Bach Biography

About Bach by Gregory S Butler  eBooks & eLearning

Posted by thingska at Dec. 8, 2014
About Bach by Gregory S Butler

About Bach by Gregory S Butler
English | July 3, 2008 | ISBN: 0252033442 | 232 pages | PDF | 4,8 MB

Johann Sebastian Bach: The Learned Musician  eBooks & eLearning

Posted by arundhati at Dec. 8, 2014
Johann Sebastian Bach: The Learned Musician

Christoph Wolff, "Johann Sebastian Bach: The Learned Musician"
2000 | ISBN-10: 039304825X | 544 pages | PDF | 13 MB

Johann Sebastian Bach: The Learned Musician (Repost)  eBooks & eLearning

Posted by nebulae at April 24, 2014
Johann Sebastian Bach: The Learned Musician (Repost)

Christoph Wolff, "Johann Sebastian Bach: The Learned Musician"
English | 2001 | ISBN: 0393322564 | 640 pages | EPUB | 3,2 MB

Johann Sebastian Bach: The Learned Musician  eBooks & eLearning

Posted by arundhati at Nov. 3, 2013
Johann Sebastian Bach: The Learned Musician

Christoph Wolff, "Johann Sebastian Bach: The Learned Musician"
2001 | ISBN: 0393322564 | 640 pages | EPUB | 3,2 MB

Antonio Meneses - J.S. Bach: The 6 Cello Suites (2004) 2CDs  Music

Posted by Designol at Sept. 22, 2017
Antonio Meneses - J.S. Bach: The 6 Cello Suites (2004) 2CDs

Antonio Meneses - Johann Sebastian Bach: The 6 Cello Suites (2004) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 592 Mb | Mp3 (CBR320) ~ 302 Mb | Artwork included
Genre: Classical | Label: Avie | # AV 0052 | Time: 02:08:44

Brazilian cellist Antonio Meneses, a member of the Beaux Arts Trio and a frequent collaborator of the world’s greatest conductors and orchestras, takes a solo turn with the most noble of works for his instrument, J S Bach’s Six Cello Suites. A consummate master of his instrument, Antonio started playing the cello when he was 10 years old. At the age of 16 his musical studies took him to Europe, and in 1982 he won the Gold Medal at the Tchaikovsky Competition in Moscow. He has performed with the Berlin Philharmonic, London Symphony Orchestra, Royal Concertgebouw Orchestra and New York Philharmonic, among others, with such conductors as Karajan, Abbado, Rostropovich, Muti and Chailly. In the recording studio he famously collaborated with Karajan and the Berlin Philharmonic in Brahms’ Double Concerto for Violin and Cello (with Anne-Sophie Mutter), and Strauss’ Don Quixote. Playing a Jean-Baptiste Vuillaumme cello from Paris c.1840, Antonio’s renditions of Bach’s seminal works are marked by purity and grace, introspection and sophistication.
Ophelie Gaillard - Johann Sebastian Bach: Cello Suites Nos. 1-6, BWV1007-1012 (2011) 2CDs

Ophélie Gaillard - Johann Sebastian Bach: Cello Suites (2011) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 596 Mb | Mp3 (CBR320) ~ 319 Mb | Artwork included
Genre: Classical | Label: Aparté | # AP017 | Time: 02:16:57

Over the years, the Bach Suites have become a monument of the cello repertoire, to which all cellists return regularly. Some of the greatest did not record these works until they reached their years of maturity (Casals was over 60, Rostropovich was 63), while others have not hesitated to present several versions (Yo-Yo Ma, 1990, 1998; Janos Starker, 1957, 1963, 1983). Ophélie Gaillard’s first recording of the Suites, released on Ambrosie in 2000, was highly acclaimed internationally by the critics and her performance earned her a French Classical Music Award (Victoire) as a "Revelation" in the Solo Instrumentalist category. Ten years later, at the request of Nicolas Bartholomée, artistic director of Aparte and indeed Ambroisie, she agreed to record a new version on a cello made in 1737 by Matteo Goffriller, a contemporary of J. S. Bach. Ophélie Gaillard had already given us a reference performance of these pieces. Now we discover a prodigiously renewed vision of this masterpiece.
Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)

