The ‘Italian’ Concerto and ‘French’ Overture included on this disc together make up the second part of Bach’s Clavier-Übung, composed, according to Bach himself, ‘for music lovers to refresh their spirits’. Here Steven Devine’s performances show that these works do far more than simply refresh spirits. The ‘Italian’ Concerto has long been thought a product of Bach’s extensive study of Vivaldi’s concerti.
Prominent Australian keyboard performer Elizabeth Anderson tops the highest peak in musical terms for harpsichordists - Bach's 'Goldberg Variations'. Taking an energetic 93 minutes to perform, it is regarded as the pinnacle of keyboard compositions - a test of both performance ability and endurance.
This is an interesting performance of Bach's Italian Concerto and French Overture by the Russian-born German harpsichordist and pianist, Felix Gottlieb, made on the "Lindholm" harpsichord, recorded in 1984 in the USSR
András Schiff is one of the best Bach players among Gould, Rosalyn Tureck and Wanda Landowska. On Schiff's French Suites, every part from every suite has a different color and gives you different feeling. Every harmony is taken to its end with care, and dynamic balance is always delightful to listen. Articulation of the notes is excellent, full of humour, and in some places you surely start to smile and you feel very happy when you listen to Schiff. He also plays the slow parts very deeply and warmly, which is for some artists a big problem when playing Bach. There are also Italian Concerto and French Overture on the CD's, played brilliantly, so this set is really worth buying. Recommended for everyone.
Clear, realistic sound with brilliant digital recording. Cole plays with feeling and panache, adding unexpected and pleasing embellishments.
A well-known organist Wolfgang Rubsam proposed his interpretation of Bach's French Suites on a present-day piano