Bach Brilluant

Paavo Järvi & Frankfurt Radio Symphony - Brahms, Schoenberg, Bach, Webern (2017)

Paavo Järvi & Frankfurt Radio Symphony - Brahms, Schoenberg, Bach, Webern (2017)
Classical | MP3 CBR 320 kbps | 00:57:38 | 133 MB
Label: naïve classique

Like his father, Neeme Järvi, Paavo Järvi is an internationally renowned classical music conductor of Estonian heritage with a deep catalog of recordings. Born on December 30, 1962, in Tallinn, Estonia, he and his family moved to the United States in 1980. His education includes studies at the Tallinn School of Music, the Curtis Institute of Music, and the Los Angeles Philharmonic Institute. For a decade he served as music director of the Cincinnati Symphony Orchestra prior to being named music director of the Orchestre de Paris. He also worked with the Frankfurt Radio Symphony Orchestra, the Deutsche Kammerphilharmonie Bremen, and the Estonian National Symphony Orchestra. His recordings are numerous and include releases on the labels Sony BMG, Telarc, Virgin Classics, PentaTone Classics, and BIS Records.
Silke Strauf & Claas Harders - J.S. Bach: Goldberg-Variationen BWV 988 für 2 Violen da Gamba (2009)

Silke Strauf & Claas Harders - J.S. Bach: Goldberg-Variationen BWV 988 für 2 Violen da Gamba (2009)
MP3 (CBR 320 kbps) | Covers Included | 01:11:34 | 189 MB
Genre: Classical | Label: Raumklang

Für den kaiserlichen Gesandten in Dresden, Hermann Graf Keyserlingk, sollen die Goldberg-Variationen entstanden sein. Der Graf habe, wie Bach-Biograph Nikolaus Forkel schreibt, die Musik bei Bach bestellt in der Hoffnung, „daß er dadurch in seinen schlaflosen Nächten ein wenig aufgeheitert werden könnte.“ Diese Bearbeitung der Goldberg-Variationen für zwei Gamben setzt die Reihe der schon bestehenden Transkriptionen fort.
Miklós Spányi - C.P.E. Bach: The Solo Keyboard Music, Vol. 34 (2017)

Miklós Spányi - C.P.E. Bach: The Solo Keyboard Music, Vol. 34 (2017)
Classical | WEB FLAC (tracks) & d. booklet | 341 MB
Label: BIS | Tracks: 24 | Time: 78:19 min

Carl Philipp Emanuel Bach had begun his series für Kenner und Liebhaber – ‘for Connaisseurs and Amateurs’ – with the traditional formula of a set of six sonatas, but became more unconventional in the second and third collection in which he alternated three sonatas with three rondos. With the fourth instalment, published in 1783, he went further still as he increased the number of pieces to seven and added ‘free fantasias’ to the sonatas and rondos.
Pierre Hantai, Emmanuelle Guigues, Hugo Reyne - J.S. Bach: Sonates pour flute (2009)

Pierre Hantai, Emmanuelle Guigues, Hugo Reyne - J.S. Bach: Sonates pour flute (2009)
XLD | FLAC (tracks+.cue, log) | Covers Included | 70:00 | 453 MB
Genre: Classical | Label: Mirare | Catalog: MIR 038

Though these works were written originally for the barock transverse flute, exept BWV 997 that was written probably for the lute, they are played here on the barock recorder. The result, at least to my taste, is more convincing and exhilarating than any performance of these works on the transvers flute that i ever heard.
Martha Argerich & Itzhak Perlman - Schumann, Bach & Brahms (2016) {Warner Classics 0190295937898}

Martha Argerich & Itzhak Perlman - Schumann, Bach & Brahms (2016) {Warner Classics 0190295937898}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 245 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 300 dpi (png) -> 56 Mb | 5% repair rar
© 2016 Parlophone / Warner Classics | 0190295937898
Classical / Piano / Violin

The performances heard on this recording by the superstar duo of violinist Itzhak Perlman and pianist Martha Argerich do not exactly form a discrete group: the first work, Schumann's Violin Sonata No. 1 in A minor, Op. 105, was recorded live in 1998, while the rest consists of 2016 studio recordings. The 1998 performance, however, was part of a concert in Saratoga Springs, New York, that provided the stimulus for the joint recording. The Schumann sonata performance was not released at that time, and the rest of the program expands on the music it presents. It's nice to have the Schumann, which has a good deal of tension and energy. As for the rest, it's hard to point to a clear decline in the skills of either of the septuagenarian performers.
Benjamin Alard - Bach: The Work for Organ & Harpsichord, Chapter I - 1. Jesu meine Freude (2017) [24/88]

