Bach J.l

Vox Luminis, Lionel Meunier - J.S. Bach, J.C. Bach & J.M. Bach: Motetten (2015)

Vox Luminis, Lionel Meunier - J.S. Bach, J.C. Bach & J.M. Bach: Motetten (2015)
EAC Rip | FLAC (tracks+.cue, log) | Covers | 541 mb | MP3 CBR 320kbps | RAR | 325 mb
Classical, Baroque | Label: Ricercar / RIC 347

After its successes in the field of German Baroque religious music, here VOX LUMINIS proposes the first complete recording of the motets by Johann Sebastian Bach's ancestors. These motets, most of which are written for double choir, blend the old tradition inherited from the polyphony of the Renaissance with expressive work inspired by the fashions of the madrigal. The chorale melodies that are quite frequently associated with these motets contribute this colour typical of the Lutheran liturgical repertoire.

Interpreting J.L. Austin: Critical Essays  eBooks & eLearning

Posted by ksveta6 at Dec. 14, 2017
Interpreting J.L. Austin: Critical Essays

Interpreting J.L. Austin: Critical Essays by Savas L. Tsohatzidis
2017 | ISBN: 1107125901 | English | 246 pages | PDF | 0.8 MB

Comparative Philosophy and J.L. Shaw [Repost]  eBooks & eLearning

Posted by ChrisRedfield at Nov. 22, 2017
Comparative Philosophy and J.L. Shaw [Repost]

Purushottama Bilimoria, Michael Hemmingsen - Comparative Philosophy and J.L. Shaw
Published: 2015-09-09 | ISBN: 3319178725, 3319360132 | PDF | 279 pages | 3.26 MB

Serpent Road - J. L. Bourne  eBooks & eLearning

Posted by Maroutan at Nov. 10, 2017
Serpent Road - J. L. Bourne

Serpent Road - J. L. Bourne
English | 2017 | 320 Pages | ISBN: 1501116703 | EPUB | 4.28 MB

A riveting, ultra-realistic example of “dystopian fiction at its best” (Brad Thor, #1 New York Times bestselling author) from the acclaimed author of the Day By Day Armageddon novels!
During an unacknowledged mission inside the Syrian border, a government operative had unwittingly triggered an incredible worldwide event that irrevocably shaped the future of the United States. In the aftermath of the crisis, families have struggled to survive in a world short on food, water, and electricity…
Johann Bernhard Bach - Ouvertures - L'Achéron, François Joubert-Caillet (2016) {Ricercar Official Digital Download RIC 373}

Johann Bernhard Bach - Ouvertures - L'Achéron, François Joubert-Caillet (2016) {Ricercar Official Digital Download RIC 373}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (qobuz.com) -> 403 Mb | MP3 @320 -> 181 Mb
Full Artwork (pdf+jpg) -> 19 Mb | 5% repair rar
© 2016 Ricercar / Outhere Music | RIC 373
Classical / Baroque / Orchestral

Johann Bernhard Bach (1676-1749) is a somewhat ill-known member of the family, but known by his first cousin once removed, Johann Sebastian. A disciple of Pachelbel, he was in the service of the court of Eisenach and left us only instrumental music. His four Ouvertures for orchestra constitute the obvious link between French music of the Grand Siècle and the compositions that Johann Sebastian would write in Weimar and Cöthen. A missing link to be (re) discovered.
Bach J.S. - Brandenburg Concertos Nos. 2 & 5; Wedding Cantata, BWV 1047, 1050, 202, 1067 (Levine, Faerber, Battle)

Bach J.S. - Brandenburg Concertos Nos. 2 & 5; Wedding Cantata, BWV 1047, 1050, 202, 1067 (James Levine, Jorg Faerber, Kathleen Battle & SCO, Wurttembergisches Kammerorchester Heilbronn; Jorg Faerber) - 2006
EAC Rip | FLAC, TRACKs+CUE, LOG | Covers | 1cd, 468.64 MB
Classical | Label: Sony and BMG Music | Catalog Number: 82876762222

