Bach Rilling

J.S. Bach - Mass in B minor (Helmuth Rilling) [2005] (PS3 SACD rip)  

Posted by evaristegalois at March 11, 2012
J.S. Bach - Mass in B minor (Helmuth Rilling) [2005] (PS3 SACD rip)

J.S. Bach - Mass in B minor (Helmuth Rilling) [2005] (PS3 SACD rip)
2 SACD ISO images: 2.54 + 2.52 GB | Scans PDF (800 dpi): 34 MB | 5% Recovery Record | DST 1bit-2822,4kHz 2.0, 5.0
Classical | Label: Hänssler Classic | Catalog Number: SACD98.274 | Direction: Helmuth Rilling, Orchestra: Bach Collegium Stuttgart

The Mass in B minor (BWV 232) is a musical setting of the complete Latin Mass by Johann Sebastian Bach. The work was one of Bach's last, not completed until 1749, the year before his death in 1750. Much of the Mass consisted of music that Bach had composed earlier: the Kyrie and Gloria sections had been composed as a Lutheran Missa in 1733 for the Elector of Saxony at Dresden. The Sanctus dates back to 1724, and the Qui tollis movement was based on a cantata chorus dating from 1714. To complete the work, however, in the 1740s Bach composed new sections of the Credo such as Et incarnatus est. The completed Mass was his last major composition.

Bach - Great Sacred Choral Works (Helmuth Rilling) [2010]  Music

Posted by Sowulo at Sept. 27, 2011
Bach - Great Sacred Choral Works (Helmuth Rilling) [2010]

Bach - Great Sacred Choral Works (Helmuth Rilling) [2010]
EAC Rip | FLAC, IMG+CUE, LOG | Scans | 10cd, 2.71 GB
Classical | Label: Sony | Catalog Number: 88697687172

… Born in 1933 in Stuttgart, Germany, Helmuth Rilling is an active conductor, pedagogue and ambassador for the music of Bach worldwide. From 1970 to 1984, Mr. Rilling was the first musician to record all of Bach's Cantatas, and was the guiding hand behind the Internationale Bachakademie's critically-acclaimed project to record the complete works of Bach (172 CDs), which was released in 2000 to coincide with the 250th Anniversary of Bach's death. Since 1970, he has been the Artistic Director of the Oregon Bach Festival. In 2003 he became an Honorary Member of the American Academy of the Arts and Sciences. He won a Grammy® Award in 2000 for his recording of Krzystof Penderecki's “Credo” and was again nominated in 2001 for his recording of Wolfgang Rihm's "Deus Passus." In 2008, he was honored with the Sanford Award by the Yale School of Music at Yale University…
Masaaki Suzuki - Johann Sebastian Bach - Organ Works Vol. 1 (2015) [Official Digital Download 24bit/96kHz]

Masaaki Suzuki - Johann Sebastian Bach - Organ Works Vol. 1 (2015)
FLAC tracks 24bit/96kHz | Digital Booklet | 1.34GB + 5% Recovery
Studio Master, Official Digital Download, BIS

The recipient of the 2012 City of Leipzig Bach Medal, Masaaki Suzuki has earned an enviable reputation as an interpreter of the music of J. S. Bach as a reviewer in Intl Record Guide has put it: 'With Suzuki you can hear Bach's heart beat'. To a wide audience he is known as the director of Bach Collegium Japan, and the moving force behind the ensemble's acclaimed recordings of Bach's complete sacred cantatas. Perhaps less well known is that he began his career at the age of 12! playing the organ at church services in Kobe, where he was born. Suzuki has remained true to the organ throughout his life, and for BIS he has previously recorded Bach's German Organ Mass, as well as programs of Buxtehude and Sweelinck. He here appears on a disc combining some of Bach's best-loved works for the instrument, including the D minor Toccata and Fugue, the Partitas on O Gott, du frommer Gott, BWV 767, the Canonic Variations, BWV769, and the celebrated Prelude and Fugue in E minor, BWV548.
Felix Mendelssohn Bartholdy - Helmuth Rilling / Bach-Collegium Stuttgart - Elias (1994, hänssler classics # CD 98.928)

Felix Mendelssohn Bartholdy - Elias
Christine Schäfer / Bach-Collegium Stuttgart / Gächinger Kantorei Stuttgart / Helmuth Rilling
2xCD | EAC+LOG+CUE | FLAC: 507 MB | Full Artwork: 316 MB | 5% Recovery Info
Label/Cat#: hänssler classic # CD 98.928 | Country/Year: Germany 1994
Genre: Classical | Style: Romantic, Vocal, Sacred, Oratory

"Helmuth Rilling realisiert die stilistische Spannweite der Chöre vom nazarenischen a cappella über impressionistische Koloristik, einem fast Brahms'schen Sentiment, bis zur dramatischen Wucht vollkommen."~FonoForum
Mozart:  Requiem K. 626 / Auger · Watkinson · Jerusalem · Nimsgern · Bach-Collegium Stuttgart · Rilling (1990)

Mozart: Requiem K. 626 / Auger · Watkinson · Jerusalem · Nimsgern · Bach-Collegium Stuttgart · Rilling (1990)
EAC rip | FLAC, log, cue, no scans | RAR Rec. 3% | 239 MB | hotfile, fileserve
Classical | Label: Sony | Time: 52:46

