Bach Flute Sonatas

Bruno Cavallo, Giuseppe Ettorre & Emilia Fadini - Bach: Flute Sonatas BWV 1030 & 1035 e Partita 1013 (2017)

Bruno Cavallo, Giuseppe Ettorre & Emilia Fadini - Bach: Flute Sonatas BWV 1030 & 1035 e Partita 1013 (2017)
Classical | MP3 CBR 320 kbps | 00:50:17 | 116 MB
Label: M.A.P. Editions | Release Year: 2017

Sonatas for flute and continuo BWV1013, 1030-1035 / Stephen Preston, baroque flute - Jordi Savall, viola da gamba - Trevor Pinnock, harpsichord.

Bach: Flute Sonatas - Andrea Oliva, Angela Hewitt (2013)  Music

Posted by peotuvave at Sept. 26, 2013
Bach: Flute Sonatas - Andrea Oliva, Angela Hewitt (2013)

Bach: Flute Sonatas - Andrea Oliva, Angela Hewitt (2013)
EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 311 MB
Genre: Classical | Label: Hyperion | Catalog Number: 67897

Fans of Angela Hewitt will be delighted to find her in chamber mode, accompanying Andrea Oliva (described as ‘one of the best flutists of his generation, a shining star in the world of the flute’ by Sir James Galway) in a programme of J S Bach’s flute sonatas (including one by his most famous and talented son, CPE). Of unfailingly remarkable quality, all these works exploit the full potential of an instrument which was only just coming into its own when they were written. Oliva’s lyricism and agility coupled with Hewitt’s musicianship—not to mention her lifelong rapport with Bach’s music—make this an album to treasure.

Wilhelm Friedemann Bach - Flute Sonatas and Trios (2014)  Music

Posted by Designol at May 14, 2016
Wilhelm Friedemann Bach - Flute Sonatas and Trios (2014)

Wilhelm Friedemann Bach - Flute Sonatas and Trios (2014)
Wilbert Hazelzet, Marion Moonen, Jaap ter Linden, Jacques Ogg

EAC | FLAC | Image (Cue&Log) ~ 265 Mb (incl 5%) | Mp3 (CBR320) ~ 159 Mb (incl 5%) | Scans included
Genre: Classical | Label: Brilliant Classics | # 94696 | Time: 01:03:26

This CD presents Wilhelm Friedemann’s works for flute, either as solo sonata or in trio combination: music of great beauty, melodic charm and invention and instrumental brilliance. Although the output of Johann Sebastian’s eldest son is comparatively small, the significance of his style, as a logical and truthful successor of his father, is great. His style, based on the Baroque principles, is free, adventurous and forward‐looking, the “Empfindsame Stil”. It serves as a bridge between the Baroque and the Classical Period. Played by the best Dutch Early Music specialists on period instruments. Contains detailed notes on the music and instrument specification.
Andrea Oliva & Angela Hewitt - Bach Flute Sonatas (2013) [Hyperion Hi-Res 24-44,1] RE-UP

Andrea Oliva & Angela Hewitt - Bach Flute Sonatas (2013)
FLAC (tracks) 24 bit/44,1 kHz | Time - 77:58 minutes | 736 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Fans of Angela Hewitt will be delighted to find her in chamber mode, accompanying Andrea Oliva (described as ‘one of the best flutists of his generation, a shining star in the world of the flute’ by Sir James Galway) in a programme of J S Bach’s flute sonatas (including one by his most famous and talented son, CPE). Of unfailingly remarkable quality, all these works exploit the full potential of an instrument which was only just coming into its own when they were written. Oliva’s lyricism and agility coupled with Hewitt’s musicianship—not to mention her lifelong rapport with Bach’s music—make this an album to treasure.

J.S.Bach Flute Sonatas  

Posted by surenam at March 21, 2008
J.S.Bach Flute Sonatas

J.S. Bach Flute sonatas
Classical | MP3 320KB | 83 MB
Philippa Davies-flute, Maggie Cole-harpsichord, Alison McGillivary-cello
Bach - Complete Sonatas and Partita for Flute (Bruggen, Leonhardt, van Dael, Bylsma) [2012]

Bach - Complete Sonatas and Partita for Flute, BWV 1030, 1035, 1032, 1034, 1013 (Bruggen, Leonhardt, van Dael, Bylsma) [2012]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 454 MB
Classical | Label: Sony Music | Catalog Number: 88725463922 (2) | TT: CD1:46’11; CD2:50’55