Pierre Hantaï - Johann Sebastian Bach: Goldberg Variations, BWV 988 (2003)
XLD | FLAC | Image (Cue&Log) ~ 510 Mb | Mp3 (CBR320) ~ 192 Mb | Scans included
Genre: Classical | Label: Mirare | # MIR 9945 | Time: 01:18:28

Bach’s Goldberg Variations have played a central role in harpsichordist Pierre Hantai’s musical life since his early youth. At 28 he recorded the work for the Opus 111 label (now available on Naïve), a highly acclaimed release that stands among the work’s choice versions. Over the past 11 years Hantai evidently has rethought and refined his interpretation, as revealed in this 2003 remake. There’s greater rhythmic freedom and variety of articulation, plus a more subjective approach to ornaments and agogics, especially in the repeats (he observes all but those in Variation 15, 25, and the Aria Da Capo; the 1992 recording honors all repeats save for Variation 25). Variations previously characterized through Hantai’s seamless legato technique (Nos. 3, 6, 8, 11, 17, and 18, for example) are further enlivened by detaché finger strokes and more inflected phrasings. The latter infuse Variations 7, 10, and 16 with greater resilience and rhythmic verve than their earlier counterparts.
Hopkinson Smith - Johann Sebastian Bach: L'Oeuvre De Luth (Works for Lute) (1987) 2CDs

Hopkinson Smith - Johann Sebastian Bach: L'Œuvre De Luth (1987) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 526 Mb | Mp3 (CBR320) ~ 252 Mb | Scans included
Genre: Classical | Label: Astrée | # E 7721 | Time: 01:41:18

The American lutenist, Hopkinson Smith, began as a teenager he began to study the classical guitar and in his early 20's, he became acquainted with the lute which he started to learn by himself. He majored in musicology at Harvard and graduated with honors in 1972. In 1973, Hopkinson Smith came to Europe to devote himself to the lute in earnest. He worked in Catalonia with Emilio Pujol, a profound pedagogue in the 19th century tradition who instilled in him a sense for higher artistic values, and in Switzerland with Eugen Dombois whose sense of happy organic unity between performer, instrument and historic period has had a lasting effect on him. From the mid 1970's, he was involved in various ensemble projects including the founding of the ensemble Hespèrion XX and a ten-year collaboration with Jordi Savall. This collaboration led to important experiences in chamber music which were a creative complement to his work as a soloist.
Academy of St. Martin in the Fields, Sir Neville Marriner - J.S. Bach: The Art of Fugue; Musical Offering (1994) 2CDs

Johann Sebastian Bach: The Art of Fugue; Musical Offering (1994) 2CDs
Academy of St. Martin in the Fields; Sir Neville Marriner, conductor

EAC | FLAC | Image (Cue&Log) ~ 630 Mb | Mp3 (CBR320) ~ 304 Mb | Scans included
Genre: Classical | Label: Philips Classics | # 442 556-2 | Time: 02:09:01

There are many apocryphal stories in the classical-music world, but the one in which Frederick the Great challenged Bach to improvise a six-part fugue on a theme of the king's own invention is true, and The Musical Offering was, after a period of further reflection, the result. As with all the works of Bach's later years, the work is both great art and a "teaching piece," which shows everything that he thought could be done with the king's theme. The Trio Sonata based on the theme is the only major piece of chamber music from Bach's last decades in Leipzig, and that makes the work and essential cornerstone of any Bach collection. This performance, led by Neville Marriner, is both polished and lively, and very well recorded. At a "twofer" price, coupled with The Art of Fugue, it's the preferred version of the work on modern instruments.
Alexander Knyazev - Johann Sebastian Bach: 18 Leipzig Chorales, BWV 651-668 (2015)

Alexander Knyazev - Johann Sebastian Bach: 18 Leipzig Chorales, BWV 651-668 (2015)
EAC | FLAC | Image (Cue&Log) ~ 429 Mb | Mp3 (CBR320) ~ 254 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 02397 | Time: 01:46:55

Equally adept with both the cello and organ, Alexander Knyazev, a graduate of the Moscow Conservatory specializing in cello and Nizhny Novgorod Conservatory specializing in organ has long focused on the organ and cello repertory of J.S. Bach. Lauded for his innate musicality and interpretative skills, Knyazevs first public acclaim came as a cellist. This collection presents the rarely performed chorale preludes composed by Bach during his stay in Leipzig in the last decade of his life and not published until after his death. Recorded in 2012 in the Riga Cathedral in Latvia renowned for its historic pipe organ.