Benjamin Alard - Bach: The Work for Organ & Harpsichord, Chapter I - 1. Jesu meine Freude (2017)
FLAC (tracks) 24-bit/88.2 kHz | Time - 26:22 minutes | 431 MB
Studio Master, Official Digital Download | Artwork: Front Cover

We are delighted to announce that organist and harpsichordist Benjamin Alard is now recording for harmonia mundi. Following several acclaimed recordings for Alpha, Benjamin Alard will now devote himself to the complete works for organ and harpsichord of Johann Sebastian Bach. A massive undertaking, involving around 30 hours of music, which will be structured into chapters that mark the significant moments in the life of the Cantor of Leipzig: “This is indeed the first time Johann Sebastian Bach’s complete works for solo harpsichord will be performed by the same musician.
Ensemble Resonanz - J.S. Bach: Weihnachtsoratorium (2017) [Official Digital Download 24/96]

Ensemble Resonanz - J.S. Bach: Weihnachtsoratorium (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 69:17 minutes | 1,13 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

When the high-tuned baroque trumpets loom, the timpani make the floor tremble, and the great choir voices its cheers and exultation, anyone with a musical vein gets shiny eyes and goose bumps. Whether in front of the (good) stereo system, in the city church (or even better) or with the St. Thomas in the Thomaskirche in Leipzig (highest luck): A lofty solemnity captures everyone who engages in Johann Sebastian Bach's Christmas Oratorio.

Ensemble Resonanz - JS Bach: Weihnachtsoratorium (2017)  Music

Posted by Pisulik at Dec. 1, 2017
Ensemble Resonanz - JS Bach: Weihnachtsoratorium (2017)

Ensemble Resonanz - JS Bach: Weihnachtsoratorium (2017)
WEB FLAC (Tracks) - 271 MB | Digital Booklet | MP3 CBR 320 kbps - 159 MB | 01:09:17
Classical | Label: Resonanzraum Records

The Ensemble Resonanz presents a heart project on CD: Bach's Christmas Oratorio stages as house music among friends. In a small cast, the internationally sought-after string orchestra has recorded 30 choruses, arias, recitatives and chorales from Bach's masterpiece in their own arrangement. This is the sound of house music in the 21st century! Judith Haeberlin, Concertmaster of the ensemble, explains the basic idea behind the production: »Chamber occupation, electric guitar and vintage keyboards.»
Alexei Lubimov - Carl Philipp Emanuel Bach: Tangere (2017) {ECM New Series}

Alexei Lubimov - Carl Philipp Emanuel Bach: Tangere (2017)
EAC Rip | FLAC (tracks+.cue, log) | Cover - front, d.booklet | 312 mb | MP3 CBR 320kbps | RAR | 161 mb
Classical, Keyboard | Label: ECM Records - ECM 2112

Are you ready for extreme 18th century keyboard? The typically sparse packaging graphics of this ECM release may indicate only to German speakers what's contained inside: a "Tangentenflügel" is a tangent piano, a rare keyboard instrument of Mozart's time that used hammers, striking the strings at a tangent, but no dampers. The sound combines qualities of a clavichord (its nearest relative, but the tangent piano is louder), a fortepiano, and a harpsichord.
Vox Luminis, Lionel Meunier - J.S. Bach, J.C. Bach & J.M. Bach: Motetten (2015)

Vox Luminis, Lionel Meunier - J.S. Bach, J.C. Bach & J.M. Bach: Motetten (2015)
EAC Rip | FLAC (tracks+.cue, log) | Covers | 541 mb | MP3 CBR 320kbps | RAR | 325 mb
Classical, Baroque | Label: Ricercar / RIC 347

After its successes in the field of German Baroque religious music, here VOX LUMINIS proposes the first complete recording of the motets by Johann Sebastian Bach's ancestors. These motets, most of which are written for double choir, blend the old tradition inherited from the polyphony of the Renaissance with expressive work inspired by the fashions of the madrigal. The chorale melodies that are quite frequently associated with these motets contribute this colour typical of the Lutheran liturgical repertoire.