In many ways this is a special recording. It features first-desks from the Chicago Sym. playing two of Bach's Brandenburg Concertos, and so far beyond the average Baroque ensemble are they that one yearns for the other four. Just to hear the amazing trumpet solos in Concerto no. 2 by the legendary Adolph Herseth repays the cost of the CD. But we also get James Levine doing double duty at the harpsichord in Concerto no. 5. One deficit from the rise of period performance is that non-specialists have been driven out. The days when an all-around musician like Levine or Leonard Bernstein performed Bach and Handel are more or less over, and their replacements, to be tactful, are not on such an exalted level of talent…. By Santa Fe Listener
Bach J.S. - Brandenburg Concertos (Claudio Abbado, Giuliano Carmignola) [2008]

Bach J.S. - Brandenburg Concertos (Claudio Abbado, Giuliano Carmignola) [2008]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 486.35 MB
Classical | Label: Deutsche Grammophon | Catalog Number: 00289 477 8908

“Here Claudio Abbado is gambolling among the Brandenburg Concertos in this straightforward TV-style concert film, recorded in the classic 19th-century opera house at Reggio Emilia during an Italian tour in spring 2007. The orchestra is at first glance a curious gathering, mixing 'Baroque' players such as violinist Giuliano Carmignola and harpsichordist Ottavio Dantone with 'modern' names such as trumpeter Reinhold Friedrich and 'un-Baroque' recorder-player Michala Petri. Furthermore, a look round the instruments reveals mostly modern models, some hybrids…” Gramophone Classical Music Guide, 2010
Bach J.S. - Messe h-moll; Mass B minor BWV 232 (Thomas Hengelbrock) [1997]

Bach J.S. - Messe h-moll; Mass B minor BWV 232 (Thomas Hengelbrock) [1997]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 478.72 MB
Classical | Label: DHM | Catalog Number: 05472 77380 2

Without doubt, the selecction of ones favourite recording within the vast sellection of interpretations of Bach's Mass in B-Minor is a difficult task. I have sung this mass and heard more than ten different recordings of this "miracle of mighty mountain range in the planet of music". For me, Hengelbrocks recording is by far the best one: first of all, Hengelbrocks interpretation is very inspired, with convincing and sometimes innovative tempi, as for instance in the opening Kyrie which, for the first time, I could sense as a funeral march; second, the chorus is brillant, for me even better than the international "stars" as for example the Monteverdi Choir; third, the Soloists wich are members of the choir, integrate perfectly in the whole picture of this master piece; fourth, the balance engineers have done an exceptional work which allows you to hear every detail of the orchestra, soloists and choirs in perfect balance.
Bach J.S. – Concertos for Oboe and Oboe d'Amore/Violin Concertos (Helmut Müller-Brühl)

Bach J.S. – Concertos for Oboe and Oboe d'Amore/Violin Concertos (Helmut Muller-Bruhl)
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 673.64 MB
Bach J.S. & Bach C.P.E. – Magnificat (Tölzer Knabenchor, Collegium Aureum) [1995]

Bach J.S. & Bach C.P.E. – Magnificat (Tolzer Knabenchor, Collegium Aureum) [1995]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 323.56 MB
Classical | DHM | 054727 7411 2

This recording is something of a throwback to earlier days of the original instrument movement. The Collegium Aureum was an early exponent of this, and the 1966 recording of the JS Bach shows how this movement has evolved. Wonderful trumpets, struggling with the tessitura and tuning, and the (probably) part-time early music oboists, point up the most obvious difference. Early music was a labor of love in the 1960's, not a full time job. Which make me wonder if today's "authentic" performances aren't too clean, and too polished. How much rehearsal time did the "old wig" get, anyway, especially with works that were being given their premiere performances? Charles Rosen said that a truly authentic performance is impossible, you're either too early or too late.