GRAMOPHONE AWARD WINNER 2015 - BAROQUE INSTRUMENTAL RECORDING OF THE YEAR. This recording is the first time that the five-stringed Amati has been used to record the 6th suite and it is the only original five-string cello in existence in the UK and unique in being the only one by this maker. The Cello Suites are performed on two gut-string cellos Suite Nos. 1-5 on a Francesco Ruggieri from 1660 and Suite No. 6 the five-stringed Cremona cello by A. & H. Amati from c.1600, both tuned to Baroque pitch. Bachs cello suites are renowned as the pinnacle of the instruments repertoire and are performed here in period performances by the internationally acclaimed cellist, David Watkin. David Watkin has been performing Bachs Cello Suites in concert for 35 years, and Bachs unaccompanied cello repertoire has taken him all over Europe, from the Palace of Frederick the Great at Potsdam to the Prague Spring Festival, and, as part of Sir John Eliot Gardiner's Bach Cantata Pilgrimage, included performances sitting by the font in which Bach was baptised.
The Most Relaxing Cello Album is programmed to help calm the mind, body and spirit. The wide expressive range of the cello enables the player to conjure every emotion, but the instrument is particularly suited for creating a mood of relaxation and tranquility.
“Rostropovich's performances are masterly and all-involving, drawing distinctions between each work in his spoken introductions, although one can choose to hear the music without the commentaries. Unsurpassed and unsurpassable.” (The Penguin Guide)
Experience, virtuosity and individuality are all required when tackling J.S. Bach’s popular cello suites; Richard Tunnicliffe brings a lifetime of insight to his debut solo recording. Richard has made a special study of Bach's cello suites and his performances of all six have been acclaimed in Europe and Australia as well as at numerous venues in Great Britain, including Wigmore Hall and the Purcell Room in London.
Cellist Zuill Bailey releases his Bach Suites for Solo Cello on February 2, 2010. All six suites were recorded in one week at the American Academy of Arts and Letters in New York City in December, 2008, following years of preparation by Mr. Bailey. "I was unaware of the depths of the music as a young person, but came to realize that there are so many ways of interpreting Bach that it channels where a cellist is at that precise moment. It has become such a personal journey for me."
C.P.E. Bach would undoubtedly rejoice, were he alive, upon hearing this album of his cello concertos by Truls Mørk and Les Violons du Roy under the direction of Bernard Labadie. From the opening notes, one cannot help but feel the orchestra is fantastic. The A major Cello Concerto begins with vigor and liveliness, with the ensemble playing perfectly together in tempo with great spirit. Mørk plays just as well, with a clean, accurate, and somewhat light touch.