Although Helmut Rilling's tempos are sometimes too plodding (the opening Introitus, for example), he makes up for it elsewhere–in an emphatic Recordare and smoothly flowing Benedictus. And while the chorus has a somewhat saturated, conglomerate sound, its impact is nevertheless substantial, not only in the fullest, loudest sections, but also in the quieter passages, which come off as more evenly balanced. Soloists, on the other hand, are absolutely clear if perhaps just a bit too up-front, and the orchestra, which fares well overall, gets swallowed in the mix when the entire chorus is singing. Rilling requires keen articulation from his players and singers, which although normally a good thing sometimes (as in the opening of the Confutatis) seems overly deliberate and stifles the music's natural momentum. –David Vernier
C. P. E. Bach, J. N. Bach: Magnificat, Missa brevis / Bach Collegium Stuttgart, Helmuth Rilling (1995)

C. P. E. Bach, J. N. Bach: Magnificat, Missa brevis / Bach Collegium Stuttgart, Helmuth Rilling (1995)
Unknown Rip | FLAC (image), cue, no log, no scans | RAR Rec. 3% | 305 MB | hotfile, fileserve
Classical | Label: Hanssler Classics | Time: 59:07

C.P.E. Bach's "Magnificat" is one of the glories of the choral repertoire, and, like other reviewers, I envy you your first experience of this magnificent music. I first heard it in the impressive performance by Philip Ledger and the Academy of St.-Martin-in-the-Fields. I think Rilling's performance is even better, though, more supple and nuanced, without sacrificing speed and intensity.
Alfred Schnittke,  Luciano Berio and others: Requiem Of Reconciliation  /  Helmuth Rilling (1997)

Alfred Schnittke, Luciano Berio and others: Requiem Of Reconciliation / Helmuth Rilling (1997)
Unknown Rip, APE (image), cue, no log, scans | RAR rec. 3% | 448 MB | hotfile, filesonic
Classical | 2 CD | Label: Hänssler Classic | Time: 1:47

The selections on this recording make up the "Requiem of Reconciliation", a joint composition commissioned by the International Bach Academy of Stuttgart in memory of the victims of the Second World War.
Composer: Luciano Berio, Friedrich Cerha, Paul-Heinz Dittrich, Marek Kopelent, John Harbison, Arne Nordheim, Bernard Rands, Marc André Dalbavie, Judith Weir, Krzysztof Penderecki, Wolfgang Rihm, Alfred Schnittke, Joji Yuasa, György Kurtág
Mozart: Requiem / Helmuth Rilling, Stuttgart Bach Collegium, Gachinger Kantorei Stuttgart (2000)

Mozart: Requiem / Helmuth Rilling, Stuttgart Bach Collegium, Gachinger Kantorei Stuttgart (2000)
EAC Rip, FLAC (image), cue, log, covers | RAR rec. 3% | 267 MB | hotfile, filesonic
Classical | Label: Hanssler Classics

In the liner notes to this premiere recording of his completion, Levin says: "The completed version offered in this recording, however, seeks to respect the 200-year-old history of the Requiem . We have tried not to revise as much, but as little as possible and in a manner we fee it faithful to the character, writing, voice leading, design and structure of Mozart's music."
J.S.Bach: St. John Passion BWV 245 - Rilling - CBS Records - 1985

J.S.Bach: St. John Passion BWV 245 - CBS Records - Schreier - Hamari - Dieskau - Auger - Rilling - Bach Collegium Stuttgart
2 CDs | APE + CUE +LOG | Covers+Booklet | 604 MB
A very different recording than well-known Hänssler's from 1993.

I have listened to many recordings of the Johannes Passion and find this one to be the very best. Its fluidity, its warmth, weave in and out of the soul the sorrow, yet the hope that we receive by the substitutional death of our Lord and Savior Jesus Christ on the cross. Made me think why this first recording with Peter Schreier(Tenor, Evangelist&Arias), Julia Hamari(Alto) and Dietrich Fischer-Dieskau(Bass) is not available and why did Rilling bother to record a second, far more fragmented and colder - almost HIP (historic instruments performance) version. St. John Passion reflects much more the biblical account of events and its drama than its sister St. Matthew Passion. The result is a work, which, not only because of its expressiveness but also consistency of its structure, can be regarded as the finest piece of baroque music.

(Arte) Midori joue Bach | Midori plays Bach (2016)  Music

Posted by Morocco at Dec. 4, 2016
(Arte) Midori joue Bach | Midori plays Bach (2016)

(Arte) Midori joue Bach | Midori plays Bach (2016)
Webrip | 2h24min | 1280 x 720 | 25.000 fps | MKV | AVC [email protected] @ 2463 Kbps | AAC @ 125 Kbps | 2,61 GB
Genre : Classical music

Chef-d’œuvre absolu, les Sonates et partitas pour violon seul de Bach mêlent timbre brillant et technique raffinée du contrepoint. Forme et intention y atteignent un équilibre parfait. Pour Philipp Spitta, biographe du compositeur, cet ensemble d’œuvres représente le « triomphe de l’esprit sur la matière ». Bach écrit les Sonates et partitas vers 1720 à Köthen, où il est maître de chapelle à la cour du prince Léopold d’Anhalt-Köthen depuis 1717.