 1978]

Bach - Goldberg-Variationen BWV 988 (Gustav Leonhardt) [2012 / 1978]
Classical |EAC Rip | FLAC, IMG+CUE, LOG | Covers | Label: DHM
Catalog Number: 88691 95307 2 | 1cd, 316.78 MB

He was born in 's-Graveland, North Holland and studied organ and harpsichord from 1947 to 1950 with Eduard Müller at the Schola Cantorum Basiliensis in Basel. In 1950, he made his debut as a harpsichordist in Vienna, where he studied musicology. He was professor of harpsichord at the Academy of Music from 1952 to 1955 and at the Amsterdam Conservatory from 1954. He was also a church organist.
wiki
Bach - Sonaten für Violine und Cembalo BWV 1014-1019 (Sigiswald Kuijken, Gustav Leonhardt) [2012 / 1974]

Bach - Sonaten für Violine und Cembalo BWV 1014-1019 (Sigiswald Kuijken, Gustav Leonhardt) [2012 / 1974]
Classical |EAC Rip | FLAC, IMG+CUE, LOG | Covers | Label: DHM
Catalog Number: 88691 95307 2 | CD1:45’24; CD2:48’55 | 2cd, 564.80 MB

He was born in 's-Graveland, North Holland and studied organ and harpsichord from 1947 to 1950 with Eduard Müller at the Schola Cantorum Basiliensis in Basel. In 1950, he made his debut as a harpsichordist in Vienna, where he studied musicology. He was professor of harpsichord at the Academy of Music from 1952 to 1955 and at the Amsterdam Conservatory from 1954. He was also a church organist.
wiki


Bach - Sonaten für Violine und Cembalo BWV 1014-1019 (Sigiswald Kuijken, Gustav Leonhardt) [2012 / 1974]
Catalog Number: 88691 95307 2 | CD1:45’24; CD2:48’55 | 2cd, 564.80 MB
Bach - Das Wohltemperierte Klavier (Gustav Leonhardt) [2012 / 1973]

Bach - Das Wohltemperierte Klavier (Gustav Leonhardt) [2012 / 1973]
Classical |EAC Rip | FLAC, IMG+CUE, LOG | Covers | Label: DHM
Catalog Number: 88691 95307 2 | CD1:59’38; CD2:56’25; CD3:63’22; CD4:72’40 | 4cd, 1551.92 MB

He was born in 's-Graveland, North Holland and studied organ and harpsichord from 1947 to 1950 with Eduard Müller at the Schola Cantorum Basiliensis in Basel. In 1950, he made his debut as a harpsichordist in Vienna, where he studied musicology. He was professor of harpsichord at the Academy of Music from 1952 to 1955 and at the Amsterdam Conservatory from 1954. He was also a church organist.
wiki

Bach - Die Kunst der Fuge (Gustav Leonhardt) [2012 / 1969]  Music

Posted by Sowulo at Sept. 12, 2016
Bach - Die Kunst der Fuge (Gustav Leonhardt) [2012 / 1969]

Bach - Die Kunst der Fuge (Gustav Leonhardt) [2012 / 1969]
Classical |EAC Rip | FLAC, IMG+CUE, LOG | Covers | Label: DHM
Catalog Number: 88691 95307 2 | CD1:65’16; CD2:66’35 | 2cd, 859.97 MB

He was born in 's-Graveland, North Holland and studied organ and harpsichord from 1947 to 1950 with Eduard Müller at the Schola Cantorum Basiliensis in Basel. In 1950, he made his debut as a harpsichordist in Vienna, where he studied musicology. He was professor of harpsichord at the Academy of Music from 1952 to 1955 and at the Amsterdam Conservatory from 1954. He was also a church organist.
wiki
Aksel Rykkvin - Aksel! - Arias by Bach, Handel & Mozart (2016) {Signum Records Official Digital Download}

Aksel Rykkvin - Aksel! Arias by Bach, Handel & Mozart (2016) {Signum Records Official Digital Download}
FLAC (tracks) - 44kHz/16 bit - Official Digital Download (wimpmusic.com) -> 276 Mb | MP3 @320 -> 140 Mb | Artwork (pdf+jpg) | 5% repair rar
© 2016 Signum Records | SIGCD435
Classical / Baroque / Cantata / Boy Soprano / Aria / Vocal

At just 13 years old, Norwegian boy soprano Aksel Rykkvin releases his debut recording of challenging soprano arias by Bach, Handel and Mozart with the Orchestra of the Age of Enlightenment and conductor Nigel Short. A classically trained singer since the age of eight, Aksel has so far enjoyed a short but stratospheric career, lauded by critics and audiences alike for his astonishing talent, combining skilful virtuosity and a rare innate musicality with a beautifully resonant voice, unusually rich and mature.