This unusual release, recorded in 1975, attempts to shed light on the numerous problems concerning the nature and indeed authorship of the flute sonatas by, or not by, Bach. The artistry of these musicians is, as we might expect, compelling, but in their attempt to segregate authentic Bach from what are often supposed to be spurious flute sonatas they have, in common parlance, 'come a cropper'. (CRD CRDIOI4-15, 8/75). N.A..
Bach C.P.E. - Complete Flute Sonatas (Barthold Kuijken, Bob van Asperen) [1993]

Bach C.P.E. - Complete Flute Sonatas (Barthold Kuijken, Bob van Asperen) [1993]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 457 MB
Classical | Label: Sony | Catalog Number: S2K 53964 | TT: CD1:74’57; CD2:65’02

The title of this release is thoroughly misleading. The album contains nothing like the ''Complete Flute Sonatas'' of C. P. E. Bach but only those for flute with obbligato harpsichord, of which there are but five. Eleven others for flute and continuo are omitted, along with Bach's single work for unaccompanied flute. Instead, the remaining five sonatas in the programme consist of two (BWV1020 and 1031) whose authorship has long been a matter of dispute; a trio for flute, violin and bass (H578) in which the violin part has been taken over by the right hand of the keyboard; another (H543) in which a similar adjustment has been made to Bach's two differently scored originals; and a duet for violin and harpsichord (H504) in which the violin part is taken by the flute. So, you can see that the title of the album is somewhat economical with the truth, though the accompanying essay by Barthold Kuijken clarifies the position.
– Nicholas Anderson, Gramophone [5/1994]
Wilbert Hazelzet, Gerard de Wit - Boismortier: 6 Flute Sonatas, Op. 91 (2016)

Wilbert Hazelzet, Gerard de Wit - Boismortier: 6 Flute Sonatas, Op. 91 (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 69:13 | 367 MB
Genre: Classical | Label: Naxos | Catalog: 8.553414

Heres another superb disc of Baroque/galant-style flute sonatas to join the impressive library of such music on Brilliant Classics, most recently enlarged by a release of Johan Helmich Roman, a close contemporary of Boismortier (1689-1755). Whereas Roman worked in the then-distant royal court of Sweden, and had only one collection of music published during his lifetime, Boismortier was known across Europe as both a supreme virtuoso on the flute/recorder family, and a composer for the instrument of a facility and refinement rivalled only by Bach.
Emmanuel Pahud, Kammerakademie Potsdam, Trevor Pinnock - C.P.E. Bach: Flute Concertos (2016)

Emmanuel Pahud, Kammerakademie Potsdam, Trevor Pinnock - C.P.E. Bach: Flute Concertos (2016)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 66:42 | 341 MB
Genre: Classical | Label: Warner Classics | Catalog: 0825646276790

One of the more puzzling remarks about the music of Carl Philipp Emanuel Bach came from Mozart, who said that anyone who listened closely would realize his debt to the German composer. That seemed unlikely, given that Mozart only rarely availed himself of the Sturm und Drang ("storm and stress") style of C.P.E.'s keyboard music. But listen to this release by flutist Emmanuel Pahud and you'll get an idea of what Mozart was talking about. It's not just that the flute concertos are basically galant in style, not Sturm und Drang. It's a certain nervous energy that makes the flute bloom rapidly out of squarish themes and keeps you guessing as to what's coming next.

The Purcell Quartet - J.S. Bach: Trio Sonatas (2000) (Repost)  Music

Posted by tirexiss at March 5, 2017
The Purcell Quartet - J.S. Bach: Trio Sonatas (2000) (Repost)

The Purcell Quartet - J.S. Bach: Trio Sonatas (2000)
XLD | FLAC (tracks+.cue, log) | Covers + Digital Booklet | 01:12:37 | 389 MB
Genre: Classical | Label: Chaconne | Catalog: Chan 0654

Rarely do we feel the presence of Bach so vividly on a recording as we do here with this set of Trio Sonata arrangements, performed by violins, viola da gamba, and harpsichord. What a perfect combination, thanks to Richard Boothby's settings and to the wonderfully synergistic interaction among these very experienced early music players–violinists Catherine Mackintosh (in her best recorded performance in a while) and Catherine Weiss, gambist Boothby, and harpsichordist Robert Woolley.