JS Bach and Vivaldi s' Magnificat's: desert island repertoire to illustrate the splendour of the orchestra Le Concert des Nations and choir of La Capella Reial de Catalunya. Jordi Savall offers a vivid and striking performance of these two masterpieces, recorded live at the Royal Chapel in Versailles in 2013. Each of them is introduced by a concerto by the same composer in the same tonality. The superlative performance of Pierre Hantaï in the Concerto BWV1052 is another jewel to the crown of this album. The bonus DVD features both Magnificats and Bach s Concerto.
A consummate artist whose approach to the cello was directed toward breathing life into the music, Paul Tortelier earned the respect and affection of countless colleagues. An enduring friendship with Pablo Casals found him playing, in the words of a French critic, Apollo to Casals' Jupiter. Like Casals, Tortelier emphasized using but one finger at a time on the string to allow free vibration. Fantasy and emotional freedom marked his performances and attracted numerous young players.
While J.S. Bach’s Suites for solo cello are, by definition, closely identified with Mstislav Rostropovich as the supreme cellist of his time, the B flat concerto of Carl Philipp Emmanuel Bach represents a more unusual departure. It is programmed here with two concertos in D major by Italian composers of the elder Bach’s generation, Antonio Vivaldi and Giuseppe Tartini.
Richter actually made a full set of recordings for Handel's Concerti Grossi. The Munich Bach Orchestra, who almost played exclusively for Richter, maintained its essential baroque flur throughout all the pieces, under the impeccable conducting of Richter. The different string sections played as if they were in a chorus, each minute part played in fully melodious and engaging manner, while the ensemble as a whole displayed all the required congeniality and harmoniousness essential of the baroque style. The rhythms are enlivened while contrasts striking, and you will seldom find Handel's works played in such grand style as did Richter and the Munich Bach Orchestra here. (Amazon.com)
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788) was a German Classical period musician and composer, the fifth child and second (surviving) son of Johann Sebastian Bach and Maria Barbara Bach. His second name was given in honor of his godfather Georg Philipp Telemann, a friend of Emanuel's father.
Emanuel Bach was an influential composer working at a time of transition between his father's baroque style and the classical and romantic styles that followed it. His personal approach, an expressive and often turbulent one known as empfindsamer Stil or 'sensitive style', applied the principles of rhetoric and drama to musical structures. Bach's dynamism stands in deliberate contrast to the more mannered rococo style also then in vogue.
"Vivaldi’s music enjoyed a cult following in Dresden after its introduction by the composer’s pupil Johann Pisendel, and listening to these works it is not hard to hear why. The two G minor concertos are scored for violin, two recorders, two oboes and strings (with an extra solo oboe in RV576), while the F majors both deploy a line-up of violin, two oboes, two horns and strings – rich stuff, reflecting the sumptuous sound-world of the Electoral orchestra…" - GRAMOPHONE
…I was not expecting this music to be especially interesting. Instead I have found delight and surprise, not so much at the playing - I always knew that the Freiburg would offer a big commitment to the music - but at JCF’s material which certainly catches and holds the attention. His ideas are lively and clearly sprung from a fresh and fecund musical imagination. This disc will add considerably to your musical knowledge and enjoyment.
…In short: the so-called "English Bach" is portrayed here in a very fascinating way; you only really regrets having so few comparisons to the reading of historical conductors.